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The new Stereo VideoMic Pro provides a high quality stereo option for videographers, and is ideal for recording music, and the atmospheric ambience essential in building a realistic audio scene.
Based around the all new capsule with its matched pair of high sensitivity ½”cardioid condensers in a coincident XY pair, the Stereo VideoMic Pro provides a wide stereo image with natural depth.
The Rode VideoMic Pro R's integrated Rycote Lyre shockmount system isolates the microphone's capsule and electronics from its mount, giving you immunity to vibrations that may result in muddy-sounding audio. Whether you're hand-holding, or your camera is tripod- or steadicam-mounted, vibrations can find their way to your mic and ruin an otherwise good shot. The Rycote shockmount stops those vibrations completely. Constructed from a single piece of rugged thermoplastic, the Lyre provides better acoustic suspension than traditional elastic shock mounts - plus, it will never sag, break, or wear out.
The TS-205 is a stereo with 8 channels. It is featured with inputs and outputs both by balanced XLR type, stereo mode and two options, hi-fi quality, low distortion and high ratio of S / N. Stereo an input 6 signal distribution outputs, a mono input 12 signal distribution outputs.
Insulating foam with excellent sound absorption properties, to achieve perfect sound insulation and improve the acoustics of your studio or rehearsal room in your group.
Adjustable Stand for monitoring Speaker with a height of up to 1.30m!
Need an affordable mic you you can use on almost anything? Sporting a 2/3" diaphragm capsule, a fixed cardioid pickup pattern, and the ability to withstand high SPLs, the AKG P120 works great on just about any source - instrumental or vocal. A bass roll-off switch and 20dB pad add to this mic's versatility. When you consider its super-affordable pricetag, the AKG P120 becomes a logical choice for project and home studio multi-mic applications such as drums.
The Roland Rubix 22 is a 2-channel USB audio interface that's perfect for mobile recording, even in less than ideal environments. Class-compliant USB and USB bus power make the Rubix 22 a perfect companion for your laptop or iPad, and it's built tough enough that you can toss it in your bag and go. Two low-noise microphone preamplifiers benefit from extensively shielded construction, both of which ward off noise beautifully. There's also a universal ground-lift switch that lets you kill 60Hz AC hum, plus MIDI I/O lets you connect keyboards and controllers. A copy of Ableton Live Lite DAW software (Mac/Windows) completes the package.
The VideoMicro is a compact microphone designed to improve the audio quality of your videos. It incorporates a high-quality cardioid condenser microphone capsule for great quality audio recordings when used with a wide range of cameras.
Featuring high-performance FPT throughput, Roland's UM-ONE mk2 USB MIDI interface is just what you need to keep your line MIDI rig running flawlessly onstage. That's because the UM-ONE mk2 processes MIDI in a super-streamlined manner, eliminating dreaded MIDI lag and allowing your gear to operate with the lowest possible latency. And whether you use a Mac or a Windows PC, you're going to appreciate how easy this simple USB-powered 1-port MIDI interface is to use.
When you make the best-selling audio interface on the planet, do you sit back and savor the accolades? Not if you're Focusrite! The third-generation Scarlett 2i2 advances the state-of-the-art in USB audio interfaces with two upgraded Scarlett mic preamps, high-performance 24-bit/192kHz AD/DA converters, optimized preamp gain structure, vanishingly low latency, and instrument inputs that handle scorching hot pickups. The mic preamps now feature Focusrite’s acclaimed Air mode that provides the coveted Air effect modeled on the company's legendary ISA console transformers to give your voice and instrument recordings a brighter, more open sound. Ideal for the small project studio or mobile rig, the Focusrite Scarlett 2i2 G3 runs on USB bus power and sports two mic/line/instrument inputs allowing simultaneous recording and playback of up to two channels with independently controllable headphone and monitor outputs. Fire up the bundled software, and you're ready to rock.
The simplest model in the range, the third-generation Scarlett Solo provides singer-songwriters with a reassuringly easy recording process. Equipped with high performance 24-bit/192 kHz AD-DA converters, Scarlett guarantees the same professional sound quality throughout the third-generation range. Its features include a single upgraded third-generation Scarlett mic preamp: with a switchable Air setting to reproduce the Air effect of Focusrite's original ISA mic preamp, giving your vocal recordings a brighter and more open sound.
If you make the world's top-selling USB audio interface, do you rest on your laurels? Not if you're Focusrite! The second generation Scarlett 2i2 raises the bar with vanishingly low latency, 192kHz sample rates, optimized preamp gain structure, and instrument inputs that handle scorching hot pickups. Ideal for the small project studio or mobile rig, the Focusrite Scarlett 2i2 G2 sports two combo inputs with great-sounding Scarlett mic pres plus line-level/instrument jacks. It runs on USB bus power and features analog protection circuitry to safeguard against power surges. The Scarlett 2i2 looks quite fetching in its red-and-black livery, and Focusrite has upgraded the industrial design with grippy metal gain knobs and a sleeker metal chassis. Plug in, fire up the bundled software, and you're ready to rock.
The Zoom H1n's dead-simple stereo pickup with unlimited overdubs makes archiving music performances, dialogue, and sound for film easier than ever. The H1n is the successor to the acclaimed H1. Upgraded features include dedicated one-touch buttons for recording, playback, and audio settings; a new 1.25" backlit LCD that reads easily in any lighting condition; slate and test tone generators for simpler A/V sync; auto-record and self-timer functions; a front-facing speaker; and adjustable playback speed for transcription and notation. Whether you use the phase-coherent onboard stereo XY mics or plug in your own sound source via the 1/8" stereo mic/line jack, the Zoom H1n captures your world in glorious 24/96 hi-fi. Note: requires an SD card for recording
The CR Series multimedia monitors offer studio-quality sound and cosmetics that allow them to fit into any environment, whether you're creating music, content or just relaxing to your favorite tunes. The CR Series offers a wide range of speakers from 3" to 8" with or without Bluetooth, as well as an 8" subwoofer with Bluetooth. There's definitely a CR-X speaker made for you.
The CR Series studio monitors feature high-end components and professional build quality usually only found on much more expensive studio monitors. More than enough to reconcile your ears with your wallet!
PreSonus Eris E5 2-way active studio monitors give you an inexpensive way to get accurate sound that regular computer speakers simply can't deliver. For starters, these nearfield monitors feature robust woven composite woofers that offer excellent low-frequency reproduction with next to no distortion, and silk-dome tweeters that deliver smooth and balanced highs. The result: sound you can trust, which means the mixes you create will translate better from one stereo to another. That's something you won't get out of multimedia speakers, which are designed to make music sound better, not to reproduce audio accurately.
What sets Eris High Definition Active Studio Monitors apart from comparably-priced competitors is Eris’ ability to create accurate mixes—mixes that sound good on other playback systems, on iPod headphones, on TV commercial soundtracks, and even on your kid brother’s cheap computer speakers.
This exclusive microphone arm with a 3/8" or 5/8" thread connector in a modern design features a new, innovative table clamp for quick and easy positioning of a microphone in the studio or at a multimedia work station. The 236.22" long internally guided microphone cable has a 3 pin XLR plug connector. Microphones up to a maximum of 3.307 lbs are easily held in any position. The clamping width of 0 to 1.889" allows the clamp to be attached to a wide variety of surfaces.
Heavy duty stand for amplifiers and mixers. Foldable. Spring-loaded locking bolt and locking screw. Felt-lined supporting brackets.
The PreSonus Eris E8 XT offers deep lows, smooth highs, and impressive imaging, thanks to first-rate drivers that work in tandem with an innovative EBM waveguide and state-of-the-art front-ported enclosure. Tailor this studio monitor to your room using a generous array of acoustic tuning controls, while a full complement of I/O ensures easy connectivity with the rest of your gear. Benefit from 105dB of maximum continuous output via 140-watt, Class AB bi-amplification. You also get solid protection against RF interference, extreme output current, excessive heat, and more. The PreSonus Eris E8 XT — a top-notch studio monitor that’s friendly to your wallet.
CornerFills are sections of flat-cut Studiofoam corner acoustic absorbers that are beneficial in two ways. Aesthetically, they give you smooth, clean edges against which to butt your acoustic wall treatments and acoustic foam bass traps for a more professional appearance. Acoustically, they smooth out the excess low frequency energy that congregates in room corners.
The P420 is a multi-pattern large diaphragm true condenser microphone for demanding project studio recording applications. Offering high sensitivity and 155dB maximum SPL, the P420 delivers a warm, transparent sound quality perfectly suited for ensemble recording, grand piano, woodwind and brass instruments, as well as drums and percussion.
The VideoMicro is a compact microphone designed to improve the audio quality of your videos. It incorporates a high-quality cardioid condenser microphone capsule for great quality audio recordings when used with a wide range of cameras. A directional microphone, the VideoMicro reduces distracting peripheral sounds and focusses on the audio in front of the camera.
Yamaha Console 16 microphone inputs, 21 hybrid stereo channels, MP3/WAV Stereo Recording On USB Hard Drives.
Yellow Cable - ECO GP61D, Jack/Jack Cable 1m
AKAI offers a nice alternative: the BT-100. Indeed, despite its affordable price, the latter has all the modern functions you could want. Thus, it allows you not only to listen to your LPs on Bluetooth compatible speakers, but also to connect to an amp with its RCA jack or to scan your patties via its USB port. So it's time to take out your old vinyls and (Maxi) singles from the attic or buy new ones, because this platinum ensures quality sound!
DIN 5 pin male / 5br. male 3m
This exclusive microphone arm with a 3/8" or 5/8" thread connector in a modern design features a new, innovative table clamp for quick and easy positioning of a microphone in the studio or at a multimedia work station. The 236.22" long internally guided microphone cable has a 3 pin XLR plug connector. Microphones up to a maximum of 3.307 lbs are easily held in any position. The clamping width of 0 to 1.889" allows the clamp to be attached to a wide variety of surfaces.
Adjustable arm can be positioned at any desired angle, is foam, will not mark the finish of your instrument. This wall mount allows you to store and display your guitar safely and easily, essential for guitarists, amateurs or professionals.