You’ll find the Ibanez TS9 Tube Screamer (or a clone of one) on countless pedalboards — it’s one of the most-imitated pedals out there. Its rich midrange growl and dynamic touch sensitivity are unmatched. And in front of a raging tube stack? No other pedal can duplicate that classic saturated sound.

Plug into the Ibanez TS808 Tube Screamer overdrive effects pedal, and you're plugging into thick and overdriven tube-style tone. This green beast is a classic - not to mention a modern pedalboard staple. The original Tube Screamer propelled into fame when Stevie Ray Vaughan used it to craft his signature tone. Today, those original TS808 Tube Screamers go for serious coin on the collector's market, but with this reissue, you can get those same sought-after tones, without breaking the bank. Push your amp, round out your tone: load up with the Ibanez TS808 Tube Screamer.

You can turn practically any guitar amplifier into a fire-breathing metal monster with the Ibanez Super Metal Mini pedal. The all-analog circuitry maintains the full intensity and girth of your core guitar tone, and you've got impressive sound-sculpting potential with the Super Metal Mini. Edge, Punch, and Attack controls allow you to fine-tune your distorted tone until it wails just right.

The Ibanez / Maxon OD 850 has always been a real insider's tip, but the term "Overdrive" is not quite true: the circuit is the Japanese interpretation of the good, old Muff circuit from the 70s! Not overdrive, but fuzz and distortion are called for. From sawing fuzz to singing violin, everything is possible - a cool 70's brass sound. In the direct comparison with the old originals, it is noticeable that the noise level of the current version is significantly lower.

With its ultra-compact size, the Ibanez Analog Delay Mini pedal packs true analog delay tone that can fit on even the most cramped pedalboards. You'll be able to dial in everything from short slapbacks to echoes with the 20ms to 600ms delay time range. The signal path is 100% analog, and true bypass switching completely takes the effect out of your guitar's signal path when disengaged.

Ibanez designed the ES2 Echo Shifter analog delay pedal to bring you a surprisingly wide range of creative delay effects with digital-like control. The ES2 Echo Shifter gives you a 30ms-1000ms delay range with tap tempo, and you can even adjust the tempo on the fly without pitch artifacts like some analog delays. You can add pitch modulation for rich, animated delay effects. The oscillation mode lets you create wild psychedelic chaos.

It's hard to beat the sound of real analog chorus for adding vibrant richness to your guitar tone, and the Ibanez Chorus Mini effects pedal serves it up in a compact pedal that can fit on any pedalboard. Speed, Depth, and Level controls make short work of dialing everything from gentle shimmering clean tones to extreme warbles. The 100% analog signal path maintains your guitar's tonal essence, while true bypass switching completely removes the effect from your signal path when disengaged.

Sometimes it's best to keep it simple. Which is why, in a world of dizzying often over-complex technology, the durable, dependable, and simple stomp box continues to be the most widely used and effective means to expand, color, distort, mutate, sustain, and twist tone. The Ibanez BB9 is a booster that provides a fat bottom end with a powerful sound, perfect for the player who wants to push their amp into overdrive without losing any of their low-end. This pedal is designed to help clean tones reverberate even more and bring more intensity to a player's sound. Combine it with a distortion pedal to create of a wide variety of tone colors. BB9 is also equipped with True Bypass switching. Features: Drive, Level, Tone Controls Tons of Volume True Bypass Switch High Intensity LED Input impedance 500K ohms Output impedance 10K ohms Equivalent Input Noise ?100 dBm (IHF-A) Power Supply One 9 Volt Battery or external AC adaptor (9V) Size 4.9(D) × 3(W) × 2(H)inch Weight 1.3 lbs.

Ever wonder how virtuoso guitarist Paul Gilbert gets that crazy flange effect he's known for? Here it is in one handy stompbox: the Ibanez Paul Gilbert Signature AF2 AIRPLANE Flanger. Really, the AF2 AIRPLANE Flanger is more like two pedals in one. First there's the TAXI section, which is more or less a traditional chorus/flange effect. Switch the AF2 AIRPLANE Flanger over to TAKEOFF, and the effect shifts into high gear. To go with this unique pedal's distinct sound, Ibanez designed a cool retro-style die-cast chassis. If you're looking for an intense modulation effect to add to your arsenal, make it the Ibanez Paul Gilbert Signature AF2 AIRPLANE Flanger!

The EVH Wah was developed after intensive design collaboration with the legendary guitarist, Eddie Van Halen. Early on in the process, Eddie handed over his Holy Grail Cry Baby Wah-a standard Cry Baby customized in the early Nineties with a more vocal-like, High Q inductor and a wider frequency sweep. Amazingly, we found that over the years Eddie's unique wah style, which uses mostly the middle range of the pedal's action, had carved his own curve into the pot's resistive element, making the middle range even more defined and increased the low-end sweep. Our clones of the worn-in pot and hand-selected inductor give the new EVH Wah Wah the same Holy Grail feel and tone, and its true hardwire bypass, dual bright blue bypass LEDs, and graphics based on the black and yellow-striped guitar featured on Van Halen II round out this EVH-approved Cry Baby with a voice and look all its own.

Guitar virtuoso John Petrucci and Dream Theater engineer Richard Chycki worked with the Cry Baby design team to create the Dunlop JP95 John Petrucci Signature Cry Baby Wah. John himself says it "sounds huge and badass like an angry, screaming monster with the ultimate expressive range - it's perfect for shaping single notes or manipulating growling, heavy chords. . If you dig John Petrucci's guitar tone, you definitely need to check out the Dunlop JP95 John Petrucci Signature Cry Baby Wah.

Now you can command the same killer wah tone as Kirk with the new Kirk Hammett Cry Baby Wah. Developed in close collaboration with the metal guitar icon himself, it has been meticulously tuned and tweaked to deliver the wah sound that revolutionized metal solos. This is the legendary tone that Kirk dials in on tour using his Cry Baby Rack Wah.

Like the man himself, the Slash Cry Baby Wah is both revolutionary and classic, right down to its hot rod metallic red finish and cutting edge circuit design. The Slash Wah deploys a searing high gain distortion coupled with the Fasel-loaded Classic circuit for instant lead tone that not only cuts through, but sings with a sweet and lush top end. Convenient LEDs indicate distortion on/off and wah on/off modes, so there's no more guessing game every time you put your foot down

Geezer Butler is one of rock ‘n’ roll’s pioneers—his growling bass tones and heavy, swinging bass lines have helped define entire genres of hard rock and heavy metal. As the first bass player to ever record with a wah pedal, Geezer was the only natural choice when it came to designing our very first signature Cry Baby Bass Wah.

The New Looper RC300 Passes Over 3 Houres Of Recording. Roland Reaches A New Effective And Unique Revolution, With This Perfect Looper You Can Insert 99 Looping Memory Directly In The Machine.

You've seen it. You've heard it. But do you have one? This is the original Dunlop Cry Baby wah pedal. It's the one that's joined legions of legendary guitarists onstage since the dawn of rock... from Hendrix to Clapton and far, far beyond. Mount this one on your pedalboard and you'll never regret the decision: this is the one and only wah you need to conjure up classic tones or dive in a new direction of your own. Featuring a heavy-duty die-cast construction for years of stomping, rocking, and tear-shedding (and sometimes shredding) the Dunlop Cry Baby wah pedal is a pedalboard classic.

Create incredibly smooth volume swells or control your effect pedal parameters with the Dunlop DVP1XL Volume (XL). Solidly-built in an aluminum chassis with aggressive non-slip tread

Step up to the RC-5 and prime your pedalboard with maximum looping range. Capture sound with premium 32-bit quality, navigate parameters and monitor loop status with the backlit LCD, and tap into expanded operation via the control jack and TRS MIDI I/O. And with over 50 rhythms, 13 hours of stereo recording, 99 phrase memories, and more, the compact RC-5 puts a deep well of musical power at your feet.

Designed with the experience of building effects pedals for over 10 years, Nux Bumblebee pedalboards give you optimal space, allowing you to customize your own pedalboard in the most efficient way. You can assemble and modulate the platforms however you want. The Nux Bumblebee is made from anodized aluminum to ensure a lightweight, strong and durable construction. The bottom of the platforms is sculpted and well supported, and gives you space to cover your cables without losing strength.

The Nux ACD006A power adapter is designed to best power your guitar effects pedals, analog or digital, operating with a voltage of 9V under 500mA, center negative connection. It has a switching regulator to control the conversion of the power supply capable of supporting a voltage of 100 to 240V.

The Nux Plexi Crunch pedal offers a rich distortion sound that all rock stars truly admire. An elegantly designed pedal that contains Master, Preamp, Tone and Presence controls that allows you to set up and reach the sound you want.

Do you play rock, metal or rock'n'roll? The Nux Recto-Distortion pedal is here for you!

This analog pedal perfectly mimics the sound fidelity of the most famous and used amplifiers around the world.

It is characterized by a balanced bass and treble balance, an impeccable compression and a crunchy and delicious sound.

The Nux Metal Core Deluxe pedal gives you all the possibilities to reach the crunchiest distortion sound. Thanks to its two circuits that offers two different types of distortion: Vintage Distortion and Modern Distortion.

The vintage mode produces a crunchy distortion sound with low low-mids for a clear sound, a low frequency boost and round highs. You can play with the knobs to get the sound you need, if you put the gain knob in the middle, the sound is already crunchy and gives you a classic-metal sound-like distortion. If you push it even higher, you'll get a heavier and more aggressive sound, then you'll be ready to rock!

The modern mode is very different, this mode gives a less detailed but more aggressive and distorted sound, which is ideal for your shredding technique and fast playing.

An amazing pedal to add to your pedalboard!

If you are looking for the delay pedal that shall stay by your side for a long time, so the Nux Analog Delay pedal is made specially for you. Back in the 80s, the delay effect was one of the most used effects in the music industry where many of legends made hundreds of songs that they lasted until today!

A unique vintage delay pedal from Nux. The Tape Eco is an effect well known to guitarists, the famous vitage delay works with a system of recording and reproducing the signal on a magnetic tape and processing it with quality and precision.

The Nux Atlantic delay pedal is not just a standard pedal. It covers many types of reverb and delay effects with its digital processing technology that delivers studio-quality output.

Small but effective! The Brownie Distortion mini pedal simulates many of the characteristics of the most famous amps of the 70's with its asymmetrical clipping circuit.

The BOSS RC-1 Loop Station's simple format gives you up to 12 minutes of a single loop to add interest and depth to your music. With mono and stereo connectivity, it gives you the flexibility you need to make full use of your stereo effects pedals and amplifiers, as well as synths and other instruments. 

The Boss RC-500 Loop Station is a two-track stereo looper offering superior sound quality (32-bit AD/DA converters, 32-bit processor, 44.1 kHz sampling rate), 13 hours of recording time, a user-friendly interface with multicolor backlit LCD display, 99 memories for your loops, 57 preset rhythm accompaniments with A/B variations and support for control via external switches, expression pedal or MIDI.

- An improved version of the classic DD-3 pedal, with features tailored to today's musicians

- Delay time from 12.5 to 800 ms, divided into three segments for quick adjustment

- Tap Tempo function on the integrated switch or using an external footswitch

- Short Loop setting to create short loops (same as the DD-3's Hold function)

- New function: Delay tempo adjustable via the integrated controller or an external footswitch