Microphones

TThe WMS40 Mini Dual Vocal Set is a true plug’n’play wireless solution. Each of the two included HT40 Mini handheld transmitter features a dynamic cardioid capsule for maximum gain before feedback. Their extremely long battery life of 30 hours off a single AA battery saves money in day-to-day use. The receiver offers two balanced outputs via 1/4" jack connectors.

The DR-40X is a versatile four-track audio recorder for music, podcasting, cinema and any other application requiring high-quality audio. Building on the highly successful Tascam DR-40, this recorder adds several new functions to the already comprehensive feature set.

The DR-40X is a versatile four-track audio recorder for music, podcasting, cinema and any other application requiring high-quality audio. Building on the highly successful Tascam DR-40, this recorder adds several new functions to the already comprehensive feature set.

The DR-40X is a versatile four-track audio recorder for music, podcasting, cinema and any other application requiring high-quality audio. Building on the highly successful Tascam DR-40, this recorder adds several new functions to the already comprehensive feature set.

Hybrid USB/XLR cardioid dynamic microphone. Design and robust metal construction, with a touch interface that allows you to control the microphone gain, the level of the headphones, the control of the mix and the mute + mobile application. Ideal for podcasters streamers, gamers and musicians! Silver finish

The Super 55 brings the highest degree of vocal quality to the stage in a vintage, stand-mounted microphone.

Hybrid USB/XLR cardioid dynamic microphone. Design and robust metal construction, with a touch interface that allows you to control the microphone gain, the level of the headphones, the control of the mix and the mute + mobile application. Ideal for podcasters streamers, gamers and musicians! Silver finish

The BNK wireless microphone series use the international standard common frequency, which makes it favorable for many users.

As almost all the places on earth are full of unwanted frequencies and interferences, BNK has developed an anti-interference system that keeps their microphones away from getting disturbed by these unwanted frequencies.

The SSH-6 mid-side stereo shotgun capsule includes a super-directional microphone for picking up sound in the center, as well as a bidirectional side mic for picking up sounds from the left and right. This allows you to record a fully mono-compatible stereo image—ideal for film, video, and television projects. For example, you can capture dialogue with the center mic, and then mix in the desired amount of environmental sound captured by the side mic directly on your Zoom recorder, or in post-production.

The Zoom PodTrak P8 is easy to use and can handle the most ambitious podcasts. With all the functions you need to record, edit and mix, the PodTrak P8 is your complete podcast studio.

The color touchscreen interface makes monitoring, adjusting and onboard editing seamless. Everything you need is a touch away.

Compact, affordable, and loaded with features, the PodTrak P4 makes it easy to capture professional quality audio wherever you’re recording your podcasts.

The P4’s mic inputs feature Zoom’s professional quality preamps. Providing up to 70dB of gain, the P4 can be used with the most demanding microphones.

The Zoom Q2n-4K combines unrivaled audio with crisp 4K imaging to completely capture your rehearsals, performances and live streams like never before.

You work hard to cultivate your sound. The Q2n-4K's X/Y stereo microphones are designed to handle everything from saxophone to heavy metal.

Stage lights can overexpose your video and can ruin a good take. The Q2n-4K’s high dynamic range (HDR) technology automatically adjusts the exposure, so your lighting effects don’t blow out the shot.

The Q8 marries high-definition video with high-resolution audio, making it the perfect camera for music and video creators everywhere. Its 160 degree wide-angle lens and digital zoom ensure that you’ll always capture the complete picture. Combine that with ZOOM’s groundbreaking interchangeable mic capsule system and two XLR/TRS combo inputs for a world of options.

12 simultaneous recording tracks, interchangeable capsules, and an App-driven touchscreen interface, the H8 is designed to meet all your audio recording needs.

Whether you’re capturing audio on location, recording music, or producing a podcast, the H8 color touchscreen adapts to your project’s needs with three App-driven interface options. All with the touch of your finger.

The Zoom F1 Field Recorder + Lavalier Mic is the perfect solution for videographers who need to capture the nuance of every word with professional quality audio.

It completes your video’s story by providing outstanding audio no matter where your production takes you.

The Zoom F1 Field Recorder + Shotgun Mic is the ultimate solution for run-and-gun filmmakers who need to capture professional quality audio for video.

It allows you to capture professional audio everywhere your camera takes you.

It also comes with the SGH-6 Shotgun Mic known for capturing pro-quality, hyper directional sound, and it’s aluminum body makes it extremely lightweight. Combined with the F1, you can record high-resolution audio up to 24 bit/96 kHz, providing high-impact audio for any video production.

Battery pack/48 V for Series 21 Instrument mics. No signal loss and compatible with: GL21 Acoustic Guitar & Ukulele, SB21 Sax & Brass, BL21 Contrabass, CL21 Cello, VL21 Violin & Alto, PL21 Percussions, DL21 Drums, AL21 Accordion. 

The all-metal, completely insulated BP21 Battery Pack comes with a 9 volt battery compartment to power any of the instrument mics from Series 21:

The 4-mic pack DL21 Salmiéri is intended for the sound reinforcement of toms and snare drums.

It is equipped with four anti-vibration clamps and an XLR adapter.

A totally new range of instrument mic systems for recording all your acoustic instruments live!

-mic pack for recording all your percussion instruments: congas, bongos, djembes, cajons, timbales, rototoms, tambourines, tablas, batas, goblet drums, bendirs, bodhrans, toms, snare drums, tambors, surdos, talking drums, udu, steel drums and many more.

A totally new range of instrument mic systems for recording all your percussion instruments live.

Kit of three mics for congas, bongos, djembes, cajons, timbales, rototoms, tambourines, tablas, batas, goblet drums, bendirs, bodhrans, toms, snare drums, tambors, surdos, talking drums, udu, steel drums and many more.

A very faithful response, with an excellent natural sound and an easy and fast assembly,

Developed under the direction of Ludovic Lanen, the VL21-C Lanen microphone is specially designed for the recording and sound reinforcement of violins and violas.

Equipped with an electret cell capable of handling up 140dB, it will capture all the dynamics and nuances of your playing.

Its great linearity will perfectly respect the timbre and the sound of your instrument.

Particular attention has been paid to attaching the microphone to the instrument. The two new rubber clamps allow the 21 cell to be positioned at the heart of the sound recording, in order to ensure perfect capture for a precise and natural rendering.

The AL21 Romanelli is a pack of three microphones, specially intended for the sound system of accordions and bandoneons.

Equipped with an electret cell capable of handling 140dB, they will capture all the dynamics and nuances of your playing. In addition, their great linearity will perfectly respect the timbre and tone of your instrument.

Special attention has been paid to attaching the microphones to the instrument.

The reference for cellists!

A very faithful response, an excellent natural sound and an easy and fast assembly!

Developed under the direction of Ludovic Lanen with the assistance of the talented Jean-Claude Auclin, the CL21 Lanen microphone is specially intended for the recording and sound reinforcement of cellos.

Equipped with an electret cell capable of handling 140dB, it will capture all the dynamics and nuances of your playing. Its great linearity will perfectly respect the timbre and the sound of your instrument.

Particular attention has been paid to attaching the microphone to the instrument.

Developed under the direction of Ludovic Lanen, the GL21 Lanen microphone is specially designed for the recording and sound reinforcement of acoustic guitars, ukuleles, mandolins and dobros.

Equipped with an electret cell capable of handling 140dB, it will capture all the dynamics and nuances of your playing.

Its great linearity will perfectly respect the timbre and the sound of your instrument.

Particular attention has been paid to attaching the microphone to the instrument. Equipped with two clamps specially designed for guitars, ukuleles, mandolins and dobros, the GL21 will allow you to face all situations.

A very high admissible sound level, an electret cell capable of handling up to 140dB!

Developed under the direction of Ludovic Lanen with the assistance of the talented saxophonist Patrick Bourgoin, the SB21 Lanen Sax & Brass microphone is dedicated to alto saxophones, tenor saxophones, trumpets, trombones, tubas, horns and all brass ...

It will capture all the dynamics and nuances of your playing. In addition, its great linearity will perfectly respect the timbre and tone of your instrument. A very faithful response, a sound of exemplary naturalness and an easy and fast assembly!

Specially designed for instruments, the TT1’s capsule, combined with a double mesh grille, is intended for the recording and sound reproduction of strings, woodwinds, wind instruments, guitars and percussions, both on stage and in the studio.

An accurate, well-balanced mic with high output. The TT1 Pro Instruments is also remarkably effective at picking up the amps (with guitars, etc.)

The TT1 Pro Instruments has the same manufacturing costs as the best products on the market. Ever since the Prodipe journey began, the leading brands have had to sit up and take notice!

A variant of the TT1, the TT1 Pro - Lanen does not have a switch on/off for an optimal use on stage. Well balanced with a high output level, it will suit both exacting singers, as well as conference speakers, presenters and entertainers.

The TT1 has the same manufacturing costs as the best products on the market. Ever since the Prodipe journey began, the leading brands have had to sit up and take notice!

Well-balanced with high output, the TT1 is ideal for anyone looking for an accurate reproduction of their voice: singers, speakers, presenters, MCs…

The TT1 has the same manufacturing costs as the best products on the market. Ever since the Prodipe journey began, the leading brands have had to sit up and take notice!

Protect your EleMent Series Microphone with the PF-100 Pop Screen from Mackie. This pop filter is sized specifically for EleMent Series microphones, which is good, because it attaches directly to the capsule by means of included elastic bands. Once affixed to the mic, it helps reduce low-frequency pops and thumps, filtering them out of your voice for the best possible sound. This pop filter also helps keep your microphone clean.

Suction Pickup for all EKO FASI stringed instruments.

EKO FASI is a suction cup pickup that can be easily installed without invasive interventions on your instrument. Just choose the ideal location to install the pickup and connect the jack to your amp. Ideal for Folk, Gypsy, Ukulele, etc.

The SMR is a revolutionary shock mount for large diaphragm condenser microphones from RØDE. Featuring a unique double-Lyre suspension system, the SMR enhances the existing superior vibration cancellation of Rycote’s Lyre system by using a smaller inner Lyre to act as a tensioning element. This maintains each Lyre in the neutral position where it is most efficient at cancelling vibration. The SMR's removable all-metal pop filter is as effective as it is visually striking, providing an integrated solution for plosive protection that is easily washable and designed to last as long as the shock mount and microphone. The clamping system of the SMR utilises a greater surface area for increased friction and weight handling, without the need for over-tightening of the locking thread.

The SM6 is a high quality suspension shock mount that supports many large diaphragm RØDE microphones. It provides isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. It includes a removable pop shield with two axes of adjustment and a telescopic arm for ultimate application versatility.

The SM4-R is a suspension shock mount for mounting various RØDE microphones onto a mic stand or boompole with 3/8" or 5/8" thread.

The SM4-R is equipped with dual Rycote Lyre mounts to ensure maximum isolation from any handling vibrations, four possible mounting points to suit the complete range of compatible RØDE shotgun microphones, and integrated cable management clip.

The stand mount is angle adjustable and can be locked into position to ensure sturdy and reliable mic positioning.

The SM3-R is a suspension shock mount with camera shoe adaptor for mounting various RØDE microphones onto a camera via the standard hot/cold shoe mount.

The SM3-R is equipped with dual Rycote Lyre mounts to ensure maximum isolation from any handling vibrations, four possible mounting points to suit the complete range of compatible RØDE on-camera microphones, and integrated cable management clip.

The SM2 is a suspension shock mount that holds a range of large diaphragm condenser microphones. It provides isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. Additionally the SM2 allows for flexible mounting to position your microphone perfectly in any situation.

The RØDE Stereo Bar is a robust solution for mounting two microphones in a stereo array. With clearly marked spacing of up to 20cm, as well as angle and measurement indicators for ORTF and XY positioning, the RØDE Stereo Bar makes it quick and easy to achieve complex recording arrays. The 5/8” mounting threads are supplied with accompanying spacing clips to allow for easy positioning for stacked arrays, and the robust ABS construction makes the Stereo Bar stable and durable, allowing it to easily support the weight of two large diaphragm microphones.

The Violin-Clip suspension mount is designed to easily clamp onto the strings of a violin in the bridge area behind the top plate, allowing for the precise mounting of a lavalier microphone.

The RØDE Vampire Clip is a double-toothed clothing pin that conveniently fastens the RØDE Lavalier microphone onto a wide range of fabric and clothing for complete mounting versatility.

The RØDE Pivot Adaptor is a durable machined-aluminium, brass and high-grade polymer adaptor for mounting on boom stands and boompoles, allowing for up to 210 degrees of pivot.

The perfect suspension shock mount for the Procaster or Podcaster, the PSM1 provides isolation from external vibrations which can translate as low frequency noise or manipulate the microphone position. The PSM1 gives you confidence when using your microphone in environments where there is any movement that may interfere with the microphones performance.

The PG1 Cold Shoe Pistol Grip is a convenient and ergonomic way to operate your RØDE VideoMic, Stereo VideoMic, or any other cold-shoe device independently of your video camera. A convenient 3/8” thread on the base allows connection to a boompole or microphone stand, while the spine features handy cable management.

The RØDE Blimp is a complete windshield and shock mounting accessory for the NTG1, NTG2, NTG3, NTG4 and NTG4+ microphones, as well as any third party shotgun microphone up to 325mm (12 ¾”) in length. Now featuring the Rycote® Lyre suspension system, the Blimp provides the ultimate in microphone suspension and isolation. Constructed from a single piece of hard-wearing thermoplastic, the Lyre provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap. The Blimp’s handle has also been completely redesigned, reducing the product weight significantly, while increasing the ergonomics for handheld use. Housed inside the grip is a heavy-duty Mogami cable which splits via a junction box to a highly-flexible thin cable inside the Blimp, to minimise the transference of vibration to the microphone. With the lightweight design of the handle and suspension system the new Blimp design is over 25% lighter (550gm without microphone or DeadWombat fitted). The Blimp attaches to any standard boompole via 3/8" thread attachment at the base. The Universal Blimp Mount is available as an option to remove the handle when the Blimp is being used primarily on a boompole to reduce weight.

The RØDE Boompole Clips are designed to quickly and easily mount onto any RØDE boompole to secure the microphone lead and minimise any movement.

The BoomPole Bag is a high-quality neoprene carry bag designed to accommodate a boompole with shock mount and microphone attached.

The RØDE Boompole is a precision balanced professional boom pole for location recording, machined from high grade, lightweight aluminium. The Boompole allows you to mount your microphone securely and swivel it in a range of directions that will allow you to easily change positions and follow your sound source. Extends from 0.84m (33") to 3m (10')

The Micro Boompole Pro is a unique, modular booming device that allows location sound engineers to capture audio in confined or difficult spaces.Optimised for use with the VideoMicro microphone, the Micro Boompole Pro’s three sections combine to a maximum length of 2.2m (7’2”). Using an industry standard 3/8” thread, these sections can also be used to extend the Boompole Pro to reach to over 3.7m (12').

The RØDE Micro Boompole provides ultimate boom pole performance in a convenient and portable size. Intuitive twist locks allow the Micro Boompole’s three sections to smoothly extend to 2063mm (6¾’), while the ergonomic grip provides comfort during use.

The WS-LAV is a high quality pop filter, designed to fit the Lavalier microphone. A pop filter should be fitted in the majority of applications to prevent any hard plosive sounds overloading the microphone capsule. The WS-LAV is supplied as a pack of three.

The RØDE WS7 Deluxe Windshield is an easy to use high-performance windshield for shotgun microphones. Designed to reduce wind noise when recording in adverse environmental conditions, the WS7 combines an open-cell foam surround with an outer layer of acoustically transparent artificial fur. A rubber base prevents any wind noise from entering the rear of the microphone pickup area. Suitable for the RØDE NTG3 and any shotgun microphone with a maximum slot length of 186.5mm (7 1/4") and a diameter of 19-20mm.

The RØDE WS6 Deluxe Windshield is an easy to use high-performance windshield for shotgun microphones. Designed to reduce wind noise when recording in adverse environmental conditions, the WS6 combines an open-cell foam surround with an outer layer of acoustically transparent artificial fur. A rubber base prevents any wind noise from entering the rear of the microphone pickup area. Suitable for the RØDE NTG1, NTG2, NTG4 and NTG4+ as well as any shotgun microphone with a maximum slot length of 160.5mm (6 1/4") and a diameter of 21-22.5mm.

The MINIFUR-LAV is a synthetic fur cover for the Lavalier microphone, designed for use in outdoor or high-wind conditions.

The MINIFUR-LAV is a synthetic fur cover for the Lavalier microphone, designed for use in outdoor or high-wind conditions.

The DeadWombat windshield is designed for minimising wind noise when recording in high wind conditions using the RØDE Blimp. Its artificial fur is specially designed so as to minimise wind noise while remaining acoustically transparent.

The DeadCat VMP is a furry wind cover for the VideoMic Pro, designed for use in windy environments. Its artificial fur is specially designed so as to minimise wind noise while remaining acoustically transparent. The DeadCat VMP is compatible with the VideoMic Pro rubber-band models only.

The Dead Cat windshield is designed for minimising any wind noise when recording in high wind conditions. Its artificial fur is specially designed so as to minimise wind noise while remaining acoustically transparent.

The SC6-L is a simple input/output breakout box designed for Apple iOS devices. Inspired by the original SC6 with a 3.5mm TRRS jack, the SC6-L uses a Lightning Connector to connect directly to Apple iOS devices.

The VideoMic Me is a compact and lightweight directional microphone for use with smartphones. It features an in-built 3.5mm TRRS output for plugging directly into a smartphone’s headphone socket. Its flexible mounting bracket accommodates a wide range of smartphones and allows the microphone to be fitted for primary camera or front camera ('selfie') use. A 3.5mm headphone jack on the rear allows for play-through of audio while recording (app dependent) as well as easy playback of your videos without having to remove the microphone.

The i-XLR is a broadcast quality XLR to Lightning interface for iOS devices, that allows reporters, correspondents and audio professionals to quickly and easily capture professional interview dialogue to a smartphone or tablet.A generous three meter shielded cable allows the operator to store the phone in a pocket or bag, and a headphone output with adjustable level on the body makes it easy to monitor your audio during an interview.

The RØDE PinMic™ is a discreet lavalier/lapel microphone with an innovative pin-through design that is not only easier to conceal than a traditional lapel microphone, but provides greater mounting versatility.

Comprised of a cabled backplate and a removable omni-directional capsule head, the PinMic™ is easily mounted onto any clothing or fabric by simply pushing the backplate pins through the back of the fabric and sliding the capsule into place on the front. The microphone backplate and cable are hidden behind the fabric, and the capsule head can be easily disguised, covered or decorated to further conceal the microphone.

The PinMic™ capsule is discrete at only 9mm deep and 11mm in diameter, and is supplied with both a black and an unpainted silver mesh head that can be further camouflaged by painting.

The RØDE Lavalier is a discreet lapel microphone that provides broadcast-quality audio when close-miked in almost any scenario.

The Lavalier's low self-noise, user friendly omni-directional polar pattern and minimal appearance make it an ideal solution for film, television, video, theatre, house of worship and anywhere where a high quality microphone needs to be heard but not seen.

The microphone capsule is connected via a 1.2m (4') shielded, Kevlar® reinforced cable that has been rigorously strain tested up to 10kg to ensure reliable performance.

The included mini-furry for high wind protection ensures quality recordings in adverse environments, and the included cable management clips ensure that you are able to minimise the microphone and cable visibility, while providing maximum mobility for the wearer.

The RØDE Broadcaster is a large diaphragm, end-address condenser microphone designed to provide the ultimate performance for broadcast vocal applications.

Its rich, full quality tailored response has an emphasised proximity effect that has made it a standard in radio stations the world over. It is equally suitable as a voice-over microphone for film and television.

The Broadcaster features an internal pop filter, designed to minimise plosives sounds that can overload the microphone capsule and distort the audio output. In addition to the Broadcaster's native 20Hz-20kHz response, a selectable high-pass filter at 75Hz is available which will prevent low-end noise such as air conditioners and traffic from being recorded.

The RØDE Podcaster is a dynamic, end-address USB microphone that combines broadcast-quality audio with the simplicity of USB connectivity, allowing recording direct to a computer without the need for an additional digital interface.

Including an audiophile quality 18-bit resolution, 48kHz sampling A/D converter, the Podcaster processes all of the analogue-to-digital conversion internally, bypassing the computer's lower quality on-board sound controller altogether.

A headphone output on the microphone body provides zero-latency monitoring, so the user can hear exactly what is being recorded, free of delay or echo.

Designed for handheld interview and presentation applications, the Reporter features an omnidirectional dynamic capsule that is designed to allow the user freedom of use, without the technique related issues typical of directional end-address microphones.

Additionally its frequency response has been specially tailored for voice reproduction, to maximise intelligibility and deliver crisp, clear results in almost any condition.

The microphone features a durable die-cast aluminium alloy body coated in a discrete matte black anti-glare finish. An innovative multi-layer mesh basket protects the microphone from environmental noise without the need for a bulky and distracting foam wind shield.

The RØDE NTG2 is a lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries.

Its full frequency response, low noise and audio transparency make it an ideal film, video, and voice over microphone, while its low weight (161gm/5.7oz without battery) makes it an ideal boom microphone.

In addition to the native 20Hz-20kHz frequency response a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded.

The NTG2 operates either from a AA (1.5V) battery or P48 phantom power which can be supplied by professional cameras, audio recorders and power supplies. The battery power option makes the NTG2 ideal for scenarios where the camera does not supply phantom power such as DSLR video.

The RØDE NTG1 is a lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries.

Its full frequency response, low noise and audio transparency make it an ideal film, video, and voice over microphone, while its low weight (105gm/3.7oz) makes it an ideal boom microphone.

In addition to the native 20Hz-20kHz frequency response a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded.

The WSVM windshield is supplied to minimise light wind noise and plosives during recording. The optional 'DeadCat' furry is recommended for outdoor applications.

Designed and made in Australia, the M5 is a compact ½” cardioid condenser microphone with low noise and a full frequency response. A result of many years’ experience building the award-winning NT5 microphone, RØDE has succeeded in making a high-quality ‘pencil’ style permanently polarized condenser that will impress even the most demanding of artists and engineers. Ideal for studio recording and live on stage, the M5 is equally at home on a range of acoustic instruments, choirs, or anywhere you would employ a small diaphragm condenser microphone, either individually or as a stereo array. This matched pair has been carefully selected to ensure a variation of no more than 1dB sensitivity between the microphones. A premium foiled certificate is supplied to verify the authenticity of the pair. The M5 is finished with RØDE’s proprietary ceramic coating which offers a sleek matt black finish, and is supplied with WS5 windshields and RM5 stand mounts.

The NT5 is RØDE's premier small-diaphragm cardioid condenser microphone, sometimes referred to as a 'pencil mic'.

Intended for recording acoustic instruments, drum overheads, cymbals and live performances, the compact externally polarized mic employs a 1/2" capsule, an active J-FET impedance converter with bipolar output buffer.

Its tight cardioid pickup pattern also makes it ideal for use as an indoor dialogue microphone for filmmaking on a mic stand or boom.

The NT5 is RØDE's premier small-diaphragm cardioid condenser microphone, sometimes referred to as a 'pencil mic'.

Intended for recording acoustic instruments, drum overheads, cymbals and live performances, the compact externally polarized mic employs a 1/2" capsule, an active J-FET impedance converter with bipolar output buffer.

Its tight cardioid pickup pattern also makes it ideal for use as an indoor dialogue microphone for filmmaking on a mic stand or boom.

The RØDE M3 is a highly versatile end-address condenser microphone, designed to be completely at home in the studio, on stage or on location. It is equally suitable as an instrument microphone for guitars, drums and percussion or even vocals.

Featuring a heavy duty metal body and internally shock mounted 1/2" condenser capsule mounted for end-address, the M3 can be powered either via P48 phantom power, or an internal 9V battery.

The C451 B is a small-diaphragm condenser microphone with the identical acoustical behavior of its predecessor, the legendary C451 EB + CK1 capsule, which was a bestseller right from the start in 1969.

The Shure Beta 57A maintains a true supercardioid pattern throughout its frequency range. This insures high gain before feedback, maximum isolation from other sound sources, and minimum off-axis tone coloration. A completely new grille design on the Shure Beta 57A lets you take better advantage of proximity effect. The Shure Beta 57A is an exceptionally versatile microphone. Typical applications include drums, guitar amplifiers, brass, woodwinds and vocals.

Rather than buy the microphones one by one, drummers will have the opportunity to buy PG Alta kits, containing everything needed to sound a standard battery. The PGA Drumkit 7 includes 1 PGA52, 3 PGA56, 1 PGA57 and a pair of PGA81, in addition to the clips and cables. Designed to provide excellent sound from the entire drums, on stage and in the studio.

Rather than buying the microphones one by one, the batsmen will have the opportunity to purchase PG Alta kits containing everything needed to sound to a standard battery. PGA Drumkit 4 comprises PGA52 1, 2 and 1 PGA57 PGA56, in addition to clamps and cables. Designed to provide excellent sound capture all of the battery, on stage and in the studio.

The smartLav+ is a broadcast-grade wearable microphone designed for use in a wide range of film, television and broadcast scenarios, or wherever broadcast quality audio is required in a discreet, portable format without the complication and expense of additional wireless equipment.

The Shure Beta 57A maintains a true supercardioid pattern throughout its frequency range. This insures high gain before feedback, maximum isolation from other sound sources, and minimum off-axis tone coloration. A completely new grille design on the Shure Beta 57A lets you take better advantage of proximity effect. The Shure Beta 57A is an exceptionally versatile microphone. Typical applications include drums, guitar amplifiers, brass, woodwinds and vocals.

The Model 55SH Series II microphone provides the Shure classic UNlDYNE® II design coupled with modern acoustic components to meet today's performance standards. This microphone is excellent for vocal pickup with its characteristic Shure presence peak.

Achieve great-sounding vocals with Sennheiser's ew 100-945 G4. This wireless system's SKM 100 G4-S handheld transmitter features a tight supercardioid pattern, so it picks up the vocalist while eliminating feedback. The ew 100-945 G4 also includes an EM 100 G4 rackmount receiver, which offers 1,680 tunable UHF frequencies across a 42MHz bandwidth for interference-free reception. This system is highly expandable — you can link up to twelve receivers for simultaneous setup. And you'll benefit from a 330-foot transmission range and up to eight hours of operation. Beyond that, the ew 100-945 G4 is backward-compatible with previous evolution systems, ensuring that your past investment continues to pay off into the future.

The Sennheiser XSW 1-ME2 bundles great sound and ease of use into a sleek wireless lavalier system. A bodypack transmitter pairs with an ME 2 lavalier microphone to produce a sharp, clean sound. Convenient features like one-button scanning and synchronization are housed in a streamlined receiver with built-in antennas. Use up to 10 systems simultaneously. The Sennheiser XSW 1-ME2 is a great wireless lavalier system for performers and presenters.

Achieve great-sounding vocals with Sennheiser's ew 135 G4. This wireless system's SKM 100 G4-S handheld transmitter features a tight cardioid pattern, so it picks up the vocalist in front of it while eliminating feedback. The ew 135 G4 also includes an EM 100 G4 rackmount receiver, which offers 1,680 tunable UHF frequencies across a 42MHz bandwidth for interference-free reception. Beyond that, the ew 135 G4 is backward-compatible with previous evolution systems, ensuring that your past investment continues to pay off into the future.

Achieve the ultimate in wireless freedom with Sennheiser's ew 152 G4. Using a combination of a lightweight headset microphone, a compact bodypack transmitter, and a reliable rackmountable receiver, the ew 152 G4 system makes hands-free vocal performance a reality. And it sounds great — you get 1,680 tunable UHF frequencies across a 42MHz bandwidth for interference-free reception. This system is highly expandable — you can link up to twelve receivers for simultaneous setup.