A practical add-on for the »Spider Pro« and »Baby Spider Pro« keyboard stands. The robust attachment is a secure holder for a laptop. Stable arms can be tilted easily and quickly. Four positions are available, covering a tilt from horizontal to 25°. The attachment can be maneuvered horizontally to position the notebook where you want it to be. The support has rubber pads to stop the notebook from slipping and to protect it from scratches.

The Perception P2 high-performance dynamic bass microphone delivers a profound, high-energy low end for use on kick drums, trombones and bass amps. Its cardioid polar pattern reduces feedback and crosstalk coming from other instruments behind the microphone.

Aywa RCA M / 2 RCA F Adapter in plastic 

Aywa jack s M / 2 RCA M in plastic 

Music plus Adapter Jack 6.35M/ 2 Jack 6.35F in Plastic

Aywa - Adapter Jack 3.5 F / 2 RCA M in Plastic

The microphone arms are internally wired as standard, and use an elegant, single-tube design with articulated joints and internal springs, which may be adjusted single handedly. Two different reaches are offered, Microphone Arm (787mm) and Microphone Arm XL (1075mm). They are available in two finishes, black and natural aluminium. They support microphones up to 2kg. The arms are mounted directly to surfaces using either a flush bracket or G-clamp, or raised higher by using the support pole.

The P170 is a small-diaphragm condenser microphone for recording of overheads, percussion, acoustic guitars and other strings. Its lightweight 1/2-inch true condenser transducer diaphragm delivers outstanding clarity and transient response. The P170 utilizes the experience of sound engineers from around the world and is considered an affordable alternative to the legendary AKG C451 B.

Grab the updated AKG C1000 S MK4 and see what you've been missing. Engineers have long recommended the C1000 S to project studio engineers and field recording specialists for years because of its clarity and versatility, and this updated version is more versatile than ever. Switchable capsule caps provide cardioid and hypercardioid polar pattern, plus an optional gain boost, while the addition of a switchable pad and highpass filter let you tailor the frequency response to a wide range of applications. You can power the C1000 S MK4 with a pair of AA batteries for up to 120 hours, making it a great companion for your mobile recording. What's more, the internally shockmounted capsule has been redesigned with gold-plating to resist rust and corrosion.

When you buy a Shure SM57, you've got a great dynamic microphone for life. Accounts of its heroic toughness lie at the center of countless music-industry legends, most of which are perfectly true. What's also true about the SM57 is that it sounds great on a wide variety of sources. A large percentage of the snare drums and many guitar cabinets and vocal tracks recorded in the last several decades owe their sound to the SM57. Try one and you'll find out why live sound professionals and seasoned studio engineers swear by the Shure SM57 more than any microphone on the planet.

Need phantom power? Grab the Behringer MicroPower PS400 phantom power supply, and power up! Just plug in the included power supply, and you're ready to supply either 12V or 48V of phantom power to your condenser mic. Connect your condenser mic to the Mic Input and send a line from the Mic Thru to your mixer. If you need phantom power, look no further than the Behringer MicroPower PS400.

With a nod to project studios all over the globe, Sennheiser has unleashed the MK 4. Representing Sennheiser's first large-diaphragm side-address condenser microphone, the MK 4 is designed to offer you the best-possible sound quality for the money, rather than technical extravagance. It features a powerful warm sound, with vivid mids and a detailed bass range, making the MK 4 perfect for vocals and acoustic instruments alike. Created to give home and project studios a refreshing option, at excellent value, the MK 4 is well suited to a wide range of recording environments and applications.

The AKG C214 is the younger brother of AKG's legendary C414 condenser - similar to the 414's legendary sound, but at an entry-level price. The affordable C214 actually uses the same one-inch dual-capsule as the C414 in a single-diaphgram, cardioid-only design. The result? Highly-detailed, up-front sound on both voices and instruments with an overall performance close to that of the famous C414 B-XLS. Now you can get that epic AKG sound on any budget with the new C214!

You need a phono preamp to bring your record player's output up to proper line level, and the Behringer Microphono PP400 is an easy solution. You've got a pair of RCA inputs, and outputs on both RCA and stereo 1/4" connectors. optimizing your signal levels is the key to getting the most out of any sound system, and that's exactly what the Behringer Microphono PP400 is designed to do. Help your record player play nicely with the rest of your gear, with the Behringer Microphono PP400 phono preamp.

The AKG Perception 820 Tube condenser microphone makes quality tube mic performance affordable! This addition tothe popular Perception line gives you the rich sound only a real tube condenser can offer, while you control its stunning array of nine different pickup patterns (plus its low-cut filter and 20dB attenuation pad) from a very easy-to-use remote. The Perception 820 Tube uses a 1" dual capsule design to give you a very dimensional and smooth sound. Though this Perception flagship model excels on vocals, it's built to take the high SPLs you need to make the Perception 820 Tube a real studio workhorse.

Since its introduction in 1993, the C3000 is recognized as a standard in many configurations, whether in the studio or on stage. This new edition brings new aesthetic benefits for an even more economical budget.

The Rode VideoMic Pro R's integrated Rycote Lyre shockmount system isolates the microphone's capsule and electronics from its mount, giving you immunity to vibrations that may result in muddy-sounding audio. Whether you're hand-holding, or your camera is tripod- or steadicam-mounted, vibrations can find their way to your mic and ruin an otherwise good shot. The Rycote shockmount stops those vibrations completely. Constructed from a single piece of rugged thermoplastic, the Lyre provides better acoustic suspension than traditional elastic shock mounts - plus, it will never sag, break, or wear out.

The large Popkiller for modern studio engineering. The large 200 mm nylon screen guarantees optimum sound filtering during studio recording. The Popkiller with flexible gooseneck can be screwed to all standard microphone stands (rod diameter max. 30 mm).

PCB preamp module for Dynacord PM 600-3 / 1000-3 / 1600-3 / 2200-3

The new Stereo VideoMic Pro provides a high quality stereo option for videographers, and is ideal for recording music, and the atmospheric ambience essential in building a realistic audio scene.

Based around the all new capsule with its matched pair of high sensitivity ½”cardioid condensers in a coincident XY pair, the Stereo VideoMic Pro provides a wide stereo image with natural depth.

The VideoMicro is a compact microphone designed to improve the audio quality of your videos. It incorporates a high-quality cardioid condenser microphone capsule for great quality audio recordings when used with a wide range of cameras. 

The VideoMicro is a compact microphone designed to improve the audio quality of your videos. It incorporates a high-quality cardioid condenser microphone capsule for great quality audio recordings when used with a wide range of cameras. A directional microphone, the VideoMicro reduces distracting peripheral sounds and focusses on the audio in front of the camera.

The Electro-Voice ND6-8 is a world-class high-frequency compression driver capable of extremely high acoustic output over a wide frequency range.

The TX1181 uses the EVS-18S, a high excursion 18” woofer, coupled to well braced enclosure with large, low distortion ports, to add high impact bass response to any fullrange loudspeaker. An integrated low pass filter allows the TX1181 to be connected in parallel with a TX1122 or TX1152 on a single amplifier channel, eliminating the need for additional amplifier channels and processing.

T-2221 is a dual-source music player, built in AM / FM tuner. CD player, MP3, tuner and integrated remote control. USB and SD inputs on the front panel for MP3 player and an AM / FM tuner each with 99 bands.Two florescent screens for display in English CD / MP3 and a separate tuner.

Mixer with 6 speaker selector of source selection area and zone control. Built-in microphone and recorder for recording and storing voice messages easy. High-chime, including remote trigger and volume is provided. Volume control is provided for the microphone, music, mater, record and broadcast messages, lower and treble tone control. Indications include zone selector, source selector, recording status, power, and output level meters. 4 priority levels from top to bottom: remote paging console, Mic1, chime, pre-recorded message broadcast.

The T-6240 is a pre-public address with eight line level inputs, one unbalanced MIC input, and two EMC (priority) level inputs. Each of the eight input channels can be selected via pushbuttons on the front panel for use with the MIC input, so the T-6240 can be used on the channel page. Priority mute is performed via EMC1-2 inputs for compelling reasons from other inputs except Mic1. Individual gain controls are provided for each channel and MIC inputs.

2 channel mixer with 10 inputs and every 10 inputs with mic, line and high pass filter selector. Built-in 2/4 pre-series chime, remote chime trigger and local trigger on the front panel. The volume controls are provided above chime, MIC1, inputs 2-10, channel 1 and channel 2 masters. Bass and treble tone control are provided for both channels 1 and 2.

The T-1S01 is one - with five balanced microphone inputs, three AUX level inputs and one of the CEM level inputs (priority). priority mute is performed via MIC 2 and EMC for alternate music for call and emergency alarms. Individual gain controls are provided for MIC and AUX inputs, bass and treble are provided for overall tone control.