Microphones

The P420 is a multi-pattern large diaphragm true condenser microphone for demanding project studio recording applications. Offering high sensitivity and 155dB maximum SPL, the P420 delivers a warm, transparent sound quality perfectly suited for ensemble recording, grand piano, woodwind and brass instruments, as well as drums and percussion.

Grab the updated AKG C1000 S MK4 and see what you've been missing. Engineers have long recommended the C1000 S to project studio engineers and field recording specialists for years because of its clarity and versatility, and this updated version is more versatile than ever. Switchable capsule caps provide cardioid and hypercardioid polar pattern, plus an optional gain boost, while the addition of a switchable pad and highpass filter let you tailor the frequency response to a wide range of applications. You can power the C1000 S MK4 with a pair of AA batteries for up to 120 hours, making it a great companion for your mobile recording. What's more, the internally shockmounted capsule has been redesigned with gold-plating to resist rust and corrosion.

The AKG C214 is the younger brother of AKG's legendary C414 condenser - similar to the 414's legendary sound, but at an entry-level price. The affordable C214 actually uses the same one-inch dual-capsule as the C414 in a single-diaphgram, cardioid-only design. The result? Highly-detailed, up-front sound on both voices and instruments with an overall performance close to that of the famous C414 B-XLS. Now you can get that epic AKG sound on any budget with the new C214!

Since its introduction in 1993, the C3000 is recognized as a standard in many configurations, whether in the studio or on stage. This new edition brings new aesthetic benefits for an even more economical budget.

The C451 B is a small-diaphragm condenser microphone with the identical acoustical behavior of its predecessor, the legendary C451 EB + CK1 capsule, which was a bestseller right from the start in 1969.

Whether you’re podcasting, making YouTube videos, live streaming, or recording your next hit, easily do it all and sound like a pro with the AKG Lyra Ultra HD, multimode USB microphone. For more than 70 years, the world’s greatest recordings and performances have been captured through AKG microphones; now it’s your turn.

Need an affordable mic you you can use on almost anything? Sporting a 2/3" diaphragm capsule, a fixed cardioid pickup pattern, and the ability to withstand high SPLs, the AKG P120 works great on just about any source - instrumental or vocal. A bass roll-off switch and 20dB pad add to this mic's versatility. When you consider its super-affordable pricetag, the AKG P120 becomes a logical choice for project and home studio multi-mic applications such as drums. 

The P170 is a small-diaphragm condenser microphone for recording of overheads, percussion, acoustic guitars and other strings. Its lightweight 1/2-inch true condenser transducer diaphragm delivers outstanding clarity and transient response. The P170 utilizes the experience of sound engineers from around the world and is considered an affordable alternative to the legendary AKG C451 B.

The Perception P2 high-performance dynamic bass microphone delivers a profound, high-energy low end for use on kick drums, trombones and bass amps. Its cardioid polar pattern reduces feedback and crosstalk coming from other instruments behind the microphone.

AKG P220 cardioid condenser studio microphone, large diaphragm, delivering a warm and precise sound, ideal for recording vocals, acoustic guitar and brass instruments.

Whether you need a durable microphone you can use for your on-the-go PA system or a handful of inexpensive switchable microphones for your church's worship team, the AKG P 3 S handheld dynamic microphone is just what you're looking for. An easy-access switch lets you instantly mute and "unmute" the P 3 S with the flick of a thumb. A tough wire-mesh cap and an internal windscreen reduce breath noises and plosives - just what less-experienced vocalists and lecturers need. A rugged die-cast metal body also helps to keep the P 3 S safe from the frequent bumps and scrapes of routine live use, making it an excellent all-around performer that's built to last.

The AKG P5S Dynamic Handheld Microphone is ideal for the main voice. The supercardioid polar pattern of the microphone ensures the best possible gain before the return and allows the voices to cross the mix more easily.

The AKG Perception 820 Tube condenser microphone makes quality tube mic performance affordable! This addition tothe popular Perception line gives you the rich sound only a real tube condenser can offer, while you control its stunning array of nine different pickup patterns (plus its low-cut filter and 20dB attenuation pad) from a very easy-to-use remote. The Perception 820 Tube uses a 1" dual capsule design to give you a very dimensional and smooth sound. Though this Perception flagship model excels on vocals, it's built to take the high SPLs you need to make the Perception 820 Tube a real studio workhorse.

The Perception Wireless high performance Sports Set delivers brilliant sound and is surprisingly easy to use. The included PT45 body-pack transmitter is the smallest and lightest transmitter in its class. The package also includes a C544 L condenser head-worn microphone featuring an external shock mount for high mechanical-noise rejection. Its moisture shield ensures a high degree of humidity protection for the microphone.

TThe WMS40 Mini Dual Vocal Set is a true plug’n’play wireless solution. Each of the two included HT40 Mini handheld transmitter features a dynamic cardioid capsule for maximum gain before feedback. Their extremely long battery life of 30 hours off a single AA battery saves money in day-to-day use. The receiver offers two balanced outputs via 1/4" jack connectors.

The DR-40X is a versatile four-track audio recorder for music, podcasting, cinema and any other application requiring high-quality audio. Building on the highly successful Tascam DR-40, this recorder adds several new functions to the already comprehensive feature set.

The DR-40X is a versatile four-track audio recorder for music, podcasting, cinema and any other application requiring high-quality audio. Building on the highly successful Tascam DR-40, this recorder adds several new functions to the already comprehensive feature set.

The DR-40X is a versatile four-track audio recorder for music, podcasting, cinema and any other application requiring high-quality audio. Building on the highly successful Tascam DR-40, this recorder adds several new functions to the already comprehensive feature set.

The DR-40X is a versatile four-track audio recorder for music, podcasting, cinema and any other application requiring high-quality audio. Building on the highly successful Tascam DR-40, this recorder adds several new functions to the already comprehensive feature set.

Anti-pop filter with nylon screen with very fine mesh.

Anti-pop filter with nylon screen with very fine mesh.

The Behringer C-1 Studio Condenser Microphone medium diaphragm condenser microphone is probably one of the best values you'll find in a condenser mic. This is a great all-around studio recording mic, ideal for capturing vocals and instruments in the studio. It also excels in live applications. The pressure-gradient transducer with its shock-mounted capsule produces a smooth, flat frequency response. You get a rugged, die-cast metal chassis, gold-plated XLR connector, a swivel stand mount, and foam-padded carrying case. You can't go wrong with the Behringer C-1.

You need a phono preamp to bring your record player's output up to proper line level, and the Behringer Microphono PP400 is an easy solution. You've got a pair of RCA inputs, and outputs on both RCA and stereo 1/4" connectors. optimizing your signal levels is the key to getting the most out of any sound system, and that's exactly what the Behringer Microphono PP400 is designed to do. Help your record player play nicely with the rest of your gear, with the Behringer Microphono PP400 phono preamp.

The Behringer C-1U USB studio condenser mic is a podcaster's dream come true. With a simple USB connection straight into your computer, the C-1U brings studio-quality sound to your podcasts. Musicians who record music on computers now have a simple, affordable way to capture high-quality vocal and acoustic instrument performances as well. The C-1U includes a bundle of cool podcasting and audio editing software for your Mac or PC. If you're a computerized musician or podcaster, you need a mic designed specifically for what you do: the Behringer C-1U.

A Great Lavalier Microphone: low price, usefull for indoor and outdoor recording.

Transmitter Handheld Mic FM Lavalier Wireless Mini Microphone BK25H

System of 4 HF microphones simply ingenious: low price, it has everything a big one! Large transmission gate, voice rendering, autonomy.

Professional UHF microphone system with 1 handheld microphone and 1 wireless Lavalier.

Professional UHF microphone system with 2 wireless microphones.

Suction Pickup for all EKO FASI stringed instruments.

EKO FASI is a suction cup pickup that can be easily installed without invasive interventions on your instrument. Just choose the ideal location to install the pickup and connect the jack to your amp. Ideal for Folk, Gypsy, Ukulele, etc.

The Fishman C-100 pickup uses a patented floating mounting system for easy installation in the deck wing slot. A 1/4 tail jack mounted and the 10 cable complete the set. An impedance matching preamp is recommended, but not required.

The C-200 pickup from the Cello Concerts Series, offers an extraordinary level of performance, quality of sound and precision for the cello.

This microphone preserves the natural sound characteristics of the violin, and delivers an identical sound regardless of the volume. Unique fixation system to capture all tonal variations. Very fast assembly, without sticking or modification.

The Piezo-Ceramic Violin Concert Series mic is pre-installed in high-quality Despiau bridges to provide the best performance in terms of precise and perfectly balanced chain-to-chain tone.

The V-400 Concert Series Viola pickup offers an extraordinary level of performance, tone quality and accuracy for the viola.

The piezo-ceramic Concert Series pickup for viola is preinstalled in high quality Despiau bridges to provide the ultimate performance in terms of a precise and perfectly balanced tone from string to string.

The Fishman V-200 is a bridge-mounted, piezo-ceramic violin pickup. The V-200 senses string vibrations via a single piezo element, fastened to the violin's wing slot with a patented floating mount. The pickup's low mass minimizes any damping or muting that could affect the violin's acoustic tone. The Fishman V-200 pickup provides natural, acoustic sound for any playing style.

The Fishman V-200 also has the added benefits of the Carpenter 1/4" Output Jack. This professional-quality 1/4" pickup jack, molded into an attractive housing, attaches to the lower bout with chin rest hardware. It makes a perfect mounting point for adding a microphone and does not affect the violin's acoustic tone. It also makes it easy to use a cable with a right angle plug. The Carpenter Jack has become popular with many of today's finest touring and session musicians.

The Fishman V-200 Classic Series Professional Violin Pickup installs in minutes, with only minor alterations required. Fishman includes a Carpenter 1/4" output jack, and a chin rest adjustment key with the V-200 professional violin pickup.

The Harp Blaster HB52 dynamic harmonica microphone is an exciting collaboration between HOHNER and sE Electronics. Based on the inspiration from a select group of professional players and modeled after the sound of legendary vintage harp microphones, the Harp Blaster HB52 sets a new standard. Designed as the perfect channel for the artist's creative output, it's comfortable to hold, cup, and use for long periods of time, ensuring that the music can flow unhindered and achieve maximum sonority and expression. Suited to the needs of touring professionals, engineered to uncompromising standards, it combines fantastic sound quality with optimal ease of use and maximum durability.

The K&M Popkiller - a world-wide classic. For stands with diameter of up to 30 mm. Double nylon screen for superior performance. Unobtrusive black round filter frame. Non-marring locking screw prevents scratching of mic stand.

The large Popkiller for modern studio engineering. The large 200 mm nylon screen guarantees optimum sound filtering during studio recording. The Popkiller with flexible gooseneck can be screwed to all standard microphone stands (rod diameter max. 30 mm).

From going for a flawless run on your latest stream to leading an online meeting, EleMent Series USB Microphones deliver the quality and versatility you need to take your sound to the big leagues. Whether you’re thinking of starting your own podcast, becoming the next big streamer, or even getting your music noticed on social media, how you sound matters. If you want to get that slick studio sound like your favorite YouTuber, Podcaster, Twitch streamer, or anyone else, you've come to the right place. Getting professional-quality sound is easier than you might think with the EM-91CU.

The Mackie Creator Bundle is the ultimate setup for content creators, podcasters, streaming, and beyond. Not only is it perfect for your desk setup, it’s extremely easy to take on the go. The EM-USB Microphone connects directly to your computer via high-speed USB-C and captures everything with perfect detail, no EQ required. You also get 2 professional ways of monitoring for both live production and editing. MC-100 headphones provide the clear sound and noise isolation you need to be on point. For editing or just hanging out, our much-loved CR3-X monitors deliver professional studio-quality sound so you can be sure that your viewers or listeners will get a well-balanced mix.

From going for a flawless run on your latest stream to leading an online meeting, EleMent Series USB Microphones deliver the quality and versatility you need to take your sound to the big leagues. Whether you’re thinking of starting your own podcast, becoming the next big streamer, or even getting your music noticed on social media, how you sound matters. If you want to get that slick studio sound like your favorite YouTuber, Podcaster, Twitch streamer, or anyone else, you've come to the right place. Getting professional-quality sound is easier than you might think with the EM-91CU.

Protect your EleMent Series Microphone with the PF-100 Pop Screen from Mackie. This pop filter is sized specifically for EleMent Series microphones, which is good, because it attaches directly to the capsule by means of included elastic bands. Once affixed to the mic, it helps reduce low-frequency pops and thumps, filtering them out of your voice for the best possible sound. This pop filter also helps keep your microphone clean.

Mascot ECM 626 Electret omnidirectional tie microphone.

Mascot, as a professional wired and wireless microphone manufacturer, has been devoted to development in this field since 1979. Its R & D team has accumulated a skillful experience on Rf and Audio technique. Mascot has earned a great reputation in the world.

Windscreen microphone sponge, 40 mm - 50 mm, available in red, yellow, orange, purple, suitable for all standard microphones.

At first glance, the TLM 102 stands out from other Neumann microphones because of its extraordinarily compact design. Don't let its size fool you! Inside the TLM 102 sits a large-diaphragm, cardioid capsule that Neumann developed specifically for their next generation of microphones intended for a broad range of applications. Like the rest of the TLM series, the TLM 102 is built around low-noise circuitry and captures sound sources without adding extensive color. It particularly excels with vocals, and the ability to handle extreme SPLs makes the TLM 102 a truly versatile microphone.

At first glance, the TLM 102 stands out from other Neumann microphones because of its extraordinarily compact design. Don't let its size fool you! Inside the TLM 102 sits a large-diaphragm, cardioid capsule that Neumann developed specifically for their next generation of microphones intended for a broad range of applications.

limitations do not want to do without the uncompromising Neumann sound. Cardioid directional characteristic and very low self-noise

Applications Due to the universal cardioid pattern, straightforward handling, extremely low self-noise level, and finally, the price, the TLM 103 is predestined for all demanding applications from home recording to professional broadcasting and commercial recording studios.

limitations do not want to do without the uncompromising Neumann sound. Cardioid directional characteristic and very low self-noise

Applications Due to the universal cardioid pattern, straightforward handling, extremely low self-noise level, and finally, the price, the TLM 103 is predestined for all demanding applications from home recording to professional broadcasting and commercial recording studios.

- The classic studio microphone

- Variable large diaphragm microphone

- Frequency range: 20 Hz - 20 kHz 

- Switchable 10 dB pre-attenuation 

- Accessories included: Shock mount & wood case

Pack of M-Audio M-Track Solo with Prodipe PRO580 Headphones and Mackie EM-91C Microphone 

The AL21 Romanelli is a pack of three microphones, specially intended for the sound system of accordions and bandoneons.

Equipped with an electret cell capable of handling 140dB, they will capture all the dynamics and nuances of your playing. In addition, their great linearity will perfectly respect the timbre and tone of your instrument.

Special attention has been paid to attaching the microphones to the instrument.

Battery pack/48 V for Series 21 Instrument mics. No signal loss and compatible with: GL21 Acoustic Guitar & Ukulele, SB21 Sax & Brass, BL21 Contrabass, CL21 Cello, VL21 Violin & Alto, PL21 Percussions, DL21 Drums, AL21 Accordion. 

The all-metal, completely insulated BP21 Battery Pack comes with a 9 volt battery compartment to power any of the instrument mics from Series 21:

The reference for cellists!

A very faithful response, an excellent natural sound and an easy and fast assembly!

Developed under the direction of Ludovic Lanen with the assistance of the talented Jean-Claude Auclin, the CL21 Lanen microphone is specially intended for the recording and sound reinforcement of cellos.

Equipped with an electret cell capable of handling 140dB, it will capture all the dynamics and nuances of your playing. Its great linearity will perfectly respect the timbre and the sound of your instrument.

Particular attention has been paid to attaching the microphone to the instrument.

The 4-mic pack DL21 Salmiéri is intended for the sound reinforcement of toms and snare drums.

It is equipped with four anti-vibration clamps and an XLR adapter.

A totally new range of instrument mic systems for recording all your acoustic instruments live!

Developed under the direction of Ludovic Lanen, the GL21 Lanen microphone is specially designed for the recording and sound reinforcement of acoustic guitars, ukuleles, mandolins and dobros.

Equipped with an electret cell capable of handling 140dB, it will capture all the dynamics and nuances of your playing.

Its great linearity will perfectly respect the timbre and the sound of your instrument.

Particular attention has been paid to attaching the microphone to the instrument. Equipped with two clamps specially designed for guitars, ukuleles, mandolins and dobros, the GL21 will allow you to face all situations.

-mic pack for recording all your percussion instruments: congas, bongos, djembes, cajons, timbales, rototoms, tambourines, tablas, batas, goblet drums, bendirs, bodhrans, toms, snare drums, tambors, surdos, talking drums, udu, steel drums and many more.

A totally new range of instrument mic systems for recording all your percussion instruments live.

Kit of three mics for congas, bongos, djembes, cajons, timbales, rototoms, tambourines, tablas, batas, goblet drums, bendirs, bodhrans, toms, snare drums, tambors, surdos, talking drums, udu, steel drums and many more.

Well-balanced with high output, the TT1 is ideal for anyone looking for an accurate reproduction of their voice: singers, speakers, presenters, MCs…

The TT1 has the same manufacturing costs as the best products on the market. Ever since the Prodipe journey began, the leading brands have had to sit up and take notice!

A very high admissible sound level, an electret cell capable of handling up to 140dB!

Developed under the direction of Ludovic Lanen with the assistance of the talented saxophonist Patrick Bourgoin, the SB21 Lanen Sax & Brass microphone is dedicated to alto saxophones, tenor saxophones, trumpets, trombones, tubas, horns and all brass ...

It will capture all the dynamics and nuances of your playing. In addition, its great linearity will perfectly respect the timbre and tone of your instrument. A very faithful response, a sound of exemplary naturalness and an easy and fast assembly!

The ST-1 MK2 Lanen, designed on the basis of the STC-3D MK2, is one of the only condenser microphones on the market, equipped with a real 34mm large diaphragm capsule, with a gold-plated one-inch diaphragm, in this price range.

Almost all of the other brands speak of a large membrane, for capsules from 16 to 19mm and the difference is significant!

Unlike "entry-level" products, which are often too cold and too bright, with less full sound in the bass and lower midrange, the ST-1 MK2 Lanen perfectly reproduces the definition and warmth of the recorded source.

If you take a condenser capsule that has been optimised for vocals and instrument and then build an audio chipset into the mic's electronics, the end product is a studio mic that behaves like a separate audio input, but retains the level of sensitivity, resolution and accuracy you would expect from a studio mic.

Unlike other USB microphones on the market, the ST-USB is shipped with an ASIO driver letting you use it in all your ASIO software, and not only in a basic multimedia environment.

The STC-3D MK2 Lanen is one of the only static mics on the market equipped, with a truly large 34mm capsule and a double 1-inch gold-plated diaphragm, in this price range. Most other brands talk about a "wide" membrane for 16-19mm capsules, and the difference is sizable!

Contrary to “entry-level” products that are often too cold and tinny, the STC-3D MK2 Lanen offers you a sound that perfectly reproduces the subtleties and warmth of the recorded source and allows you to obtain effective recordings with a high degree of presence.

Specially designed for instruments, the TT1’s capsule, combined with a double mesh grille, is intended for the recording and sound reproduction of strings, woodwinds, wind instruments, guitars and percussions, both on stage and in the studio.

An accurate, well-balanced mic with high output. The TT1 Pro Instruments is also remarkably effective at picking up the amps (with guitars, etc.)

The TT1 Pro Instruments has the same manufacturing costs as the best products on the market. Ever since the Prodipe journey began, the leading brands have had to sit up and take notice!

A variant of the TT1, the TT1 Pro - Lanen does not have a switch on/off for an optimal use on stage. Well balanced with a high output level, it will suit both exacting singers, as well as conference speakers, presenters and entertainers.

The TT1 has the same manufacturing costs as the best products on the market. Ever since the Prodipe journey began, the leading brands have had to sit up and take notice!

A very faithful response, with an excellent natural sound and an easy and fast assembly,

Developed under the direction of Ludovic Lanen, the VL21-C Lanen microphone is specially designed for the recording and sound reinforcement of violins and violas.

Equipped with an electret cell capable of handling up 140dB, it will capture all the dynamics and nuances of your playing.

Its great linearity will perfectly respect the timbre and the sound of your instrument.

Particular attention has been paid to attaching the microphone to the instrument. The two new rubber clamps allow the 21 cell to be positioned at the heart of the sound recording, in order to ensure perfect capture for a precise and natural rendering.

The RØDECaster™ Pro is the world’s first fully integrated podcast production studio. Whether you’re just starting out or are a seasoned broadcast professional, the RØDECaster Pro is all you will ever need to create incredible podcasts.

The RØDECaster Pro makes professional podcasting easy. It features four high-quality XLR microphone inputs and four headphone outputs, and with intuitive controls, automatic level setting and one-touch recording to a microSD card or computer, you can literally be making a podcast within minutes of taking it out of the box.

The RØDE Blimp is a complete windshield and shock mounting accessory for the NTG1, NTG2, NTG3, NTG4 and NTG4+ microphones, as well as any third party shotgun microphone up to 325mm (12 ¾”) in length. Now featuring the Rycote® Lyre suspension system, the Blimp provides the ultimate in microphone suspension and isolation. Constructed from a single piece of hard-wearing thermoplastic, the Lyre provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap. The Blimp’s handle has also been completely redesigned, reducing the product weight significantly, while increasing the ergonomics for handheld use. Housed inside the grip is a heavy-duty Mogami cable which splits via a junction box to a highly-flexible thin cable inside the Blimp, to minimise the transference of vibration to the microphone. With the lightweight design of the handle and suspension system the new Blimp design is over 25% lighter (550gm without microphone or DeadWombat fitted). The Blimp attaches to any standard boompole via 3/8" thread attachment at the base. The Universal Blimp Mount is available as an option to remove the handle when the Blimp is being used primarily on a boompole to reduce weight.

The RØDE Boompole Clips are designed to quickly and easily mount onto any RØDE boompole to secure the microphone lead and minimise any movement.

The RØDE Broadcaster is a large diaphragm, end-address condenser microphone designed to provide the ultimate performance for broadcast vocal applications.

Its rich, full quality tailored response has an emphasised proximity effect that has made it a standard in radio stations the world over. It is equally suitable as a voice-over microphone for film and television.

The Broadcaster features an internal pop filter, designed to minimise plosives sounds that can overload the microphone capsule and distort the audio output. In addition to the Broadcaster's native 20Hz-20kHz response, a selectable high-pass filter at 75Hz is available which will prevent low-end noise such as air conditioners and traffic from being recorded.

The Violin-Clip suspension mount is designed to easily clamp onto the strings of a violin in the bridge area behind the top plate, allowing for the precise mounting of a lavalier microphone.

The Dead Cat windshield is designed for minimising any wind noise when recording in high wind conditions. Its artificial fur is specially designed so as to minimise wind noise while remaining acoustically transparent.

The DeadCat VMP is a furry wind cover for the VideoMic Pro, designed for use in windy environments. Its artificial fur is specially designed so as to minimise wind noise while remaining acoustically transparent. The DeadCat VMP is compatible with the VideoMic Pro rubber-band models only.

The DeadWombat windshield is designed for minimising wind noise when recording in high wind conditions using the RØDE Blimp. Its artificial fur is specially designed so as to minimise wind noise while remaining acoustically transparent.

The i-XLR is a broadcast quality XLR to Lightning interface for iOS devices, that allows reporters, correspondents and audio professionals to quickly and easily capture professional interview dialogue to a smartphone or tablet.A generous three meter shielded cable allows the operator to store the phone in a pocket or bag, and a headphone output with adjustable level on the body makes it easy to monitor your audio during an interview.

Lavalier GO is a professional-grade wearable microphone designed for use in a wide range of applications. The 3.5mm TRS connector is designed to pair perfectly with the RØDE Wireless GO and most recording devices with a 3.5mm TRS microphone input.

Lavalier GO is designed to perform excellently in any broadcast application. Featuring a discreet 4.5mm omnidirectional microphone, it delivers crystal clear audio in all environments and is incredibly forgiving when it comes to placement on talent, allowing for greater flexibility in fast-paced situations.

The RØDE Lavalier is a discreet lapel microphone that provides broadcast-quality audio when close-miked in almost any scenario.

The Lavalier's low self-noise, user friendly omni-directional polar pattern and minimal appearance make it an ideal solution for film, television, video, theatre, house of worship and anywhere where a high quality microphone needs to be heard but not seen.

The microphone capsule is connected via a 1.2m (4') shielded, Kevlar® reinforced cable that has been rigorously strain tested up to 10kg to ensure reliable performance.

The included mini-furry for high wind protection ensures quality recordings in adverse environments, and the included cable management clips ensure that you are able to minimise the microphone and cable visibility, while providing maximum mobility for the wearer.

The RØDE M3 is a highly versatile end-address condenser microphone, designed to be completely at home in the studio, on stage or on location. It is equally suitable as an instrument microphone for guitars, drums and percussion or even vocals.

Featuring a heavy duty metal body and internally shock mounted 1/2" condenser capsule mounted for end-address, the M3 can be powered either via P48 phantom power, or an internal 9V battery.

Designed and made in Australia, the M5 is a compact ½” cardioid condenser microphone with low noise and a full frequency response. A result of many years’ experience building the award-winning NT5 microphone, RØDE has succeeded in making a high-quality ‘pencil’ style permanently polarized condenser that will impress even the most demanding of artists and engineers. Ideal for studio recording and live on stage, the M5 is equally at home on a range of acoustic instruments, choirs, or anywhere you would employ a small diaphragm condenser microphone, either individually or as a stereo array. This matched pair has been carefully selected to ensure a variation of no more than 1dB sensitivity between the microphones. A premium foiled certificate is supplied to verify the authenticity of the pair. The M5 is finished with RØDE’s proprietary ceramic coating which offers a sleek matt black finish, and is supplied with WS5 windshields and RM5 stand mounts.