The PGA31 performance headset microphone for general, speaking and performance use is a permanently-biased electret condenser microphone. Engineered to provide maximum versatility and reliable performance in a wide array of conditions at an affordable price.

When you buy a Shure SM57, you've got a great dynamic microphone for life. Accounts of its heroic toughness lie at the center of countless music-industry legends, most of which are perfectly true. What's also true about the SM57 is that it sounds great on a wide variety of sources. A large percentage of the snare drums and many guitar cabinets and vocal tracks recorded in the last several decades owe their sound to the SM57. Try one and you'll find out why live sound professionals and seasoned studio engineers swear by the Shure SM57 more than any microphone on the planet.

If this is your first Shure SM58 dynamic microphone, then congratulations! You're about to discover why it's the most popular vocal microphone on the face of the planet! In fact, virtually every serious studio and live sound rig have several SM58s. 

The BLX Presenter Wireless System from Shure joins world-class design and construction with simple and easy setup and operation, featuring QuickScan frequency selection and the durable PG185 wearable lavalier microphone for spoken word applications. Legendary sound and performance, right out of the box. Included: BLX4 wireless receiver; BLX1 body pack transmitter; PG185 cardioid condenser lavalier microphone with windscreen and tie clip.

The Shure PG24/PG58 Performance Gear Wireless Handheld Microphone System includes the PG4 Diversity Receiver with PG2/PG58 Handheld Microphone Transmitter, tuned to accentuate the clarity of lead and backing vocals.The PG4 Diversity Receiver features dual internal 1/4" antennas that eliminate potential for antenna misalignment and damage. 

The Behringer C-1U USB studio condenser mic is a podcaster's dream come true. With a simple USB connection straight into your computer, the C-1U brings studio-quality sound to your podcasts. Musicians who record music on computers now have a simple, affordable way to capture high-quality vocal and acoustic instrument performances as well. The C-1U includes a bundle of cool podcasting and audio editing software for your Mac or PC. If you're a computerized musician or podcaster, you need a mic designed specifically for what you do: the Behringer C-1U.

The Behringer C-1 Studio Condenser Microphone medium diaphragm condenser microphone is probably one of the best values you'll find in a condenser mic. This is a great all-around studio recording mic, ideal for capturing vocals and instruments in the studio. It also excels in live applications. The pressure-gradient transducer with its shock-mounted capsule produces a smooth, flat frequency response. You get a rugged, die-cast metal chassis, gold-plated XLR connector, a swivel stand mount, and foam-padded carrying case. You can't go wrong with the Behringer C-1.

You need a phono preamp to bring your record player's output up to proper line level, and the Behringer Microphono PP400 is an easy solution. You've got a pair of RCA inputs, and outputs on both RCA and stereo 1/4" connectors. optimizing your signal levels is the key to getting the most out of any sound system, and that's exactly what the Behringer Microphono PP400 is designed to do. Help your record player play nicely with the rest of your gear, with the Behringer Microphono PP400 phono preamp.

The Model 55SH Series II microphone provides the Shure classic UNlDYNE® II design coupled with modern acoustic components to meet today's performance standards. This microphone is excellent for vocal pickup with its characteristic Shure presence peak.

The Shure Beta 57A maintains a true supercardioid pattern throughout its frequency range. This insures high gain before feedback, maximum isolation from other sound sources, and minimum off-axis tone coloration. A completely new grille design on the Shure Beta 57A lets you take better advantage of proximity effect. The Shure Beta 57A is an exceptionally versatile microphone. Typical applications include drums, guitar amplifiers, brass, woodwinds and vocals.

Rather than buying the microphones one by one, the batsmen will have the opportunity to purchase PG Alta kits containing everything needed to sound to a standard battery. PGA Drumkit 4 comprises PGA52 1, 2 and 1 PGA57 PGA56, in addition to clamps and cables. Designed to provide excellent sound capture all of the battery, on stage and in the studio.

Rather than buy the microphones one by one, drummers will have the opportunity to buy PG Alta kits, containing everything needed to sound a standard battery. The PGA Drumkit 7 includes 1 PGA52, 3 PGA56, 1 PGA57 and a pair of PGA81, in addition to the clips and cables. Designed to provide excellent sound from the entire drums, on stage and in the studio.

The Beta 58A dynamic vocal microphone was specially designed for stage performances and studio recordings. Its frequency response specifically accentuates the voice and its supercardioid polar pattern isolates other sound sources.

At first glance, the TLM 102 stands out from other Neumann microphones because of its extraordinarily compact design. Don't let its size fool you! Inside the TLM 102 sits a large-diaphragm, cardioid capsule that Neumann developed specifically for their next generation of microphones intended for a broad range of applications.

At first glance, the TLM 102 stands out from other Neumann microphones because of its extraordinarily compact design. Don't let its size fool you! Inside the TLM 102 sits a large-diaphragm, cardioid capsule that Neumann developed specifically for their next generation of microphones intended for a broad range of applications. Like the rest of the TLM series, the TLM 102 is built around low-noise circuitry and captures sound sources without adding extensive color. It particularly excels with vocals, and the ability to handle extreme SPLs makes the TLM 102 a truly versatile microphone.

limitations do not want to do without the uncompromising Neumann sound. Cardioid directional characteristic and very low self-noise

Applications Due to the universal cardioid pattern, straightforward handling, extremely low self-noise level, and finally, the price, the TLM 103 is predestined for all demanding applications from home recording to professional broadcasting and commercial recording studios.

limitations do not want to do without the uncompromising Neumann sound. Cardioid directional characteristic and very low self-noise

Applications Due to the universal cardioid pattern, straightforward handling, extremely low self-noise level, and finally, the price, the TLM 103 is predestined for all demanding applications from home recording to professional broadcasting and commercial recording studios.

The SV100 Cardioid vocal microphone reduces feedback and delivers excellent sound quality, and it includes the microphone, a durable cable with a 6.3-mm plug for use with home or portable recording or karaoke systems.

SV200 is a cardioid vocal microphone reduces feedback and delivers crisp and vibrant sound. It includes dent-resistant grille and durable XLR-XLR cable.

The Beta 58A dynamic vocal microphone has been specially designed for stage performances and studio recordings. Its frequency response specifically accentuates the voice and its supercardioid polar pattern isolates other sound sources. The system combines ease of use and reliability.

- The classic studio microphone

- Variable large diaphragm microphone

- Frequency range: 20 Hz - 20 kHz 

- Switchable 10 dB pre-attenuation 

- Accessories included: Shock mount & wood case