The Sennheiser XSW 1-825 bundles great sound and ease of use into a sleek handheld wireless system. The transmitter employs an 825 cardioid capsule with a warm, smooth sound and excellent feedback rejection. Convenient features like one-button scanning and synchronization are housed in a streamlined receiver with built-in antennas. Intuitive icon-based indicators make operation a piece of cake. Use up to 10 systems simultaneously. The Sennheiser XSW 1-825 is a great handheld wireless system for singers, presenters, and instrumentalists.

Achieve the ultimate in wireless freedom with Sennheiser's ew 152 G4. Using a combination of a lightweight headset microphone, a compact bodypack transmitter, and a reliable rackmountable receiver, the ew 152 G4 system makes hands-free vocal performance a reality. And it sounds great — you get 1,680 tunable UHF frequencies across a 42MHz bandwidth for interference-free reception. This system is highly expandable — you can link up to twelve receivers for simultaneous setup.

Short Microphone Stand, telescopic. 

Anti-pop filter with nylon screen with very fine mesh.

Achieve great-sounding vocals with Sennheiser's ew 100-945 G4. This wireless system's SKM 100 G4-S handheld transmitter features a tight supercardioid pattern, so it picks up the vocalist while eliminating feedback. The ew 100-945 G4 also includes an EM 100 G4 rackmount receiver, which offers 1,680 tunable UHF frequencies across a 42MHz bandwidth for interference-free reception. This system is highly expandable — you can link up to twelve receivers for simultaneous setup. And you'll benefit from a 330-foot transmission range and up to eight hours of operation. Beyond that, the ew 100-945 G4 is backward-compatible with previous evolution systems, ensuring that your past investment continues to pay off into the future.

Wanna feel the bass? The Yamaha HS8S delivers. This 8" bass-reflex powered subwoofer serves up accurate low frequencies down to 22Hz, so you hear everything that's on your recording. The good, the bad, the awesome. Yamaha has engineered the HS8S with a beefy 150W amplifier purpose-built for low frequencies. The ideal match for Yamaha's HS series full-range monitors, the HS8S is your affordable, compact solution for extended-range monitoring in your studio. And if your projects take you on the road, this 27.6-pound bass monster makes a perfect travel companion. Feel the low end - all of it - with the Yamaha HS8S.

The Model 55SH Series II microphone provides the Shure classic UNlDYNE® II design coupled with modern acoustic components to meet today's performance standards. This microphone is excellent for vocal pickup with its characteristic Shure presence peak.

The Shure Beta 57A maintains a true supercardioid pattern throughout its frequency range. This insures high gain before feedback, maximum isolation from other sound sources, and minimum off-axis tone coloration. A completely new grille design on the Shure Beta 57A lets you take better advantage of proximity effect. The Shure Beta 57A is an exceptionally versatile microphone. Typical applications include drums, guitar amplifiers, brass, woodwinds and vocals.

Rather than buying the microphones one by one, the batsmen will have the opportunity to purchase PG Alta kits containing everything needed to sound to a standard battery. PGA Drumkit 4 comprises PGA52 1, 2 and 1 PGA57 PGA56, in addition to clamps and cables. Designed to provide excellent sound capture all of the battery, on stage and in the studio.

Rather than buy the microphones one by one, drummers will have the opportunity to buy PG Alta kits, containing everything needed to sound a standard battery. The PGA Drumkit 7 includes 1 PGA52, 3 PGA56, 1 PGA57 and a pair of PGA81, in addition to the clips and cables. Designed to provide excellent sound from the entire drums, on stage and in the studio.

The Beta 58A dynamic vocal microphone was specially designed for stage performances and studio recordings. Its frequency response specifically accentuates the voice and its supercardioid polar pattern isolates other sound sources.

Anti-pop filter with nylon screen with very fine mesh.

The Perception Wireless high performance Sports Set delivers brilliant sound and is surprisingly easy to use. The included PT45 body-pack transmitter is the smallest and lightest transmitter in its class. The package also includes a C544 L condenser head-worn microphone featuring an external shock mount for high mechanical-noise rejection. Its moisture shield ensures a high degree of humidity protection for the microphone.

Y010, Jack / Jack Cable 3m

Male Mono Jack / Male Mono Jack 30 cm - White

Male Mono Jack / Male Mono Jack 30 cm - Orange

Male Mono Jack / Male Mono Jack 30 cm - per unit

Male Mono Jack / Male Mono Jack 30 cm - per unit

Male Mono Jack / Male Mono Jack 30 cm - per unit

Male Mono Jack / Male Mono Jack 30 cm - per unit 0

The C451 B is a small-diaphragm condenser microphone with the identical acoustical behavior of its predecessor, the legendary C451 EB + CK1 capsule, which was a bestseller right from the start in 1969.

stereo male Jack / stereo male Jack, 6m

Yellow Cable - ECO K09-3, 2 Male RCA / 2 Male XLR, 3m

Aywa - Y059, stereo jack male / XLR male 1m

The AKG K240 Studio over-ear, semi-open headphones are designed for professional applications such as mixing, mastering and playback. Their advanced 30 mm XXL transducers with patented Varimotion diaphragms deliver a wide dynamic range, increased sensitivity and high sound levels, while their semi-open design provides a solid bass range and extremely clear highs

The RØDE M3 is a highly versatile end-address condenser microphone, designed to be completely at home in the studio, on stage or on location. It is equally suitable as an instrument microphone for guitars, drums and percussion or even vocals.

Featuring a heavy duty metal body and internally shock mounted 1/2" condenser capsule mounted for end-address, the M3 can be powered either via P48 phantom power, or an internal 9V battery.

The NT5 is RØDE's premier small-diaphragm cardioid condenser microphone, sometimes referred to as a 'pencil mic'.

Intended for recording acoustic instruments, drum overheads, cymbals and live performances, the compact externally polarized mic employs a 1/2" capsule, an active J-FET impedance converter with bipolar output buffer.

Its tight cardioid pickup pattern also makes it ideal for use as an indoor dialogue microphone for filmmaking on a mic stand or boom.

The NT5 is RØDE's premier small-diaphragm cardioid condenser microphone, sometimes referred to as a 'pencil mic'.

Intended for recording acoustic instruments, drum overheads, cymbals and live performances, the compact externally polarized mic employs a 1/2" capsule, an active J-FET impedance converter with bipolar output buffer.

Its tight cardioid pickup pattern also makes it ideal for use as an indoor dialogue microphone for filmmaking on a mic stand or boom.

Designed and made in Australia, the M5 is a compact ½” cardioid condenser microphone with low noise and a full frequency response. A result of many years’ experience building the award-winning NT5 microphone, RØDE has succeeded in making a high-quality ‘pencil’ style permanently polarized condenser that will impress even the most demanding of artists and engineers. Ideal for studio recording and live on stage, the M5 is equally at home on a range of acoustic instruments, choirs, or anywhere you would employ a small diaphragm condenser microphone, either individually or as a stereo array. This matched pair has been carefully selected to ensure a variation of no more than 1dB sensitivity between the microphones. A premium foiled certificate is supplied to verify the authenticity of the pair. The M5 is finished with RØDE’s proprietary ceramic coating which offers a sleek matt black finish, and is supplied with WS5 windshields and RM5 stand mounts.

The RØDE NTG1 is a lightweight condenser shotgun microphone, designed for professional applications within the film, video, television and production industries.

Its full frequency response, low noise and audio transparency make it an ideal film, video, and voice over microphone, while its low weight (105gm/3.7oz) makes it an ideal boom microphone.

In addition to the native 20Hz-20kHz frequency response a selectable high-pass filter at 80Hz is available, which will prevent low end noise such as air conditioners and traffic from being recorded.

The WSVM windshield is supplied to minimise light wind noise and plosives during recording. The optional 'DeadCat' furry is recommended for outdoor applications.