Microphones

Robust all-in-one wireless system with great flexibility for broadcast quality sound.

TThe WMS40 Mini Dual Vocal Set is a true plug’n’play wireless solution. Each of the two included HT40 Mini handheld transmitter features a dynamic cardioid capsule for maximum gain before feedback. Their extremely long battery life of 30 hours off a single AA battery saves money in day-to-day use. The receiver offers two balanced outputs via 1/4" jack connectors.

The DR-40X is a versatile four-track audio recorder for music, podcasting, cinema and any other application requiring high-quality audio. Building on the highly successful Tascam DR-40, this recorder adds several new functions to the already comprehensive feature set.

The DR-40X is a versatile four-track audio recorder for music, podcasting, cinema and any other application requiring high-quality audio. Building on the highly successful Tascam DR-40, this recorder adds several new functions to the already comprehensive feature set.

The DR-40X is a versatile four-track audio recorder for music, podcasting, cinema and any other application requiring high-quality audio. Building on the highly successful Tascam DR-40, this recorder adds several new functions to the already comprehensive feature set.

The SSH-6 mid-side stereo shotgun capsule includes a super-directional microphone for picking up sound in the center, as well as a bidirectional side mic for picking up sounds from the left and right. This allows you to record a fully mono-compatible stereo image—ideal for film, video, and television projects. For example, you can capture dialogue with the center mic, and then mix in the desired amount of environmental sound captured by the side mic directly on your Zoom recorder, or in post-production.

Compact, affordable, and loaded with features, the PodTrak P4 makes it easy to capture professional quality audio wherever you’re recording your podcasts.

The P4’s mic inputs feature Zoom’s professional quality preamps. Providing up to 70dB of gain, the P4 can be used with the most demanding microphones.

The Zoom Q2n-4K combines unrivaled audio with crisp 4K imaging to completely capture your rehearsals, performances and live streams like never before.

You work hard to cultivate your sound. The Q2n-4K's X/Y stereo microphones are designed to handle everything from saxophone to heavy metal.

Stage lights can overexpose your video and can ruin a good take. The Q2n-4K’s high dynamic range (HDR) technology automatically adjusts the exposure, so your lighting effects don’t blow out the shot.

The Q8 marries high-definition video with high-resolution audio, making it the perfect camera for music and video creators everywhere. Its 160 degree wide-angle lens and digital zoom ensure that you’ll always capture the complete picture. Combine that with ZOOM’s groundbreaking interchangeable mic capsule system and two XLR/TRS combo inputs for a world of options.

12 simultaneous recording tracks, interchangeable capsules, and an App-driven touchscreen interface, the H8 is designed to meet all your audio recording needs.

Whether you’re capturing audio on location, recording music, or producing a podcast, the H8 color touchscreen adapts to your project’s needs with three App-driven interface options. All with the touch of your finger.

The Zoom ZDM-1 Dynamic Microphone delivers smooth, natural tone with built-in noise protection and impressive sound rejection for clear, focused, broadcast-quality recordings.

The ZDM-1 captures crystal-clear detail with tight bass and smooth high-end that enhances any voice.

When you're ready to take your iOS audio to the next level, plug in a Zoom iQ7. This compact yet full-featured mid-side stereo condenser mic is perfect for capturing music as well as video with outstanding audio. With the iQ7, you can create great-sounding recordings on your iPhone, iPad and iPod Touch any time, any place.

Turn your iOS device into a field recorder by plugging in a Zoom iQ6—a stereo X/Y microphone with a Lightning connector small enough to slip into your pocket. Capture the sound of concerts, interviews, meetings and lectures with precision and full fidelity, then share your creations with the world.

Battery pack/48 V for Series 21 Instrument mics. No signal loss and compatible with: GL21 Acoustic Guitar & Ukulele, SB21 Sax & Brass, BL21 Contrabass, CL21 Cello, VL21 Violin & Alto, PL21 Percussions, DL21 Drums, AL21 Accordion. 

The all-metal, completely insulated BP21 Battery Pack comes with a 9 volt battery compartment to power any of the instrument mics from Series 21:

The 4-mic pack DL21 Salmiéri is intended for the sound reinforcement of toms and snare drums.

It is equipped with four anti-vibration clamps and an XLR adapter.

A totally new range of instrument mic systems for recording all your acoustic instruments live!

-mic pack for recording all your percussion instruments: congas, bongos, djembes, cajons, timbales, rototoms, tambourines, tablas, batas, goblet drums, bendirs, bodhrans, toms, snare drums, tambors, surdos, talking drums, udu, steel drums and many more.

A totally new range of instrument mic systems for recording all your percussion instruments live.

Kit of three mics for congas, bongos, djembes, cajons, timbales, rototoms, tambourines, tablas, batas, goblet drums, bendirs, bodhrans, toms, snare drums, tambors, surdos, talking drums, udu, steel drums and many more.

A very faithful response, with an excellent natural sound and an easy and fast assembly,

Developed under the direction of Ludovic Lanen, the VL21-C Lanen microphone is specially designed for the recording and sound reinforcement of violins and violas.

Equipped with an electret cell capable of handling up 140dB, it will capture all the dynamics and nuances of your playing.

Its great linearity will perfectly respect the timbre and the sound of your instrument.

Particular attention has been paid to attaching the microphone to the instrument. The two new rubber clamps allow the 21 cell to be positioned at the heart of the sound recording, in order to ensure perfect capture for a precise and natural rendering.

The AL21 Romanelli is a pack of three microphones, specially intended for the sound system of accordions and bandoneons.

Equipped with an electret cell capable of handling 140dB, they will capture all the dynamics and nuances of your playing. In addition, their great linearity will perfectly respect the timbre and tone of your instrument.

Special attention has been paid to attaching the microphones to the instrument.

The reference for cellists!

A very faithful response, an excellent natural sound and an easy and fast assembly!

Developed under the direction of Ludovic Lanen with the assistance of the talented Jean-Claude Auclin, the CL21 Lanen microphone is specially intended for the recording and sound reinforcement of cellos.

Equipped with an electret cell capable of handling 140dB, it will capture all the dynamics and nuances of your playing. Its great linearity will perfectly respect the timbre and the sound of your instrument.

Particular attention has been paid to attaching the microphone to the instrument.

Developed under the direction of Ludovic Lanen, the GL21 Lanen microphone is specially designed for the recording and sound reinforcement of acoustic guitars, ukuleles, mandolins and dobros.

Equipped with an electret cell capable of handling 140dB, it will capture all the dynamics and nuances of your playing.

Its great linearity will perfectly respect the timbre and the sound of your instrument.

Particular attention has been paid to attaching the microphone to the instrument. Equipped with two clamps specially designed for guitars, ukuleles, mandolins and dobros, the GL21 will allow you to face all situations.

A very high admissible sound level, an electret cell capable of handling up to 140dB!

Developed under the direction of Ludovic Lanen with the assistance of the talented saxophonist Patrick Bourgoin, the SB21 Lanen Sax & Brass microphone is dedicated to alto saxophones, tenor saxophones, trumpets, trombones, tubas, horns and all brass ...

It will capture all the dynamics and nuances of your playing. In addition, its great linearity will perfectly respect the timbre and tone of your instrument. A very faithful response, a sound of exemplary naturalness and an easy and fast assembly!

If you take a condenser capsule that has been optimised for vocals and instrument and then build an audio chipset into the mic's electronics, the end product is a studio mic that behaves like a separate audio input, but retains the level of sensitivity, resolution and accuracy you would expect from a studio mic.

Unlike other USB microphones on the market, the ST-USB is shipped with an ASIO driver letting you use it in all your ASIO software, and not only in a basic multimedia environment.

The STC-3D MK2 Lanen is one of the only static mics on the market equipped, with a truly large 34mm capsule and a double 1-inch gold-plated diaphragm, in this price range. Most other brands talk about a "wide" membrane for 16-19mm capsules, and the difference is sizable!

Contrary to “entry-level” products that are often too cold and tinny, the STC-3D MK2 Lanen offers you a sound that perfectly reproduces the subtleties and warmth of the recorded source and allows you to obtain effective recordings with a high degree of presence.

The ST-1 MK2 Lanen, designed on the basis of the STC-3D MK2, is one of the only condenser microphones on the market, equipped with a real 34mm large diaphragm capsule, with a gold-plated one-inch diaphragm, in this price range.

Almost all of the other brands speak of a large membrane, for capsules from 16 to 19mm and the difference is significant!

Unlike "entry-level" products, which are often too cold and too bright, with less full sound in the bass and lower midrange, the ST-1 MK2 Lanen perfectly reproduces the definition and warmth of the recorded source.

Specially designed for instruments, the TT1’s capsule, combined with a double mesh grille, is intended for the recording and sound reproduction of strings, woodwinds, wind instruments, guitars and percussions, both on stage and in the studio.

An accurate, well-balanced mic with high output. The TT1 Pro Instruments is also remarkably effective at picking up the amps (with guitars, etc.)

The TT1 Pro Instruments has the same manufacturing costs as the best products on the market. Ever since the Prodipe journey began, the leading brands have had to sit up and take notice!

A variant of the TT1, the TT1 Pro - Lanen does not have a switch on/off for an optimal use on stage. Well balanced with a high output level, it will suit both exacting singers, as well as conference speakers, presenters and entertainers.

The TT1 has the same manufacturing costs as the best products on the market. Ever since the Prodipe journey began, the leading brands have had to sit up and take notice!

Well-balanced with high output, the TT1 is ideal for anyone looking for an accurate reproduction of their voice: singers, speakers, presenters, MCs…

The TT1 has the same manufacturing costs as the best products on the market. Ever since the Prodipe journey began, the leading brands have had to sit up and take notice!

Protect your EleMent Series Microphone with the PF-100 Pop Screen from Mackie. This pop filter is sized specifically for EleMent Series microphones, which is good, because it attaches directly to the capsule by means of included elastic bands. Once affixed to the mic, it helps reduce low-frequency pops and thumps, filtering them out of your voice for the best possible sound. This pop filter also helps keep your microphone clean.

From going for a flawless run on your latest stream to leading an online meeting, EleMent Series USB Microphones deliver the quality and versatility you need to take your sound to the big leagues. Whether you’re thinking of starting your own podcast, becoming the next big streamer, or even getting your music noticed on social media, how you sound matters. If you want to get that slick studio sound like your favorite YouTuber, Podcaster, Twitch streamer, or anyone else, you've come to the right place. Getting professional-quality sound is easier than you might think with the EM-91CU.

Suction Pickup for all EKO FASI stringed instruments.

EKO FASI is a suction cup pickup that can be easily installed without invasive interventions on your instrument. Just choose the ideal location to install the pickup and connect the jack to your amp. Ideal for Folk, Gypsy, Ukulele, etc.

The RTX AP01 Pop filter - a world-wide classic. For stands with diameter of up to 60 mm. Double nylon screen for superior performance. Unobtrusive black round filter frame. Non-marring locking screw prevents scratching of mic stand.

The Mackie Creator Bundle is the ultimate setup for content creators, podcasters, streaming, and beyond. Not only is it perfect for your desk setup, it’s extremely easy to take on the go. The EM-USB Microphone connects directly to your computer via high-speed USB-C and captures everything with perfect detail, no EQ required. You also get 2 professional ways of monitoring for both live production and editing. MC-100 headphones provide the clear sound and noise isolation you need to be on point. For editing or just hanging out, our much-loved CR3-X monitors deliver professional studio-quality sound so you can be sure that your viewers or listeners will get a well-balanced mix.

From going for a flawless run on your latest stream to leading an online meeting, EleMent Series USB Microphones deliver the quality and versatility you need to take your sound to the big leagues. Whether you’re thinking of starting your own podcast, becoming the next big streamer, or even getting your music noticed on social media, how you sound matters. If you want to get that slick studio sound like your favorite YouTuber, Podcaster, Twitch streamer, or anyone else, you've come to the right place. Getting professional-quality sound is easier than you might think with the EM-91CU.

A collapsible mini tripod designed for mounting lightweight microphones that support either 1/4" or 3/8” mounting. The tripod allows you to mount the microphone on any surface that will give you a concentrated and centralized location for picking up sound. It provides 360 degree rotation and a wide angle of vertical adjustment. The tripod stand is fitted with a 1/4" thread, and ships with 3/8” thread adapter for use with most standard mic clips.

The RØDE Mini-Boompole is a lightweight, high grade professional boom pole. The Mini-Boompole allows you to mount your microphone securely and swivel it in a range of directions that will allow you to easily change positions and follow your sound source. Extends from 0.84m (33") to 2.05m (81").

VideoMic™ Me-L is a high-quality microphone for your iPhone® or iPad® (with Lightning connector) designed to give you incredible audio when shooting video. The microphone's directionality reduces surrounding noises to focus on exactly what you're filming, ensuring your videos sound clear and intelligible. The 3.5mm jack provides a headphone output for audio monitoring and playback.

The VideoMic Me-L comes with a mic clip to ensure the mic is secure and a furry windshield suitable for filming in outdoor and adverse weather conditions.

The VideoMic Me-L is compatible with all Apple iOS devices with a Lightning port and running iOS 11 or higher.

RØDELink represents the next generation of digital wireless systems. Using a Series II 2.4GHz digital transmission with 128-bit encryption, it is able to constantly monitor and hop between frequencies to maintain the strongest possible signal level at a range of up to 100 metres* (over 100 yards). The RØDELink Filmmaker Kit provides everything you need to start shooting video wirelessly, including a receiver, transmitter and broadcast-grade lavalier microphone. The receiver (RX-CAM) features an OLED display with information on level, battery status (receiver and transmitter), mute and channel selection. The unit can be mounted on a standard camera shoe mount, 3/8" thread or belt-clip, and for added versatility the shoe mount can be located in one of two positions. The lightweight transmitter (TX-BELT) can be fitted to a belt or clothing and features a locking thread to ensure the microphone connection is as secure as possible. 

Lavalier GO is a professional-grade wearable microphone designed for use in a wide range of applications. The 3.5mm TRS connector is designed to pair perfectly with the RØDE Wireless GO and most recording devices with a 3.5mm TRS microphone input.

Lavalier GO is designed to perform excellently in any broadcast application. Featuring a discreet 4.5mm omnidirectional microphone, it delivers crystal clear audio in all environments and is incredibly forgiving when it comes to placement on talent, allowing for greater flexibility in fast-paced situations.

The new Stereo VideoMic Pro provides a high quality stereo option for videographers, and is ideal for recording music, and the atmospheric ambience essential in building a realistic audio scene.

Based around the all new capsule with its matched pair of high sensitivity ½”cardioid condensers in a coincident XY pair, the Stereo VideoMic Pro provides a wide stereo image with natural depth.

The RØDE Procaster is a professional broadcast quality dynamic microphone, specifically designed to offer no-compromise performance for voice applications in the broadcast environment.

Featuring a tight polar pattern and tailored-for-voice frequency response, the Procaster is perfect for every application where a great sounding, robust microphone with superior ambient noise rejection is demanded.

The Procaster features an internal pop filter, designed to minimise plosives sounds that can overload the microphone capsule and distort the audio output.

Its high output dynamic capsule and balanced low impedance output make it an ideal broadcast and voice over microphone.

The RØDECaster™ Pro is the world’s first fully integrated podcast production studio. Whether you’re just starting out or are a seasoned broadcast professional, the RØDECaster Pro is all you will ever need to create incredible podcasts.

The RØDECaster Pro makes professional podcasting easy. It features four high-quality XLR microphone inputs and four headphone outputs, and with intuitive controls, automatic level setting and one-touch recording to a microSD card or computer, you can literally be making a podcast within minutes of taking it out of the box.

The RØDE NTG3 super-cardioid shotgun microphone is designed for professional use on film, television, electronic news gathering and wherever high-resolution broadcast audio is required.

As RØDE's premier directional microphone the NTG3 exhibits superlative audio quality with a rich, warm quality and a full frequency response. Its RF bias technology makes it almost completely resistant to moisture, making it the only option when recording in demanding environments where condensation is an issue.

Machined from solid brass and available in either anti-glare, nickel-plated finish or matte black (NTG3B), the NTG3 is incredibly robust while remaining light weight.

Its precise yet forgiving polar pattern ensures that whether used on-camera or on a boom pole, the NTG3 will capture audio clearly every time.

A durable aluminum storage cylinder is supplied to provide the ultimate protection for the NTG3 while in storage and transport. Tightly sealed at both ends the cylinder is highly weatherproof, adding to the microphone's rugged performance credentials.

With its ultra-low 6dBA self-noise and transformerless circuitry, the RØDE NT1000 exhibits exceptional performance when recording both vocals and instruments.

Voiced for versatility, it has been hailed by many as the ultimate microphone for grand piano and drum overheads. The NT1000 is also a fantastic vocal microphone.

The SMR is a revolutionary shock mount for large diaphragm condenser microphones from RØDE. Featuring a unique double-Lyre suspension system, the SMR enhances the existing superior vibration cancellation of Rycote’s Lyre system by using a smaller inner Lyre to act as a tensioning element. This maintains each Lyre in the neutral position where it is most efficient at cancelling vibration. The SMR's removable all-metal pop filter is as effective as it is visually striking, providing an integrated solution for plosive protection that is easily washable and designed to last as long as the shock mount and microphone. The clamping system of the SMR utilises a greater surface area for increased friction and weight handling, without the need for over-tightening of the locking thread.

The SM6 is a high quality suspension shock mount that supports many large diaphragm RØDE microphones. It provides isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. It includes a removable pop shield with two axes of adjustment and a telescopic arm for ultimate application versatility.

The SM4-R is a suspension shock mount for mounting various RØDE microphones onto a mic stand or boompole with 3/8" or 5/8" thread.

The SM4-R is equipped with dual Rycote Lyre mounts to ensure maximum isolation from any handling vibrations, four possible mounting points to suit the complete range of compatible RØDE shotgun microphones, and integrated cable management clip.

The stand mount is angle adjustable and can be locked into position to ensure sturdy and reliable mic positioning.

The SM3-R is a suspension shock mount with camera shoe adaptor for mounting various RØDE microphones onto a camera via the standard hot/cold shoe mount.

The SM3-R is equipped with dual Rycote Lyre mounts to ensure maximum isolation from any handling vibrations, four possible mounting points to suit the complete range of compatible RØDE on-camera microphones, and integrated cable management clip.

The SM2 is a suspension shock mount that holds a range of large diaphragm condenser microphones. It provides isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. Additionally the SM2 allows for flexible mounting to position your microphone perfectly in any situation.

The RØDE Stereo Bar is a robust solution for mounting two microphones in a stereo array. With clearly marked spacing of up to 20cm, as well as angle and measurement indicators for ORTF and XY positioning, the RØDE Stereo Bar makes it quick and easy to achieve complex recording arrays. The 5/8” mounting threads are supplied with accompanying spacing clips to allow for easy positioning for stacked arrays, and the robust ABS construction makes the Stereo Bar stable and durable, allowing it to easily support the weight of two large diaphragm microphones.

The Violin-Clip suspension mount is designed to easily clamp onto the strings of a violin in the bridge area behind the top plate, allowing for the precise mounting of a lavalier microphone.

The RØDE Vampire Clip is a double-toothed clothing pin that conveniently fastens the RØDE Lavalier microphone onto a wide range of fabric and clothing for complete mounting versatility.

The RØDE Pivot Adaptor is a durable machined-aluminium, brass and high-grade polymer adaptor for mounting on boom stands and boompoles, allowing for up to 210 degrees of pivot.

The perfect suspension shock mount for the Procaster or Podcaster, the PSM1 provides isolation from external vibrations which can translate as low frequency noise or manipulate the microphone position. The PSM1 gives you confidence when using your microphone in environments where there is any movement that may interfere with the microphones performance.

The PG1 Cold Shoe Pistol Grip is a convenient and ergonomic way to operate your RØDE VideoMic, Stereo VideoMic, or any other cold-shoe device independently of your video camera. A convenient 3/8” thread on the base allows connection to a boompole or microphone stand, while the spine features handy cable management.

The RØDE Blimp is a complete windshield and shock mounting accessory for the NTG1, NTG2, NTG3, NTG4 and NTG4+ microphones, as well as any third party shotgun microphone up to 325mm (12 ¾”) in length. Now featuring the Rycote® Lyre suspension system, the Blimp provides the ultimate in microphone suspension and isolation. Constructed from a single piece of hard-wearing thermoplastic, the Lyre provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap. The Blimp’s handle has also been completely redesigned, reducing the product weight significantly, while increasing the ergonomics for handheld use. Housed inside the grip is a heavy-duty Mogami cable which splits via a junction box to a highly-flexible thin cable inside the Blimp, to minimise the transference of vibration to the microphone. With the lightweight design of the handle and suspension system the new Blimp design is over 25% lighter (550gm without microphone or DeadWombat fitted). The Blimp attaches to any standard boompole via 3/8" thread attachment at the base. The Universal Blimp Mount is available as an option to remove the handle when the Blimp is being used primarily on a boompole to reduce weight.

The RØDE Boompole Clips are designed to quickly and easily mount onto any RØDE boompole to secure the microphone lead and minimise any movement.

The BoomPole Bag is a high-quality neoprene carry bag designed to accommodate a boompole with shock mount and microphone attached.

The RØDE Boompole is a precision balanced professional boom pole for location recording, machined from high grade, lightweight aluminium. The Boompole allows you to mount your microphone securely and swivel it in a range of directions that will allow you to easily change positions and follow your sound source. Extends from 0.84m (33") to 3m (10')

The Micro Boompole Pro is a unique, modular booming device that allows location sound engineers to capture audio in confined or difficult spaces.Optimised for use with the VideoMicro microphone, the Micro Boompole Pro’s three sections combine to a maximum length of 2.2m (7’2”). Using an industry standard 3/8” thread, these sections can also be used to extend the Boompole Pro to reach to over 3.7m (12').

The RØDE Micro Boompole provides ultimate boom pole performance in a convenient and portable size. Intuitive twist locks allow the Micro Boompole’s three sections to smoothly extend to 2063mm (6¾’), while the ergonomic grip provides comfort during use.

The WS-LAV is a high quality pop filter, designed to fit the Lavalier microphone. A pop filter should be fitted in the majority of applications to prevent any hard plosive sounds overloading the microphone capsule. The WS-LAV is supplied as a pack of three.

The RØDE WS7 Deluxe Windshield is an easy to use high-performance windshield for shotgun microphones. Designed to reduce wind noise when recording in adverse environmental conditions, the WS7 combines an open-cell foam surround with an outer layer of acoustically transparent artificial fur. A rubber base prevents any wind noise from entering the rear of the microphone pickup area. Suitable for the RØDE NTG3 and any shotgun microphone with a maximum slot length of 186.5mm (7 1/4") and a diameter of 19-20mm.

The RØDE WS6 Deluxe Windshield is an easy to use high-performance windshield for shotgun microphones. Designed to reduce wind noise when recording in adverse environmental conditions, the WS6 combines an open-cell foam surround with an outer layer of acoustically transparent artificial fur. A rubber base prevents any wind noise from entering the rear of the microphone pickup area. Suitable for the RØDE NTG1, NTG2, NTG4 and NTG4+ as well as any shotgun microphone with a maximum slot length of 160.5mm (6 1/4") and a diameter of 21-22.5mm.

The MINIFUR-LAV is a synthetic fur cover for the Lavalier microphone, designed for use in outdoor or high-wind conditions.

The MINIFUR-LAV is a synthetic fur cover for the Lavalier microphone, designed for use in outdoor or high-wind conditions.

The DeadWombat windshield is designed for minimising wind noise when recording in high wind conditions using the RØDE Blimp. Its artificial fur is specially designed so as to minimise wind noise while remaining acoustically transparent.

The DeadCat VMP is a furry wind cover for the VideoMic Pro, designed for use in windy environments. Its artificial fur is specially designed so as to minimise wind noise while remaining acoustically transparent. The DeadCat VMP is compatible with the VideoMic Pro rubber-band models only.

The Dead Cat windshield is designed for minimising any wind noise when recording in high wind conditions. Its artificial fur is specially designed so as to minimise wind noise while remaining acoustically transparent.

The SC6-L is a simple input/output breakout box designed for Apple iOS devices. Inspired by the original SC6 with a 3.5mm TRRS jack, the SC6-L uses a Lightning Connector to connect directly to Apple iOS devices.

The VideoMic Me is a compact and lightweight directional microphone for use with smartphones. It features an in-built 3.5mm TRRS output for plugging directly into a smartphone’s headphone socket. Its flexible mounting bracket accommodates a wide range of smartphones and allows the microphone to be fitted for primary camera or front camera ('selfie') use. A 3.5mm headphone jack on the rear allows for play-through of audio while recording (app dependent) as well as easy playback of your videos without having to remove the microphone.

The i-XLR is a broadcast quality XLR to Lightning interface for iOS devices, that allows reporters, correspondents and audio professionals to quickly and easily capture professional interview dialogue to a smartphone or tablet.A generous three meter shielded cable allows the operator to store the phone in a pocket or bag, and a headphone output with adjustable level on the body makes it easy to monitor your audio during an interview.

The RØDE PinMic™ is a discreet lavalier/lapel microphone with an innovative pin-through design that is not only easier to conceal than a traditional lapel microphone, but provides greater mounting versatility.

Comprised of a cabled backplate and a removable omni-directional capsule head, the PinMic™ is easily mounted onto any clothing or fabric by simply pushing the backplate pins through the back of the fabric and sliding the capsule into place on the front. The microphone backplate and cable are hidden behind the fabric, and the capsule head can be easily disguised, covered or decorated to further conceal the microphone.

The PinMic™ capsule is discrete at only 9mm deep and 11mm in diameter, and is supplied with both a black and an unpainted silver mesh head that can be further camouflaged by painting.

The Harp Blaster HB52 dynamic harmonica microphone is an exciting collaboration between HOHNER and sE Electronics. Based on the inspiration from a select group of professional players and modeled after the sound of legendary vintage harp microphones, the Harp Blaster HB52 sets a new standard. Designed as the perfect channel for the artist's creative output, it's comfortable to hold, cup, and use for long periods of time, ensuring that the music can flow unhindered and achieve maximum sonority and expression. Suited to the needs of touring professionals, engineered to uncompromising standards, it combines fantastic sound quality with optimal ease of use and maximum durability.

The RØDE Lavalier is a discreet lapel microphone that provides broadcast-quality audio when close-miked in almost any scenario.

The Lavalier's low self-noise, user friendly omni-directional polar pattern and minimal appearance make it an ideal solution for film, television, video, theatre, house of worship and anywhere where a high quality microphone needs to be heard but not seen.

The microphone capsule is connected via a 1.2m (4') shielded, Kevlar® reinforced cable that has been rigorously strain tested up to 10kg to ensure reliable performance.

The included mini-furry for high wind protection ensures quality recordings in adverse environments, and the included cable management clips ensure that you are able to minimise the microphone and cable visibility, while providing maximum mobility for the wearer.

The RØDE Broadcaster is a large diaphragm, end-address condenser microphone designed to provide the ultimate performance for broadcast vocal applications.

Its rich, full quality tailored response has an emphasised proximity effect that has made it a standard in radio stations the world over. It is equally suitable as a voice-over microphone for film and television.

The Broadcaster features an internal pop filter, designed to minimise plosives sounds that can overload the microphone capsule and distort the audio output. In addition to the Broadcaster's native 20Hz-20kHz response, a selectable high-pass filter at 75Hz is available which will prevent low-end noise such as air conditioners and traffic from being recorded.

The RØDE Podcaster is a dynamic, end-address USB microphone that combines broadcast-quality audio with the simplicity of USB connectivity, allowing recording direct to a computer without the need for an additional digital interface.

Including an audiophile quality 18-bit resolution, 48kHz sampling A/D converter, the Podcaster processes all of the analogue-to-digital conversion internally, bypassing the computer's lower quality on-board sound controller altogether.

A headphone output on the microphone body provides zero-latency monitoring, so the user can hear exactly what is being recorded, free of delay or echo.

Designed for handheld interview and presentation applications, the Reporter features an omnidirectional dynamic capsule that is designed to allow the user freedom of use, without the technique related issues typical of directional end-address microphones.

Additionally its frequency response has been specially tailored for voice reproduction, to maximise intelligibility and deliver crisp, clear results in almost any condition.

The microphone features a durable die-cast aluminium alloy body coated in a discrete matte black anti-glare finish. An innovative multi-layer mesh basket protects the microphone from environmental noise without the need for a bulky and distracting foam wind shield.

The RØDE NTG2 is a lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries.

Its full frequency response, low noise and audio transparency make it an ideal film, video, and voice over microphone, while its low weight (161gm/5.7oz without battery) makes it an ideal boom microphone.

In addition to the native 20Hz-20kHz frequency response a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded.

The NTG2 operates either from a AA (1.5V) battery or P48 phantom power which can be supplied by professional cameras, audio recorders and power supplies. The battery power option makes the NTG2 ideal for scenarios where the camera does not supply phantom power such as DSLR video.

The RØDE NTG1 is a lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries.

Its full frequency response, low noise and audio transparency make it an ideal film, video, and voice over microphone, while its low weight (105gm/3.7oz) makes it an ideal boom microphone.

In addition to the native 20Hz-20kHz frequency response a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded.

The WSVM windshield is supplied to minimise light wind noise and plosives during recording. The optional 'DeadCat' furry is recommended for outdoor applications.