Acclaimed for their ability to handle high sound pressure levels and excellent sound reproduction, the HD 25's are often found in DJ booths, on stage and in studios around the world. The HD 25 Light delievers the pure sound while maintaining a minmalistic design.

The HD 25 PLUS Headphone from Sennheiser is ideal for professional use and provides high-quality audio in a lightweight and improved design. It can be used in several applications for monitoring, recording, DJing, and more.

The Sennheiser XSW 1-825 bundles great sound and ease of use into a sleek handheld wireless system. The transmitter employs an 825 cardioid capsule with a warm, smooth sound and excellent feedback rejection. Convenient features like one-button scanning and synchronization are housed in a streamlined receiver with built-in antennas. Intuitive icon-based indicators make operation a piece of cake. Use up to 10 systems simultaneously. The Sennheiser XSW 1-825 is a great handheld wireless system for singers, presenters, and instrumentalists.

Achieve great-sounding presentations with Sennheiser's ew 122 G4. This all-inclusive wireless system includes an inconspicuous ME 4 cardioid lav mic that's designed to reproduce speech naturally. You also get a bodypack transmitter and an easy-to-set-up rackmountable receiver. This system is highly expandable — you can link up to 12 receivers for simultaneous setup. The ew 122 G4 is backward-compatible with previous evolution G1, G2, and G3 systems, ensuring that your past investment continues to pay off into the future.

Capture and transmit crystal clear audio with the Sennheiser HSP 4 headworn mic and your preferred Sennheiser wireless microphone system. This discreet mic features an 8.4mm cardioid microphone capsule, a comfortable headworn/neckband design, and a built-in windscreen to keep plosives down while the mic is in use. The HSP 4 employs a locking 3-pin connector that works with many different Sennheiser bodypack transmitters, and the boom can be switched out for the optional HSP 2 boom mic, as well.

Capture and transmit crystal clear audio with the Sennheiser HSP 4 headworn mic and your preferred Sennheiser wireless microphone system. This discreet mic features an 8.4mm cardioid microphone capsule, a comfortable headworn/neckband design, and a built-in windscreen to keep plosives down while the mic is in use. The mic's cardioid polar pattern rejects most side and background noise, keeping your signal focused and clean. The HSP 4 employs a locking 3-pin connector that works with many different Sennheiser bodypack transmitters, and the boom can be switched out for the optional HSP 2 boom mic, as well.

Complete microphone set for live performances: e 835 cardioid evolution vocal microphone, high-quality König & Meyer microphone stand, 5-m XLR cable, microphone clip, and robust microphone pouch.

Lead vocal stage mic, designed to perform under pressure. Uniform frequency pick-up pattern maintains signal quality when moving on and off axis during performance. Gentle presence boost to even tonal response ensures clarity and projection. Minimal proximity effect provides consistently clear bass and performance when singing closer to or farther from capsule.

The Sennheiser XSW 1-ME2 bundles great sound and ease of use into a sleek wireless lavalier system. A bodypack transmitter pairs with an ME 2 lavalier microphone to produce a sharp, clean sound. Convenient features like one-button scanning and synchronization are housed in a streamlined receiver with built-in antennas. Use up to 10 systems simultaneously. The Sennheiser XSW 1-ME2 is a great wireless lavalier system for performers and presenters.

The Sennheiser XSW 1-ME3 bundles great sound and ease of use into a sleek wireless headset system. A bodypack transmitter pairs with an ME 3 headset microphone to produce a sharp, clean sound. Convenient features like one-button scanning and synchronization are housed in a streamlined receiver with built-in antennas. Intuitive icon-based indicators make operation a piece of cake. Use up to 10 systems simultaneously. The Sennheiser XSW 1-ME3 is a great wireless headset system for performers involved in vigorous activities such as sports or dance.

High flexibility for those willing to go a step further. XS WIRELESS 2 grows with your demands by offering an intuitive LCD display for more manual options and 12 compatible channels in a stable UHF band, withstanding tougher live stage conditions. The XS WIRELESS 2 VOCAL SET is an easy to use all-in-one wireless system for singers and presenters featuring Sennheiser’s renowned evolution microphone capsule e835 (superior dynamic, cardioid) to perform under pressure.

The Sennheiser XSW 1-825 Dual bundles great sound and ease of use into a sleek handheld wireless system. The two included transmitters employ 825 cardioid capsules with a warm, smooth sound and excellent feedback rejection. Convenient features like one-button scanning and synchronization are housed in a streamlined receiver with built-in antennas. Intuitive icon-based indicators make operation a piece of cake. Use up to 10 systems simultaneously. The Sennheiser XSW 1-825 Dual is a great handheld wireless system for singers, presenters, and instrumentalists.

High flexibility for those willing to go a step further. XS WIRELESS 2 grows with your demands by offering an intuitive LCD display for more manual options and 12 compatible channels in a stable UHF band, withstanding tougher live stage conditions. The XS WIRELESS 2 VOCAL SET is an easy to use all-in-one wireless system for singers and presenters featuring Sennheiser’s renowned evolution microphone capsule e835 (superior dynamic, cardioid) to perform under pressure.

The Sennheiser XSW 1-825 bundles great sound and ease of use into a sleek handheld wireless system. The transmitter employs an 825 cardioid capsule with a warm, smooth sound and excellent feedback rejection. Convenient features like one-button scanning and synchronization are housed in a streamlined receiver with built-in antennas. Intuitive icon-based indicators make operation a piece of cake. Use up to 10 systems simultaneously. The Sennheiser XSW 1-825 is a great handheld wireless system for singers, presenters, and instrumentalists.

Achieve the ultimate in wireless freedom with Sennheiser's ew 152 G4. Using a combination of a lightweight headset microphone, a compact bodypack transmitter, and a reliable rackmountable receiver, the ew 152 G4 system makes hands-free vocal performance a reality. And it sounds great — you get 1,680 tunable UHF frequencies across a 42MHz bandwidth for interference-free reception. This system is highly expandable — you can link up to twelve receivers for simultaneous setup.

Achieve great-sounding vocals with Sennheiser's ew 100-945 G4. This wireless system's SKM 100 G4-S handheld transmitter features a tight supercardioid pattern, so it picks up the vocalist while eliminating feedback. The ew 100-945 G4 also includes an EM 100 G4 rackmount receiver, which offers 1,680 tunable UHF frequencies across a 42MHz bandwidth for interference-free reception. This system is highly expandable — you can link up to twelve receivers for simultaneous setup. And you'll benefit from a 330-foot transmission range and up to eight hours of operation. Beyond that, the ew 100-945 G4 is backward-compatible with previous evolution systems, ensuring that your past investment continues to pay off into the future.

The Model 55SH Series II microphone provides the Shure classic UNlDYNE® II design coupled with modern acoustic components to meet today's performance standards. This microphone is excellent for vocal pickup with its characteristic Shure presence peak.

The Shure Beta 57A maintains a true supercardioid pattern throughout its frequency range. This insures high gain before feedback, maximum isolation from other sound sources, and minimum off-axis tone coloration. A completely new grille design on the Shure Beta 57A lets you take better advantage of proximity effect. The Shure Beta 57A is an exceptionally versatile microphone. Typical applications include drums, guitar amplifiers, brass, woodwinds and vocals.

Rather than buying the microphones one by one, the batsmen will have the opportunity to purchase PG Alta kits containing everything needed to sound to a standard battery. PGA Drumkit 4 comprises PGA52 1, 2 and 1 PGA57 PGA56, in addition to clamps and cables. Designed to provide excellent sound capture all of the battery, on stage and in the studio.

Rather than buy the microphones one by one, drummers will have the opportunity to buy PG Alta kits, containing everything needed to sound a standard battery. The PGA Drumkit 7 includes 1 PGA52, 3 PGA56, 1 PGA57 and a pair of PGA81, in addition to the clips and cables. Designed to provide excellent sound from the entire drums, on stage and in the studio.

The Beta 58A dynamic vocal microphone was specially designed for stage performances and studio recordings. Its frequency response specifically accentuates the voice and its supercardioid polar pattern isolates other sound sources.

The Numark PT01 Scratch is a fun, niche deck meant strictly for portablism, whether that’s with analogue vinyl or a DVS. I wouldn’t use it for club gigs because of its weight and mass, but I wouldn’t mind taking it along to my next hangout.

The RØDE M3 is a highly versatile end-address condenser microphone, designed to be completely at home in the studio, on stage or on location. It is equally suitable as an instrument microphone for guitars, drums and percussion or even vocals.

Featuring a heavy duty metal body and internally shock mounted 1/2" condenser capsule mounted for end-address, the M3 can be powered either via P48 phantom power, or an internal 9V battery.

The NT5 is RØDE's premier small-diaphragm cardioid condenser microphone, sometimes referred to as a 'pencil mic'.

Intended for recording acoustic instruments, drum overheads, cymbals and live performances, the compact externally polarized mic employs a 1/2" capsule, an active J-FET impedance converter with bipolar output buffer.

Its tight cardioid pickup pattern also makes it ideal for use as an indoor dialogue microphone for filmmaking on a mic stand or boom.

The NT5 is RØDE's premier small-diaphragm cardioid condenser microphone, sometimes referred to as a 'pencil mic'.

Intended for recording acoustic instruments, drum overheads, cymbals and live performances, the compact externally polarized mic employs a 1/2" capsule, an active J-FET impedance converter with bipolar output buffer.

Its tight cardioid pickup pattern also makes it ideal for use as an indoor dialogue microphone for filmmaking on a mic stand or boom.

Designed and made in Australia, the M5 is a compact ½” cardioid condenser microphone with low noise and a full frequency response. A result of many years’ experience building the award-winning NT5 microphone, RØDE has succeeded in making a high-quality ‘pencil’ style permanently polarized condenser that will impress even the most demanding of artists and engineers. Ideal for studio recording and live on stage, the M5 is equally at home on a range of acoustic instruments, choirs, or anywhere you would employ a small diaphragm condenser microphone, either individually or as a stereo array. This matched pair has been carefully selected to ensure a variation of no more than 1dB sensitivity between the microphones. A premium foiled certificate is supplied to verify the authenticity of the pair. The M5 is finished with RØDE’s proprietary ceramic coating which offers a sleek matt black finish, and is supplied with WS5 windshields and RM5 stand mounts.

The RØDE NTG1 is a lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries.

Its full frequency response, low noise and audio transparency make it an ideal film, video, and voice over microphone, while its low weight (105gm/3.7oz) makes it an ideal boom microphone.

In addition to the native 20Hz-20kHz frequency response a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded.

The WSVM windshield is supplied to minimise light wind noise and plosives during recording. The optional 'DeadCat' furry is recommended for outdoor applications.

The RØDE NTG2 is a lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries.

Its full frequency response, low noise and audio transparency make it an ideal film, video, and voice over microphone, while its low weight (161gm/5.7oz without battery) makes it an ideal boom microphone.

In addition to the native 20Hz-20kHz frequency response a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded.

The NTG2 operates either from a AA (1.5V) battery or P48 phantom power which can be supplied by professional cameras, audio recorders and power supplies. The battery power option makes the NTG2 ideal for scenarios where the camera does not supply phantom power such as DSLR video.

Designed for handheld interview and presentation applications, the Reporter features an omnidirectional dynamic capsule that is designed to allow the user freedom of use, without the technique related issues typical of directional end-address microphones.

Additionally its frequency response has been specially tailored for voice reproduction, to maximise intelligibility and deliver crisp, clear results in almost any condition.

The microphone features a durable die-cast aluminium alloy body coated in a discrete matte black anti-glare finish. An innovative multi-layer mesh basket protects the microphone from environmental noise without the need for a bulky and distracting foam wind shield.

The RØDE Podcaster is a dynamic, end-address USB microphone that combines broadcast-quality audio with the simplicity of USB connectivity, allowing recording direct to a computer without the need for an additional digital interface.

Including an audiophile quality 18-bit resolution, 48kHz sampling A/D converter, the Podcaster processes all of the analogue-to-digital conversion internally, bypassing the computer's lower quality on-board sound controller altogether.

A headphone output on the microphone body provides zero-latency monitoring, so the user can hear exactly what is being recorded, free of delay or echo.