Complete microphone set for live performances: e 835 cardioid evolution vocal microphone, high-quality König & Meyer microphone stand, 5-m XLR cable, microphone clip, and robust microphone pouch.

Lead vocal stage mic, designed to perform under pressure. Uniform frequency pick-up pattern maintains signal quality when moving on and off axis during performance. Gentle presence boost to even tonal response ensures clarity and projection. Minimal proximity effect provides consistently clear bass and performance when singing closer to or farther from capsule.

The Sennheiser XSW 1-ME2 bundles great sound and ease of use into a sleek wireless lavalier system. A bodypack transmitter pairs with an ME 2 lavalier microphone to produce a sharp, clean sound. Convenient features like one-button scanning and synchronization are housed in a streamlined receiver with built-in antennas. Use up to 10 systems simultaneously. The Sennheiser XSW 1-ME2 is a great wireless lavalier system for performers and presenters.

The Sennheiser XSW 1-ME3 bundles great sound and ease of use into a sleek wireless headset system. A bodypack transmitter pairs with an ME 3 headset microphone to produce a sharp, clean sound. Convenient features like one-button scanning and synchronization are housed in a streamlined receiver with built-in antennas. Intuitive icon-based indicators make operation a piece of cake. Use up to 10 systems simultaneously. The Sennheiser XSW 1-ME3 is a great wireless headset system for performers involved in vigorous activities such as sports or dance.

High flexibility for those willing to go a step further. XS WIRELESS 2 grows with your demands by offering an intuitive LCD display for more manual options and 12 compatible channels in a stable UHF band, withstanding tougher live stage conditions. The XS WIRELESS 2 VOCAL SET is an easy to use all-in-one wireless system for singers and presenters featuring Sennheiser’s renowned evolution microphone capsule e835 (superior dynamic, cardioid) to perform under pressure.

The Sennheiser XSW 1-825 Dual bundles great sound and ease of use into a sleek handheld wireless system. The two included transmitters employ 825 cardioid capsules with a warm, smooth sound and excellent feedback rejection. Convenient features like one-button scanning and synchronization are housed in a streamlined receiver with built-in antennas. Intuitive icon-based indicators make operation a piece of cake. Use up to 10 systems simultaneously. The Sennheiser XSW 1-825 Dual is a great handheld wireless system for singers, presenters, and instrumentalists.

High flexibility for those willing to go a step further. XS WIRELESS 2 grows with your demands by offering an intuitive LCD display for more manual options and 12 compatible channels in a stable UHF band, withstanding tougher live stage conditions. The XS WIRELESS 2 VOCAL SET is an easy to use all-in-one wireless system for singers and presenters featuring Sennheiser’s renowned evolution microphone capsule e835 (superior dynamic, cardioid) to perform under pressure.

The Sennheiser XSW 1-825 bundles great sound and ease of use into a sleek handheld wireless system. The transmitter employs an 825 cardioid capsule with a warm, smooth sound and excellent feedback rejection. Convenient features like one-button scanning and synchronization are housed in a streamlined receiver with built-in antennas. Intuitive icon-based indicators make operation a piece of cake. Use up to 10 systems simultaneously. The Sennheiser XSW 1-825 is a great handheld wireless system for singers, presenters, and instrumentalists.

Achieve the ultimate in wireless freedom with Sennheiser's ew 152 G4. Using a combination of a lightweight headset microphone, a compact bodypack transmitter, and a reliable rackmountable receiver, the ew 152 G4 system makes hands-free vocal performance a reality. And it sounds great — you get 1,680 tunable UHF frequencies across a 42MHz bandwidth for interference-free reception. This system is highly expandable — you can link up to twelve receivers for simultaneous setup.

Achieve great-sounding vocals with Sennheiser's ew 100-945 G4. This wireless system's SKM 100 G4-S handheld transmitter features a tight supercardioid pattern, so it picks up the vocalist while eliminating feedback. The ew 100-945 G4 also includes an EM 100 G4 rackmount receiver, which offers 1,680 tunable UHF frequencies across a 42MHz bandwidth for interference-free reception. This system is highly expandable — you can link up to twelve receivers for simultaneous setup. And you'll benefit from a 330-foot transmission range and up to eight hours of operation. Beyond that, the ew 100-945 G4 is backward-compatible with previous evolution systems, ensuring that your past investment continues to pay off into the future.

The Numark PT01 Scratch is a fun, niche deck meant strictly for portablism, whether that’s with analogue vinyl or a DVS. I wouldn’t use it for club gigs because of its weight and mass, but I wouldn’t mind taking it along to my next hangout.

The RØDE M3 is a highly versatile end-address condenser microphone, designed to be completely at home in the studio, on stage or on location. It is equally suitable as an instrument microphone for guitars, drums and percussion or even vocals.

Featuring a heavy duty metal body and internally shock mounted 1/2" condenser capsule mounted for end-address, the M3 can be powered either via P48 phantom power, or an internal 9V battery.

The NT5 is RØDE's premier small-diaphragm cardioid condenser microphone, sometimes referred to as a 'pencil mic'.

Intended for recording acoustic instruments, drum overheads, cymbals and live performances, the compact externally polarized mic employs a 1/2" capsule, an active J-FET impedance converter with bipolar output buffer.

Its tight cardioid pickup pattern also makes it ideal for use as an indoor dialogue microphone for filmmaking on a mic stand or boom.

The NT5 is RØDE's premier small-diaphragm cardioid condenser microphone, sometimes referred to as a 'pencil mic'.

Intended for recording acoustic instruments, drum overheads, cymbals and live performances, the compact externally polarized mic employs a 1/2" capsule, an active J-FET impedance converter with bipolar output buffer.

Its tight cardioid pickup pattern also makes it ideal for use as an indoor dialogue microphone for filmmaking on a mic stand or boom.

Designed and made in Australia, the M5 is a compact ½” cardioid condenser microphone with low noise and a full frequency response. A result of many years’ experience building the award-winning NT5 microphone, RØDE has succeeded in making a high-quality ‘pencil’ style permanently polarized condenser that will impress even the most demanding of artists and engineers. Ideal for studio recording and live on stage, the M5 is equally at home on a range of acoustic instruments, choirs, or anywhere you would employ a small diaphragm condenser microphone, either individually or as a stereo array. This matched pair has been carefully selected to ensure a variation of no more than 1dB sensitivity between the microphones. A premium foiled certificate is supplied to verify the authenticity of the pair. The M5 is finished with RØDE’s proprietary ceramic coating which offers a sleek matt black finish, and is supplied with WS5 windshields and RM5 stand mounts.

The RØDE NTG1 is a lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries.

Its full frequency response, low noise and audio transparency make it an ideal film, video, and voice over microphone, while its low weight (105gm/3.7oz) makes it an ideal boom microphone.

In addition to the native 20Hz-20kHz frequency response a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded.

The WSVM windshield is supplied to minimise light wind noise and plosives during recording. The optional 'DeadCat' furry is recommended for outdoor applications.

The RØDE NTG2 is a lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries.

Its full frequency response, low noise and audio transparency make it an ideal film, video, and voice over microphone, while its low weight (161gm/5.7oz without battery) makes it an ideal boom microphone.

In addition to the native 20Hz-20kHz frequency response a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded.

The NTG2 operates either from a AA (1.5V) battery or P48 phantom power which can be supplied by professional cameras, audio recorders and power supplies. The battery power option makes the NTG2 ideal for scenarios where the camera does not supply phantom power such as DSLR video.

Designed for handheld interview and presentation applications, the Reporter features an omnidirectional dynamic capsule that is designed to allow the user freedom of use, without the technique related issues typical of directional end-address microphones.

Additionally its frequency response has been specially tailored for voice reproduction, to maximise intelligibility and deliver crisp, clear results in almost any condition.

The microphone features a durable die-cast aluminium alloy body coated in a discrete matte black anti-glare finish. An innovative multi-layer mesh basket protects the microphone from environmental noise without the need for a bulky and distracting foam wind shield.

The RØDE Podcaster is a dynamic, end-address USB microphone that combines broadcast-quality audio with the simplicity of USB connectivity, allowing recording direct to a computer without the need for an additional digital interface.

Including an audiophile quality 18-bit resolution, 48kHz sampling A/D converter, the Podcaster processes all of the analogue-to-digital conversion internally, bypassing the computer's lower quality on-board sound controller altogether.

A headphone output on the microphone body provides zero-latency monitoring, so the user can hear exactly what is being recorded, free of delay or echo.

The RØDE Broadcaster is a large diaphragm, end-address condenser microphone designed to provide the ultimate performance for broadcast vocal applications.

Its rich, full quality tailored response has an emphasised proximity effect that has made it a standard in radio stations the world over. It is equally suitable as a voice-over microphone for film and television.

The Broadcaster features an internal pop filter, designed to minimise plosives sounds that can overload the microphone capsule and distort the audio output. In addition to the Broadcaster's native 20Hz-20kHz response, a selectable high-pass filter at 75Hz is available which will prevent low-end noise such as air conditioners and traffic from being recorded.

The RØDE Lavalier is a discreet lapel microphone that provides broadcast-quality audio when close-miked in almost any scenario.

The Lavalier's low self-noise, user friendly omni-directional polar pattern and minimal appearance make it an ideal solution for film, television, video, theatre, house of worship and anywhere where a high quality microphone needs to be heard but not seen.

The microphone capsule is connected via a 1.2m (4') shielded, Kevlar® reinforced cable that has been rigorously strain tested up to 10kg to ensure reliable performance.

The included mini-furry for high wind protection ensures quality recordings in adverse environments, and the included cable management clips ensure that you are able to minimise the microphone and cable visibility, while providing maximum mobility for the wearer.

The RØDE PinMic™ is a discreet lavalier/lapel microphone with an innovative pin-through design that is not only easier to conceal than a traditional lapel microphone, but provides greater mounting versatility.

Comprised of a cabled backplate and a removable omni-directional capsule head, the PinMic™ is easily mounted onto any clothing or fabric by simply pushing the backplate pins through the back of the fabric and sliding the capsule into place on the front. The microphone backplate and cable are hidden behind the fabric, and the capsule head can be easily disguised, covered or decorated to further conceal the microphone.

The PinMic™ capsule is discrete at only 9mm deep and 11mm in diameter, and is supplied with both a black and an unpainted silver mesh head that can be further camouflaged by painting.

The i-XLR is a broadcast quality XLR to Lightning interface for iOS devices, that allows reporters, correspondents and audio professionals to quickly and easily capture professional interview dialogue to a smartphone or tablet.A generous three meter shielded cable allows the operator to store the phone in a pocket or bag, and a headphone output with adjustable level on the body makes it easy to monitor your audio during an interview.

The VideoMic Me is a compact and lightweight directional microphone for use with smartphones. It features an in-built 3.5mm TRRS output for plugging directly into a smartphone’s headphone socket. Its flexible mounting bracket accommodates a wide range of smartphones and allows the microphone to be fitted for primary camera or front camera ('selfie') use. A 3.5mm headphone jack on the rear allows for play-through of audio while recording (app dependent) as well as easy playback of your videos without having to remove the microphone.

The SC6-L is a simple input/output breakout box designed for Apple iOS devices. Inspired by the original SC6 with a 3.5mm TRRS jack, the SC6-L uses a Lightning Connector to connect directly to Apple iOS devices.

The Dead Cat windshield is designed for minimising any wind noise when recording in high wind conditions. Its artificial fur is specially designed so as to minimise wind noise while remaining acoustically transparent.

The DeadCat VMP is a furry wind cover for the VideoMic Pro, designed for use in windy environments. Its artificial fur is specially designed so as to minimise wind noise while remaining acoustically transparent. The DeadCat VMP is compatible with the VideoMic Pro rubber-band models only.

The DeadWombat windshield is designed for minimising wind noise when recording in high wind conditions using the RØDE Blimp. Its artificial fur is specially designed so as to minimise wind noise while remaining acoustically transparent.

The MINIFUR-LAV is a synthetic fur cover for the Lavalier microphone, designed for use in outdoor or high-wind conditions.

The MINIFUR-LAV is a synthetic fur cover for the Lavalier microphone, designed for use in outdoor or high-wind conditions.