The EVH Wah was developed after intensive design collaboration with the legendary guitarist, Eddie Van Halen. Early on in the process, Eddie handed over his Holy Grail Cry Baby Wah-a standard Cry Baby customized in the early Nineties with a more vocal-like, High Q inductor and a wider frequency sweep. Amazingly, we found that over the years Eddie's unique wah style, which uses mostly the middle range of the pedal's action, had carved his own curve into the pot's resistive element, making the middle range even more defined and increased the low-end sweep. Our clones of the worn-in pot and hand-selected inductor give the new EVH Wah Wah the same Holy Grail feel and tone, and its true hardwire bypass, dual bright blue bypass LEDs, and graphics based on the black and yellow-striped guitar featured on Van Halen II round out this EVH-approved Cry Baby with a voice and look all its own.

Guitar virtuoso John Petrucci and Dream Theater engineer Richard Chycki worked with the Cry Baby design team to create the Dunlop JP95 John Petrucci Signature Cry Baby Wah. John himself says it "sounds huge and badass like an angry, screaming monster with the ultimate expressive range - it's perfect for shaping single notes or manipulating growling, heavy chords. . If you dig John Petrucci's guitar tone, you definitely need to check out the Dunlop JP95 John Petrucci Signature Cry Baby Wah.

Now you can command the same killer wah tone as Kirk with the new Kirk Hammett Cry Baby Wah. Developed in close collaboration with the metal guitar icon himself, it has been meticulously tuned and tweaked to deliver the wah sound that revolutionized metal solos. This is the legendary tone that Kirk dials in on tour using his Cry Baby Rack Wah.

Like the man himself, the Slash Cry Baby Wah is both revolutionary and classic, right down to its hot rod metallic red finish and cutting edge circuit design. The Slash Wah deploys a searing high gain distortion coupled with the Fasel-loaded Classic circuit for instant lead tone that not only cuts through, but sings with a sweet and lush top end. Convenient LEDs indicate distortion on/off and wah on/off modes, so there's no more guessing game every time you put your foot down

Geezer Butler is one of rock ‘n’ roll’s pioneers—his growling bass tones and heavy, swinging bass lines have helped define entire genres of hard rock and heavy metal. As the first bass player to ever record with a wah pedal, Geezer was the only natural choice when it came to designing our very first signature Cry Baby Bass Wah.

The New Looper RC300 Passes Over 3 Houres Of Recording. Roland Reaches A New Effective And Unique Revolution, With This Perfect Looper You Can Insert 99 Looping Memory Directly In The Machine.

When using a PSA-230P in an 'daisy chain' configuration he may be to weak depending on the number of BOSS pedals used, the answer to this is our powerful PSB-230EU. It's design also allows a greater distance to the nearest power socket wich makes it ideal for live use. 

You've seen it. You've heard it. But do you have one? This is the original Dunlop Cry Baby wah pedal. It's the one that's joined legions of legendary guitarists onstage since the dawn of rock... from Hendrix to Clapton and far, far beyond. Mount this one on your pedalboard and you'll never regret the decision: this is the one and only wah you need to conjure up classic tones or dive in a new direction of your own. Featuring a heavy-duty die-cast construction for years of stomping, rocking, and tear-shedding (and sometimes shredding) the Dunlop Cry Baby wah pedal is a pedalboard classic.

The wah pedal is a pedalboard staple, and the Vox V845 puts this classic effect under your feet at a price that’s sure to put a smile on your face. Spec’d to emulate Vox’s ’60s-era original, the V845 ups the ante with a 9-volt power supply input, eliminating the need for a battery. You also get a durable all-black coated finish that’s built to withstand a lifetime of stomping and rocking. If you want to duplicate classic Cream- and Hendrix-esque wah-wah effects, the Vox V845 is the right tool for the job.

Create incredibly smooth volume swells or control your effect pedal parameters with the Dunlop DVP1XL Volume (XL). Solidly-built in an aluminum chassis with aggressive non-slip tread

Step up to the RC-5 and prime your pedalboard with maximum looping range. Capture sound with premium 32-bit quality, navigate parameters and monitor loop status with the backlit LCD, and tap into expanded operation via the control jack and TRS MIDI I/O. And with over 50 rhythms, 13 hours of stereo recording, 99 phrase memories, and more, the compact RC-5 puts a deep well of musical power at your feet.

The BOSS RC-1 Loop Station's simple format gives you up to 12 minutes of a single loop to add interest and depth to your music. With mono and stereo connectivity, it gives you the flexibility you need to make full use of your stereo effects pedals and amplifiers, as well as synths and other instruments. 

The Boss RC-500 Loop Station is a two-track stereo looper offering superior sound quality (32-bit AD/DA converters, 32-bit processor, 44.1 kHz sampling rate), 13 hours of recording time, a user-friendly interface with multicolor backlit LCD display, 99 memories for your loops, 57 preset rhythm accompaniments with A/B variations and support for control via external switches, expression pedal or MIDI.

- An improved version of the classic DD-3 pedal, with features tailored to today's musicians

- Delay time from 12.5 to 800 ms, divided into three segments for quick adjustment

- Tap Tempo function on the integrated switch or using an external footswitch

- Short Loop setting to create short loops (same as the DD-3's Hold function)

- New function: Delay tempo adjustable via the integrated controller or an external footswitch

- Synthesis/modeling processor

- 48 kHz / 32-bit processing

- New Dynamic Synth

- Backlit graphic LCD screen

- BOSS Tone Studio Editor