Professional cable suitable for the stage
International reference card
Professional cable suitable for the stage
International reference card
The solution for connecting a turntable or an expander with two RCA outputs to a stereo jack input.
Whether you are looking for a cable jack for your guitar, XLR for your microphone, Midi for your keyboard or hp to connect your speakers, there is always a Yellow Cable that meets your needs!
900W RMS amplified professional speaker, DSP digital signal processing, highly efficient Class D amplifier, a very low weight of only 14.8kg, a choice of 6 EQ presets, the renewed FBT sound.
Ideal for small to medium sized application, from single pole mounted loudspeakers with 100°H x 10°V coverage to multiple cabinet full sized line array, the MITUS 206LA maybe used also in outdoor applications where the system is not directly exposed to the elements
The MITUS 212 FSA is a new flyable active subwoofer sharing the same width and suspension hardware of the MITUS 206 LA line array flown configurations at the top of a MITUS 206 LA, in a separate column or ground stacked. It increases the low frequency headroom and extend the bandwidth of an array of MITUS 206 LA down to 45Hz. The band-pass enclosure design utilizes 2x12” B&C high excursion woofers with neodymium magnet assembly and is equipped with a Class D built-in amplifier with DSP and switch mode power supply, delivering 1200 Wrms. The MITUS 212 FSA enclosure is built from 15mm birch plywood and has a tour-grade extra strong paint finish, with ergonomic handles and rigid metal grille with internal foam.
The Zoom H1n's dead-simple stereo pickup with unlimited overdubs makes archiving music performances, dialogue, and sound for film easier than ever. The H1n is the successor to the acclaimed H1. Upgraded features include dedicated one-touch buttons for recording, playback, and audio settings; a new 1.25" backlit LCD that reads easily in any lighting condition; slate and test tone generators for simpler A/V sync; auto-record and self-timer functions; a front-facing speaker; and adjustable playback speed for transcription and notation. Whether you use the phase-coherent onboard stereo XY mics or plug in your own sound source via the 1/8" stereo mic/line jack, the Zoom H1n captures your world in glorious 24/96 hi-fi. Note: requires an SD card for recording
The FBT SUBLINE 118S is an extremely compact bass-reflex design subwoofer with high SPL and punch. The FBT SUBLINE 118S feature 0,70" birch plywood construction covered in a scratch resistant black paint with two aluminum carrying handles; an M20 top mounted stand adapter allows satellite speakers, such as the FBT speaker series and others, to placed above the subwoofer cab. The FBT SUBLINE 118S features a 18" high excursion magnet woofer with 3" voice coil. The FBT SUBLINE 118S is able to produce a max SPL of 136dB and handles 1200W RMS. The control panel features 2 x Neutrik Speakon NL4MD-V connectors. External digital processor required: FBT DLM26 Digital Loudspeaker Management.
FBT has designed the SUBline range to complement all the brand's speakers. The SUBline 118Sa is a bass-reflex box with a 46cm (18 ") HP and amplified in 1200 watts RMS equipped with 2 XLR inputs (right and left) and 2 outputs with a switch to choose the use in "Hi" to go to a satellite speaker or "LINK" to go to other subwoofers. You can use the SUBline 118SA subwoofer to make a set of 2.1 or 2.2
The FBT VENTIS 115MAbi-amplified speaker feature 0,59" birch plywood costruction covered in a scratch & scuff resistant black finish. The FBT VENTIS 115MAis a two way design incorporating a 15" coaxial custom woofer with 2,5" voice coil and 1" exit throat B&C with 1,7" voice coil. With a frequency range of 50Hz - 20kHz provides hi fedelity sound for both speech and music applications with a maximum SPL of 132dB. The biamplified FBT VENTIS 115MA features 700W RMS low frequency amp and 200W RMS high frequency amp. DSP on board is both user friendly and powerful; a total of 6 pre-optimised settings are available, plus 2 further slots for users to form their own design, using 5 parametric equalizers per slot. Control panel features balanced XLR/Jack input, XLR link out, 2 x volume, RCAstereo input, DSP display with rotative encoder and push, The optional mounting bracket allow the FBTVENTIS 115MAspeaker to be surface mounted on wall or ceilings. Thanks to the integrated steel pole mount, the FBTVENTIS 115MAcan be turned into a standard speaker in vertical configuration with a few simple moves.
Aywa - Y016, Jack Cable / Metal Bent Jack 6m 0
The Perception P2 high-performance dynamic bass microphone delivers a profound, high-energy low end for use on kick drums, trombones and bass amps. Its cardioid polar pattern reduces feedback and crosstalk coming from other instruments behind the microphone.
Music plus Adapter Jack 6.35M/ 2 Jack 6.35F in Plastic
Aywa - Adapter Jack 3.5 F / 2 RCA M in Plastic
The P170 is a small-diaphragm condenser microphone for recording of overheads, percussion, acoustic guitars and other strings. Its lightweight 1/2-inch true condenser transducer diaphragm delivers outstanding clarity and transient response. The P170 utilizes the experience of sound engineers from around the world and is considered an affordable alternative to the legendary AKG C451 B.
Grab the updated AKG C1000 S MK4 and see what you've been missing. Engineers have long recommended the C1000 S to project studio engineers and field recording specialists for years because of its clarity and versatility, and this updated version is more versatile than ever. Switchable capsule caps provide cardioid and hypercardioid polar pattern, plus an optional gain boost, while the addition of a switchable pad and highpass filter let you tailor the frequency response to a wide range of applications. You can power the C1000 S MK4 with a pair of AA batteries for up to 120 hours, making it a great companion for your mobile recording. What's more, the internally shockmounted capsule has been redesigned with gold-plating to resist rust and corrosion.
The AKG C214 is the younger brother of AKG's legendary C414 condenser - similar to the 414's legendary sound, but at an entry-level price. The affordable C214 actually uses the same one-inch dual-capsule as the C414 in a single-diaphgram, cardioid-only design. The result? Highly-detailed, up-front sound on both voices and instruments with an overall performance close to that of the famous C414 B-XLS. Now you can get that epic AKG sound on any budget with the new C214!
The AKG Perception 820 Tube condenser microphone makes quality tube mic performance affordable! This addition tothe popular Perception line gives you the rich sound only a real tube condenser can offer, while you control its stunning array of nine different pickup patterns (plus its low-cut filter and 20dB attenuation pad) from a very easy-to-use remote. The Perception 820 Tube uses a 1" dual capsule design to give you a very dimensional and smooth sound. Though this Perception flagship model excels on vocals, it's built to take the high SPLs you need to make the Perception 820 Tube a real studio workhorse.
Since its introduction in 1993, the C3000 is recognized as a standard in many configurations, whether in the studio or on stage. This new edition brings new aesthetic benefits for an even more economical budget.
The Rode VideoMic Pro R's integrated Rycote Lyre shockmount system isolates the microphone's capsule and electronics from its mount, giving you immunity to vibrations that may result in muddy-sounding audio. Whether you're hand-holding, or your camera is tripod- or steadicam-mounted, vibrations can find their way to your mic and ruin an otherwise good shot. The Rycote shockmount stops those vibrations completely. Constructed from a single piece of rugged thermoplastic, the Lyre provides better acoustic suspension than traditional elastic shock mounts - plus, it will never sag, break, or wear out.
The new Stereo VideoMic Pro provides a high quality stereo option for videographers, and is ideal for recording music, and the atmospheric ambience essential in building a realistic audio scene.
Based around the all new capsule with its matched pair of high sensitivity ½”cardioid condensers in a coincident XY pair, the Stereo VideoMic Pro provides a wide stereo image with natural depth.
The VideoMicro is a compact microphone designed to improve the audio quality of your videos. It incorporates a high-quality cardioid condenser microphone capsule for great quality audio recordings when used with a wide range of cameras.