Guitar Effects

Pedal Cases black

The 9 VDC 500 mA power supply from Aywa Audio can be used with a mains voltage of 110 to 240 V and reliably supplies a continuous current of 500 mA for effect pedals. By using a DC split cable, up to five effect pedals can be operated.

The Behinger UP100 Pase Shifter Pedal has been designed to compete with leading products on the market. Its Grants a warped, warbling phase shift that turns your guitar into a symphony. If a more traditional sound suits your mood, slip into MODE II and enjoy the blissed-out shimmer of classic rock.

The BOSS CH-1 Super Chorus pedal offers up classic clean and shimmering chorus tones - it's arguably the best-selling chorus pedal on the planet, and a stellar pick for any guitarist or keyboardist. The CH-1's four onboard controls let you take charge of your chorus sound - there are effect level, EQ, rate, and depth controls. Crank up the rate for a dizzying psychedelic twist - or, pull back the rate, turn up the depth, and use the BOSS CH-1 in stereo for a lush, wide wave.

Enhanced sustain, tight control of dynamics, fatter sound. . . all from one pedal! The CS-3 gives you smooth sustain without degrading the quality of the original sound. A range of effects from gentle compression to squeezed sounds is at your command. Designed for outstanding low-noise performance, the CS-3 also provides EQ for precise sonic control.

The BOSS DD-3 Digital Delay pedal makes it easy to add amazing delay effects to your guitar rig - and it's sized just right for any pedalboard! Housed in a rugged metal enclosure, the compact DD-3 Digital Delay provides rackmount-quality sound with three different settings for a range of effects. You can go from chorus-y shimmer to 800ms atmospheric repeats almost instantly, and a hold function lets you repeat a delay indefinitely while you play over it. You can use its additional direct output to play through a second amp for a true stereo delay setup, too. Plug into a time-tested pedal - get great textures and effects with the DD-3 Digital Delay!

- An improved version of the classic DD-3 pedal, with features tailored to today's musicians

- Delay time from 12.5 to 800 ms, divided into three segments for quick adjustment

- Tap Tempo function on the integrated switch or using an external footswitch

- Short Loop setting to create short loops (same as the DD-3's Hold function)

- New function: Delay tempo adjustable via the integrated controller or an external footswitch

Turbo Distortion Pedal gives you two turbo modes: warm and mild with flat frequency response, or screaming and hard with mid-boost! You choose - this pedal does both beautifully! The built-in remote jack allows you to connect an external footswitch (like the FS-5L) for instant, hands-free switching between modes.

Two switches in one, BOSS's new FS-6 combines latch- and momentary-type switching into one unit. With two switches conveniently housed side-by-side, the FS-6 allows each switch to be set for latch or momentary operation. Pick the configuration that best suits your playing style and setup.

 The GE-7 has seven bands ranging from 100Hz to 6.4kHz -- ideal for guitar sounds, with boost/cut of +/- 15dB per band. This lets you completely control your sound and eliminate unwanted feedback, particularly when connected after a distortion effect.

Powered by their flagship GT-series engine, BOSS's GT-1 guitar multi-effects pedal packs their best amp models and effects into a compact floor unit. A streamlined interface makes choosing and tweaking patches quick and easy. Keep an eye on your parameters with the easy-to-read backlit LCD. Take command of your performance with the GT-1's assignable control switch and expression pedal. Enjoy a clean, noise-free signal, courtesy of 24-bit converters and BOSS's proprietary Adaptive Focus method. The BOSS GT-1 guitar multi-effects pedal fits easily in your gig bag, thanks to its smooth, modern design, and runs for up to seven hours on four AA batteries.

Harnessing the power and potential of Roland's GK technology has never been easier or more affordable than it is with the BOSS GP-10. The GP-10 multi-effects processor lets you use your axe to harness a wide range of guitar, bass, and synth tones, including the classic Roland GR-300! But that's just the beginning. You can easily access alternative tunings and 12-string sounds as well, or tap into a massive collection of COSM amps and effects. Top it off with USB connectivity that lets you send both audio and MIDI to your computer, and there's no limit to what you can do with a BOSS GP-10.

Some go so far as to say it's BOSS's best distortion pedal ever. We know that's a bold statement, but just wait until you hear it! It delivers distortion so nasty, gnarly, and just plain vicious that it'll leave permanent psychological scars.

The BOSS GT-001 amplifier/effects modeler and USB audio interface makes it easy to record outstanding guitar tone right at your desktop. This compact guitar processor packs the latest COSM amp and effects models from BOSS, giving you access to a wide range of guitar tones suitable for virtually any musical style. You're even equipped for recording vocals or acoustic guitar with the XLR mic input. You can even play your favorite virtual instruments with the built-in guitar-to-MIDI converter

Its unique dual-gain circuitry provides you with distortion tones that sound positively huge. You get insane levels of saturation, super-long sustain, and heavy mids and lows that are reminiscent of a stack of overdriven amps. On top of that, its 3-band EQ with semi-parametric midrange control delivers plenty of tone-shaping options, giving you command over a wide range of over-the-top distortion textures. Make no mistake - if you're a hard rock or metal guitarist, then the BOSS MT-2 Metal Zone distortion pedal should be an integral part of your tonal assault.

Get an entire guitar rig and pedalboard in one unit with the BOSS ME-80 guitar multi-effects processor. Utilizing the technology from the GT-100 and BOSS's Multi-Dimensional Processing (MDP) effects, the ME-80 delivers killer sounds. A COSM preamp section helps you build great amplifier tones, and eight footswitches give you access to compression, distortion, modulation, and delay effects and more. Each effects section uses dedicated knobs for each parameter, letting you dial in sounds quickly and intuitively. Harness the power of an entire store's worth of BOSS pedals with the BOSS ME-80 guitar multi-effects processor!

The NS-2 effectively eliminates noise and hum of the input signal while preserving the original sound's tonality. The natural attack and envelope are unaffected thanks to the NS-2's unique noise detection circuit that precisely separates the guitar sound and the noise components.

The BOSS OC-3 Super Octave pedal does more than simply add an octave effect to your guitar. You get three different modes, plus the ability to plug in a guitar or a bass. Choose between the cool Polyphonic Octave mode, the Drive mode (with distortion), and BOSS's original OC-2 mode. Whether you're going for mind-blowing psychedelic polyphonic sounds or want to add an aggressive edge to your solos, the OC-3 Super Octave has you covered. Since it has an independent bass input, you can use the OC-3 Super Octave for low-end workouts, too.

With BOSS's popular OS-2 OverDrive/Distortion pedal, it's like having two in-your-face effects pedals in one. That's because, with it, you can produce all kinds of overdrive sounds, tons of distortion flavors, or a massive combination of the two. The OS-2 has four onboard controls (Level, Tone, Drive, and Color) which let you summon your sound. But, whether you drive it hard or give your tone just that perfect subtle crunch is up to you. Either way, you'll love the BOSS OS-2 with both single-coil and humbucking pickups.

When you want 3-voice guitar harmony, you don't need to call up two of your friends, just stomp on the PS-6 Harmonist, and prepare to be amazed! This little blue box packs intelligent Harmony, Pitch Shifter, and Detune modes. Plus, it sports BOSS's all-new Super Bend mode for crazy-cool pedal-bending effects and 3- and 4-octave pitch sweeps. The PS-6 Harmonist is an impressive creative tool and a lot of fun to use, a definite pedalboard must-have for the adventurous guitarist. Don't forget to add an expressional pedal to take full control of your PS-6 Harmonist harmony effects!

The PSA series is the recommended power supply for products including all new BOSS Compact and Twin pedals, Multi-effects and more.

The BOSS RC-1 Loop Station's simple format gives you up to 12 minutes of a single loop to add interest and depth to your music. With mono and stereo connectivity, it gives you the flexibility you need to make full use of your stereo effects pedals and amplifiers, as well as synths and other instruments. 

The BOSS RC-30 Loop Station is packed with stereo connectivity for everybody in the band. But what makes the BOSS RC-30 Loop Station extra cool is the fact that you have two independently controllable stereo loops to take control of. You can switch each stereo loop on or off, or add to either one. And with the rhythm guide and built-in effects, the creative possibilities of the RC-30 loop station are practically endless! After you've built up a complex loop series you love, you can transfer everything to your computer over USB so you'll never lose an inspired moment. Bottom line? You'll love the RC-30 Loop Station!

- Loop Station controllable with your hands - ideal for beatboxers, singers and club artists

- Built-in effects: 49 input effects, 53 track effects and 2 types of general effects

- Mark Back function for more flexibility in Undo/Redo processes

- Customizable effects and track buttons.

- Memory for 99 phrases with 5 tracks each

The Boss RC-500 Loop Station is a two-track stereo looper offering superior sound quality (32-bit AD/DA converters, 32-bit processor, 44.1 kHz sampling rate), 13 hours of recording time, a user-friendly interface with multicolor backlit LCD display, 99 memories for your loops, 57 preset rhythm accompaniments with A/B variations and support for control via external switches, expression pedal or MIDI.

The New Looper RC300 Passes Over 3 Houres Of Recording. Roland Reaches A New Effective And Unique Revolution, With This Perfect Looper You Can Insert 99 Looping Memory Directly In The Machine.

Step up to the RC-5 and prime your pedalboard with maximum looping range. Capture sound with premium 32-bit quality, navigate parameters and monitor loop status with the backlit LCD, and tap into expanded operation via the control jack and TRS MIDI I/O. And with over 50 rhythms, 13 hours of stereo recording, 99 phrase memories, and more, the compact RC-5 puts a deep well of musical power at your feet.

The BOSS RV-6 is a great way to add reverb to your pedalboard. It's as easy as selecting a sound mode and tweaking a few knobs. The RV-6 takes advantage of cutting-edge technology to provide you with eight sophisticated, highly musical reverb effects that range from room, hall, and plate algorithms to vintage-style spring reverb to immersive, modern-sounding textures. Plus, Dynamic Mode automatically adjusts to your playing for lush ambience that won't turn your tone to mud. The BOSS RV-6 comes complete with auto-switching for easy integration into your rig, an expression pedal input, and a superb-sounding analog signal path.

The BOSS SD-1 produces the warm, smooth distortion of an overdriven tube amplifier while maintaining the subtle nuances of your picking technique. Unique asymmetric overdrive circuitry delivers a genuine overdrive effect for a classic guitar sound. A Tone control is also provided for precise tonal adjustment.

- Synthesis/modeling processor

- 48 kHz / 32-bit processing

- New Dynamic Synth

- Backlit graphic LCD screen

- BOSS Tone Studio Editor

Create unique echo and ambiance effects with the BOSS TE-2 Tera Echo pedal. The TE-2 analyzes and breaks down your signal into multiple frequency bands, resulting in distinctive echo and ambiance effects you can't achieve with traditional delay pedals. This isn't your typical delay or reverb, it's an all-new echo effect. Stereo ins and outs make it perfect for expansive soundscaping.

The Boss TU3 is a tuner pedal ultra accurate! Tuning range: C0 (16.35Hz) ~ C8 (4186Hz), 21-segment meter (LED) with light intensity control

Add vocal flair! The BOSS VE-20 is the must-have stompbox for any vocalist. Now you can add cool vocal effects to your stage performances whenever you want. With one stop, the VE-20 can give you lush vocal tones with reverb, delay, and 3-part harmonies. Or, you can go totally modern with special effects, including distortion, radio, and strobe. Want to loop your voice for cool sound-on-sound harmonies? It's no problem. There's even a 38-second phrase looper on the BOSS VE-20 Vocal Performer.

The BOSS VE-2 Vocal Harmonist effects processor proves that you don't have to drop a ton of cash or lug around a pedalboard-sized gadget to get the vocal processing you really want. This compact device is so easy to use, you don't have to know a thing about music gear or music theory to dial in the perfect harmony or effects, and with a push of a button, you'll get instant studio magic. Plug in a guitar, and the VE-2 becomes more impressive still, using the chords you play to determine the harmonies it creates. What's more, you can run the VE-2 on just four AA batteries for totally portable operation, and USB connectivity even lets you take your favorite vocal effects into the studio.

The DigiTech Element XP guitar multi-effects pedal takes the massive collection of tones you get with the basic Element and adds expression pedal control. From tried-and-true tone combos to innovative creations that explore whole new sonic possibilities, the DigiTech Element XP delivers. In all, you'll have access to 38 effects (including a few designed specifically for use with the expression pedal), 12 amps, and nine cabinets, all arranged into 100 stellar presets with room for 100 more of your own. What's more, you'll find drum tracks, a tuner, and a headphone out for private practice all onboard the DigiTech Element XP.

The BOSS VE-8 Acoustic Singer has all the processing power you need for your voice and guitar, so you can travel light. You can drum out beats and perform over them via the 80-second looper, add intelligent vocal harmonies on the spot, and dial in new textures - like vocal distortion and guitar octaves - for dynamic stage performances. Onboard pitch correction even helps you hit those awkward notes. You can then send pre-mixed or independent signals to your acoustic amp and PA via two sets of stereo outputs. Though its simple layout makes the BOSS VE-8 perfect for the stage, direct DAW recording over USB and an auxiliary audio input for your phone make this pedal a staple for your studio or practice space.

The DigiTech® RP360XP Guitar Multi-Effect Processor is a complete 360 ° solution for guitar effects. It includes over 160 different effects (55 amps, 27 cabinets, 85 pedals) inspired by the world's best selling pedals and iconic amps. The LCD interface makes it easy to explore and discover the perfect tone to achieve that desired effect.

The DigiTech RP55 guitar multi-effects pedal puts 11 quality amplifier models and 20 impressive effects right at your feet at an amazingly low price! The compact, 2-footswitch RP55 lets you use up to eight effects at a time, and it's easy to pull up the settings you like. This pedal also includes an onboard drum machine with 30 patterns for effective practice, and when it's time to tune up, you can use its 12-LED chromatic tuner. With 40 factory presets (40 user), you'll find plenty of great sounds in the compact, affordable RP55.

You've seen it. You've heard it. But do you have one? This is the original Dunlop Cry Baby wah pedal. It's the one that's joined legions of legendary guitarists onstage since the dawn of rock... from Hendrix to Clapton and far, far beyond. Mount this one on your pedalboard and you'll never regret the decision: this is the one and only wah you need to conjure up classic tones or dive in a new direction of your own. Featuring a heavy-duty die-cast construction for years of stomping, rocking, and tear-shedding (and sometimes shredding) the Dunlop Cry Baby wah pedal is a pedalboard classic.

Create incredibly smooth volume swells or control your effect pedal parameters with the Dunlop DVP1XL Volume (XL). Solidly-built in an aluminum chassis with aggressive non-slip tread

The EVH Wah was developed after intensive design collaboration with the legendary guitarist, Eddie Van Halen. Early on in the process, Eddie handed over his Holy Grail Cry Baby Wah-a standard Cry Baby customized in the early Nineties with a more vocal-like, High Q inductor and a wider frequency sweep. Amazingly, we found that over the years Eddie's unique wah style, which uses mostly the middle range of the pedal's action, had carved his own curve into the pot's resistive element, making the middle range even more defined and increased the low-end sweep. Our clones of the worn-in pot and hand-selected inductor give the new EVH Wah Wah the same Holy Grail feel and tone, and its true hardwire bypass, dual bright blue bypass LEDs, and graphics based on the black and yellow-striped guitar featured on Van Halen II round out this EVH-approved Cry Baby with a voice and look all its own.

Geezer Butler is one of rock ‘n’ roll’s pioneers—his growling bass tones and heavy, swinging bass lines have helped define entire genres of hard rock and heavy metal. As the first bass player to ever record with a wah pedal, Geezer was the only natural choice when it came to designing our very first signature Cry Baby Bass Wah.

Guitar virtuoso John Petrucci and Dream Theater engineer Richard Chycki worked with the Cry Baby design team to create the Dunlop JP95 John Petrucci Signature Cry Baby Wah. John himself says it "sounds huge and badass like an angry, screaming monster with the ultimate expressive range - it's perfect for shaping single notes or manipulating growling, heavy chords. . If you dig John Petrucci's guitar tone, you definitely need to check out the Dunlop JP95 John Petrucci Signature Cry Baby Wah.

Now you can command the same killer wah tone as Kirk with the new Kirk Hammett Cry Baby Wah. Developed in close collaboration with the metal guitar icon himself, it has been meticulously tuned and tweaked to deliver the wah sound that revolutionized metal solos. This is the legendary tone that Kirk dials in on tour using his Cry Baby Rack Wah.

Like the man himself, the Slash Cry Baby Wah is both revolutionary and classic, right down to its hot rod metallic red finish and cutting edge circuit design. The Slash Wah deploys a searing high gain distortion coupled with the Fasel-loaded Classic circuit for instant lead tone that not only cuts through, but sings with a sweet and lush top end. Convenient LEDs indicate distortion on/off and wah on/off modes, so there's no more guessing game every time you put your foot down

With its ultra-compact size, the Ibanez Analog Delay Mini pedal packs true analog delay tone that can fit on even the most cramped pedalboards. You'll be able to dial in everything from short slapbacks to echoes with the 20ms to 600ms delay time range. The signal path is 100% analog, and true bypass switching completely takes the effect out of your guitar's signal path when disengaged.

Ever wonder how virtuoso guitarist Paul Gilbert gets that crazy flange effect he's known for? Here it is in one handy stompbox: the Ibanez Paul Gilbert Signature AF2 AIRPLANE Flanger. Really, the AF2 AIRPLANE Flanger is more like two pedals in one. First there's the TAXI section, which is more or less a traditional chorus/flange effect. Switch the AF2 AIRPLANE Flanger over to TAKEOFF, and the effect shifts into high gear. To go with this unique pedal's distinct sound, Ibanez designed a cool retro-style die-cast chassis. If you're looking for an intense modulation effect to add to your arsenal, make it the Ibanez Paul Gilbert Signature AF2 AIRPLANE Flanger!

Sometimes it's best to keep it simple. Which is why, in a world of dizzying often over-complex technology, the durable, dependable, and simple stomp box continues to be the most widely used and effective means to expand, color, distort, mutate, sustain, and twist tone. The Ibanez BB9 is a booster that provides a fat bottom end with a powerful sound, perfect for the player who wants to push their amp into overdrive without losing any of their low-end. This pedal is designed to help clean tones reverberate even more and bring more intensity to a player's sound. Combine it with a distortion pedal to create of a wide variety of tone colors. BB9 is also equipped with True Bypass switching. Features: Drive, Level, Tone Controls Tons of Volume True Bypass Switch High Intensity LED Input impedance 500K ohms Output impedance 10K ohms Equivalent Input Noise ?100 dBm (IHF-A) Power Supply One 9 Volt Battery or external AC adaptor (9V) Size 4.9(D) × 3(W) × 2(H)inch Weight 1.3 lbs.

It's hard to beat the sound of real analog chorus for adding vibrant richness to your guitar tone, and the Ibanez Chorus Mini effects pedal serves it up in a compact pedal that can fit on any pedalboard. Speed, Depth, and Level controls make short work of dialing everything from gentle shimmering clean tones to extreme warbles. The 100% analog signal path maintains your guitar's tonal essence, while true bypass switching completely removes the effect from your signal path when disengaged.

Ibanez designed the ES2 Echo Shifter analog delay pedal to bring you a surprisingly wide range of creative delay effects with digital-like control. The ES2 Echo Shifter gives you a 30ms-1000ms delay range with tap tempo, and you can even adjust the tempo on the fly without pitch artifacts like some analog delays. You can add pitch modulation for rich, animated delay effects. The oscillation mode lets you create wild psychedelic chaos.

The Ibanez / Maxon OD 850 has always been a real insider's tip, but the term "Overdrive" is not quite true: the circuit is the Japanese interpretation of the good, old Muff circuit from the 70s! Not overdrive, but fuzz and distortion are called for. From sawing fuzz to singing violin, everything is possible - a cool 70's brass sound. In the direct comparison with the old originals, it is noticeable that the noise level of the current version is significantly lower.

You can turn practically any guitar amplifier into a fire-breathing metal monster with the Ibanez Super Metal Mini pedal. The all-analog circuitry maintains the full intensity and girth of your core guitar tone, and you've got impressive sound-sculpting potential with the Super Metal Mini. Edge, Punch, and Attack controls allow you to fine-tune your distorted tone until it wails just right.

A painstaking re-creation of the 1979 "narrow box" Overdrive Pro TS808, the Ibanez TS808 35th Anniversary overdrive pedal uses the same JRC4558D chip as the original, giving you truckloads of authentic Tube Screamer tone. Built like a vintage MXR pedal, the 1979 TS808 had a removable bottom plate and no plastic battery cover. Also, the 1979 TS808's Level knob was labeled Balance, and its external power jack was next to its input jack. Nonetheless, the 1979 TS808 still gave you that unmistakable Tube Screamer overdrive that is part of so many legendary guitar players' signature sound.

Plug into the Ibanez TS808 Tube Screamer overdrive effects pedal, and you're plugging into thick and overdriven tube-style tone. This green beast is a classic - not to mention a modern pedalboard staple. The original Tube Screamer propelled into fame when Stevie Ray Vaughan used it to craft his signature tone. Today, those original TS808 Tube Screamers go for serious coin on the collector's market, but with this reissue, you can get those same sought-after tones, without breaking the bank. Push your amp, round out your tone: load up with the Ibanez TS808 Tube Screamer.

The Ibanez Tube Screamer is a modern legend, revered for its creamy, organic overdrive. The TS808DX Tube Screamer Overdrive Pro Deluxe rocks the coveted TS808 circuit along with a clean boost - giving you two essential guitar pedals in one. Use them together or separately for classic, tubelike TS overdrive - always at the right level. The TS808DX features a pre/post switch, letting you define your signature sound by placing the boost either before or after the TS circuit. This high-quality Japanese-made pedal gives you true bypass, in addition to 9/18-volt operation.

The Ibanez Tube Screamer, in its many versions and forms, can be found on pedal boards in every corner of the globe, on arena stages and in small studios and bedrooms. Its warm overdrive is a sound many players, from advanced to beginner, could never do without. Now, it gets even better with the release of the TS808HW, a Hand-Wired deluxe Tube Screamer built with the pro musician in mind.

You’ll find the Ibanez TS9 Tube Screamer (or a clone of one) on countless pedalboards — it’s one of the most-imitated pedals out there. Its rich midrange growl and dynamic touch sensitivity are unmatched. And in front of a raging tube stack? No other pedal can duplicate that classic saturated sound.

Here's a reissue of the original Ibanez TS9 Tube Screamer distortion/overdrive pedal for an incredibly reasonable price. The TS9 Tube Screamer is one of the most imitated classic distortion pedals ever made. Now you can get your hands on a reissue that's every bit as authentic as an original. In fact, this TS9 Tube Screamer features the same components, housing, and seasick-green paint used to make the original models. They're even made in the same factory! What's even more important is that the sound is dead on. Discover classic stompbox distortion and drive - plug into an Ibanez TS9 Tube Screamer!

A standard switch pedals, with a metal case for more solidity. Use it as a damper pedal or as a control switch for functions like on / off.

The Marshall PEDL-10010 (P803) twin footswitch works with all Valvestate and Tube Amplifiers. Enables you to switch channels and turn chorus on/off.

Get the most out of your Marshall Code combo or stack with this official footswitch. The PEDL-91009's first three switches let you instantly recall your favorite presets - something that fans of the TSL's clean/crunch/lead footswitch layout will take to instantly. The fourth switch lets you discreetly cycle through banks to load even more presets. An LED readout helps you keep track of what preset bank you're on even in dim lighting conditions. 

The Nux ACD006A power adapter is designed to best power your guitar effects pedals, analog or digital, operating with a voltage of 9V under 500mA, center negative connection. It has a switching regulator to control the conversion of the power supply capable of supporting a voltage of 100 to 240V.

An amazing pedal to add to your pedalboard!

If you are looking for the delay pedal that shall stay by your side for a long time, so the Nux Analog Delay pedal is made specially for you. Back in the 80s, the delay effect was one of the most used effects in the music industry where many of legends made hundreds of songs that they lasted until today!

The Nux Atlantic delay pedal is not just a standard pedal. It covers many types of reverb and delay effects with its digital processing technology that delivers studio-quality output.

Small but effective! The Brownie Distortion mini pedal simulates many of the characteristics of the most famous amps of the 70's with its asymmetrical clipping circuit.

The Nux Metal Core Deluxe pedal gives you all the possibilities to reach the crunchiest distortion sound. Thanks to its two circuits that offers two different types of distortion: Vintage Distortion and Modern Distortion.

The vintage mode produces a crunchy distortion sound with low low-mids for a clear sound, a low frequency boost and round highs. You can play with the knobs to get the sound you need, if you put the gain knob in the middle, the sound is already crunchy and gives you a classic-metal sound-like distortion. If you push it even higher, you'll get a heavier and more aggressive sound, then you'll be ready to rock!

The modern mode is very different, this mode gives a less detailed but more aggressive and distorted sound, which is ideal for your shredding technique and fast playing.

Designed with the experience of building effects pedals for over 10 years, Nux Bumblebee pedalboards give you optimal space, allowing you to customize your own pedalboard in the most efficient way. You can assemble and modulate the platforms however you want. The Nux Bumblebee is made from anodized aluminum to ensure a lightweight, strong and durable construction. The bottom of the platforms is sculpted and well supported, and gives you space to cover your cables without losing strength.

The Nux Plexi Crunch pedal offers a rich distortion sound that all rock stars truly admire. An elegantly designed pedal that contains Master, Preamp, Tone and Presence controls that allows you to set up and reach the sound you want.

Do you play rock, metal or rock'n'roll? The Nux Recto-Distortion pedal is here for you!

This analog pedal perfectly mimics the sound fidelity of the most famous and used amplifiers around the world.

It is characterized by a balanced bass and treble balance, an impeccable compression and a crunchy and delicious sound.

A unique vintage delay pedal from Nux. The Tape Eco is an effect well known to guitarists, the famous vitage delay works with a system of recording and reproducing the signal on a magnetic tape and processing it with quality and precision.

You'll have complete hands-free control over your Roland GA-112 or GA-212 combo amplifier with the Roland GA-FC foot controller! The GA-112 and GA-212 pack a ton of tube-like tone, with four programmable channels and a huge tonal range. With the GA-FC foot controller, you can change channels, re-configure signal routing, and even connect up to two expression pedals for even more real-time control. To get the most out of your Roland GA-112 or GA-212 combo amp.

When using a PSA-230P in an 'daisy chain' configuration he may be to weak depending on the number of BOSS pedals used, the answer to this is our powerful PSB-230EU. It's design also allows a greater distance to the nearest power socket wich makes it ideal for live use. 

The doubling effect in VoiceTone D1 incorporates TC-Helicon’s research into differentiating pitch-shifted voices from your lead voice to produce convincing group unison vocal effects. Single and multi-voice natural doubling styles are available including octave shifted variants, classic fixed detune effects, and even a group shout for extra fun.

The Roland GR-55 is a revolution in guitar synthesis, with features never before available in any guitar processor. In terms of speed, it’s the fastest ever. It’s also the most accurate, thanks to newly developed pitch-detection technology. As for sound, the triple-core generator houses a world-class array of virtual guitars, basses, amps, and synth voices, enabling tones and textures that have never been heard before. Onstage or in the studio, you can instantly access the GR-55’s huge library of ready-to-use sounds, from pop to rock and beyond, with quick-access category buttons. Welcome to a groundbreaking new era in guitar synthesis!

The wah pedal is a pedalboard staple, and the Vox V845 puts this classic effect under your feet at a price that’s sure to put a smile on your face. Spec’d to emulate Vox’s ’60s-era original, the V845 ups the ante with a 9-volt power supply input, eliminating the need for a battery. You also get a durable all-black coated finish that’s built to withstand a lifetime of stomping and rocking. If you want to duplicate classic Cream- and Hendrix-esque wah-wah effects, the Vox V845 is the right tool for the job.

The Vox Stomp Lab series of effect pedals, of which the Stomp Lab IIG modeling guitar pedal is a part of, are impressive new contenders that pack powerful sounds into compact and sophisticated looking metal bodies. Sound variations are categorized by style, such as rock, blues, and ballad, making it easy for even novice users to recall the desired sound. With high-quality looks, plus its high quality sound, the Stomp Lab series will be a great companion for the guitarist or bassist for years to come. Multi-effects units contain an incredibly diverse array of sounds that range from distorted to clean, and the sheer number of these sounds can be staggering.

Vox footswitch is especially made for Vox amps. Its rugged, all-metal construction makes it a roadworthy companion from which you'll get years of use. A 1/4-inch jack on the VFS2 connect the footswitch to Vox Pathfinder and Cambridge amps. Durable case and switches which works great with amplifier.

The Vox VFS5 foot controller lets you get the most out of your VT series amplifier! Using the VFS5 foot controller lets you take the stage with any Vox VT series amp and take control of your tone. Use this rugged 4-button footswitch to turn reverb and effects on and off, switch between presets, and even adust speed and tap settings with your foot. Vox VT modeling amps each pack an incredible array of amp tones and effects, and you can take advantage of their power and versatility by connecting a VFS5 foot controller!

With specially engineered effects, built-in looper and drum machine, the A1 FOUR is the first Multi-Effects Processor designed for a variety of acoustic string and wind instruments.

The A1 FOUR is preloaded with over 80 effects, including more than 35 new groundbreaking effects designed and engineered for acoustic instruments.

With specially engineered effects, built-in looper and drum machine, the A1X FOUR is the first Multi-Effects Processor designed for a variety of acoustic string and wind instruments.

The A1X FOUR is preloaded with over 80 effects, including more than 35 new groundbreaking effects designed and engineered for acoustic instruments.