Ibanez designed the ES2 Echo Shifter analog delay pedal to bring you a surprisingly wide range of creative delay effects with digital-like control. The ES2 Echo Shifter gives you a 30ms-1000ms delay range with tap tempo, and you can even adjust the tempo on the fly without pitch artifacts like some analog delays. You can add pitch modulation for rich, animated delay effects. The oscillation mode lets you create wild psychedelic chaos.

The Ibanez / Maxon OD 850 has always been a real insider's tip, but the term "Overdrive" is not quite true: the circuit is the Japanese interpretation of the good, old Muff circuit from the 70s! Not overdrive, but fuzz and distortion are called for. From sawing fuzz to singing violin, everything is possible - a cool 70's brass sound. In the direct comparison with the old originals, it is noticeable that the noise level of the current version is significantly lower.

You can turn practically any guitar amplifier into a fire-breathing metal monster with the Ibanez Super Metal Mini pedal. The all-analog circuitry maintains the full intensity and girth of your core guitar tone, and you've got impressive sound-sculpting potential with the Super Metal Mini. Edge, Punch, and Attack controls allow you to fine-tune your distorted tone until it wails just right.

Plug into the Ibanez TS808 Tube Screamer overdrive effects pedal, and you're plugging into thick and overdriven tube-style tone. This green beast is a classic - not to mention a modern pedalboard staple. The original Tube Screamer propelled into fame when Stevie Ray Vaughan used it to craft his signature tone. Today, those original TS808 Tube Screamers go for serious coin on the collector's market, but with this reissue, you can get those same sought-after tones, without breaking the bank. Push your amp, round out your tone: load up with the Ibanez TS808 Tube Screamer.

You’ll find the Ibanez TS9 Tube Screamer (or a clone of one) on countless pedalboards — it’s one of the most-imitated pedals out there. Its rich midrange growl and dynamic touch sensitivity are unmatched. And in front of a raging tube stack? No other pedal can duplicate that classic saturated sound.

A painstaking re-creation of the 1979 "narrow box" Overdrive Pro TS808, the Ibanez TS808 35th Anniversary overdrive pedal uses the same JRC4558D chip as the original, giving you truckloads of authentic Tube Screamer tone. Built like a vintage MXR pedal, the 1979 TS808 had a removable bottom plate and no plastic battery cover. Also, the 1979 TS808's Level knob was labeled Balance, and its external power jack was next to its input jack. Nonetheless, the 1979 TS808 still gave you that unmistakable Tube Screamer overdrive that is part of so many legendary guitar players' signature sound.

The Ibanez Tube Screamer is a modern legend, revered for its creamy, organic overdrive. The TS808DX Tube Screamer Overdrive Pro Deluxe rocks the coveted TS808 circuit along with a clean boost - giving you two essential guitar pedals in one. Use them together or separately for classic, tubelike TS overdrive - always at the right level. The TS808DX features a pre/post switch, letting you define your signature sound by placing the boost either before or after the TS circuit. This high-quality Japanese-made pedal gives you true bypass, in addition to 9/18-volt operation.

The Ibanez Tube Screamer, in its many versions and forms, can be found on pedal boards in every corner of the globe, on arena stages and in small studios and bedrooms. Its warm overdrive is a sound many players, from advanced to beginner, could never do without. Now, it gets even better with the release of the TS808HW, a Hand-Wired deluxe Tube Screamer built with the pro musician in mind.

Here's a reissue of the original Ibanez TS9 Tube Screamer distortion/overdrive pedal for an incredibly reasonable price. The TS9 Tube Screamer is one of the most imitated classic distortion pedals ever made. Now you can get your hands on a reissue that's every bit as authentic as an original. In fact, this TS9 Tube Screamer features the same components, housing, and seasick-green paint used to make the original models. They're even made in the same factory! What's even more important is that the sound is dead on. Discover classic stompbox distortion and drive - plug into an Ibanez TS9 Tube Screamer!

Powered by their flagship GT-series engine, BOSS's GT-1 guitar multi-effects pedal packs their best amp models and effects into a compact floor unit. A streamlined interface makes choosing and tweaking patches quick and easy. Keep an eye on your parameters with the easy-to-read backlit LCD. Take command of your performance with the GT-1's assignable control switch and expression pedal. Enjoy a clean, noise-free signal, courtesy of 24-bit converters and BOSS's proprietary Adaptive Focus method. The BOSS GT-1 guitar multi-effects pedal fits easily in your gig bag, thanks to its smooth, modern design, and runs for up to seven hours on four AA batteries.

Geezer Butler is one of rock ‘n’ roll’s pioneers—his growling bass tones and heavy, swinging bass lines have helped define entire genres of hard rock and heavy metal. As the first bass player to ever record with a wah pedal, Geezer was the only natural choice when it came to designing our very first signature Cry Baby Bass Wah.

Like the man himself, the Slash Cry Baby Wah is both revolutionary and classic, right down to its hot rod metallic red finish and cutting edge circuit design. The Slash Wah deploys a searing high gain distortion coupled with the Fasel-loaded Classic circuit for instant lead tone that not only cuts through, but sings with a sweet and lush top end. Convenient LEDs indicate distortion on/off and wah on/off modes, so there's no more guessing game every time you put your foot down

Now you can command the same killer wah tone as Kirk with the new Kirk Hammett Cry Baby Wah. Developed in close collaboration with the metal guitar icon himself, it has been meticulously tuned and tweaked to deliver the wah sound that revolutionized metal solos. This is the legendary tone that Kirk dials in on tour using his Cry Baby Rack Wah.

Guitar virtuoso John Petrucci and Dream Theater engineer Richard Chycki worked with the Cry Baby design team to create the Dunlop JP95 John Petrucci Signature Cry Baby Wah. John himself says it "sounds huge and badass like an angry, screaming monster with the ultimate expressive range - it's perfect for shaping single notes or manipulating growling, heavy chords. . If you dig John Petrucci's guitar tone, you definitely need to check out the Dunlop JP95 John Petrucci Signature Cry Baby Wah.

The EVH Wah was developed after intensive design collaboration with the legendary guitarist, Eddie Van Halen. Early on in the process, Eddie handed over his Holy Grail Cry Baby Wah-a standard Cry Baby customized in the early Nineties with a more vocal-like, High Q inductor and a wider frequency sweep. Amazingly, we found that over the years Eddie's unique wah style, which uses mostly the middle range of the pedal's action, had carved his own curve into the pot's resistive element, making the middle range even more defined and increased the low-end sweep. Our clones of the worn-in pot and hand-selected inductor give the new EVH Wah Wah the same Holy Grail feel and tone, and its true hardwire bypass, dual bright blue bypass LEDs, and graphics based on the black and yellow-striped guitar featured on Van Halen II round out this EVH-approved Cry Baby with a voice and look all its own.

The New Looper RC300 Passes Over 3 Houres Of Recording. Roland Reaches A New Effective And Unique Revolution, With This Perfect Looper You Can Insert 99 Looping Memory Directly In The Machine.

Two switches in one, BOSS's new FS-6 combines latch- and momentary-type switching into one unit. With two switches conveniently housed side-by-side, the FS-6 allows each switch to be set for latch or momentary operation. Pick the configuration that best suits your playing style and setup.

Create incredibly smooth volume swells or control your effect pedal parameters with the Dunlop DVP1XL Volume (XL). Solidly-built in an aluminum chassis with aggressive non-slip tread

- Loop Station controllable with your hands - ideal for beatboxers, singers and club artists

- Built-in effects: 49 input effects, 53 track effects and 2 types of general effects

- Mark Back function for more flexibility in Undo/Redo processes

- Customizable effects and track buttons.

- Memory for 99 phrases with 5 tracks each

The doubling effect in VoiceTone D1 incorporates TC-Helicon’s research into differentiating pitch-shifted voices from your lead voice to produce convincing group unison vocal effects. Single and multi-voice natural doubling styles are available including octave shifted variants, classic fixed detune effects, and even a group shout for extra fun.

Step up to the RC-5 and prime your pedalboard with maximum looping range. Capture sound with premium 32-bit quality, navigate parameters and monitor loop status with the backlit LCD, and tap into expanded operation via the control jack and TRS MIDI I/O. And with over 50 rhythms, 13 hours of stereo recording, 99 phrase memories, and more, the compact RC-5 puts a deep well of musical power at your feet.

- High-performance digital compressor

- Precise dynamic control for bass

- High-quality audio processing

- Robust, compact design

- Easy-to-use 4-knob interface

The BOSS RC-1 Loop Station's simple format gives you up to 12 minutes of a single loop to add interest and depth to your music. With mono and stereo connectivity, it gives you the flexibility you need to make full use of your stereo effects pedals and amplifiers, as well as synths and other instruments. 

The Boss RC-500 Loop Station is a two-track stereo looper offering superior sound quality (32-bit AD/DA converters, 32-bit processor, 44.1 kHz sampling rate), 13 hours of recording time, a user-friendly interface with multicolor backlit LCD display, 99 memories for your loops, 57 preset rhythm accompaniments with A/B variations and support for control via external switches, expression pedal or MIDI.

- An improved version of the classic DD-3 pedal, with features tailored to today's musicians

- Delay time from 12.5 to 800 ms, divided into three segments for quick adjustment

- Tap Tempo function on the integrated switch or using an external footswitch

- Short Loop setting to create short loops (same as the DD-3's Hold function)

- New function: Delay tempo adjustable via the integrated controller or an external footswitch

- Synthesis/modeling processor

- 48 kHz / 32-bit processing

- New Dynamic Synth

- Backlit graphic LCD screen

- BOSS Tone Studio Editor

- Pedal for electric guitar and bass 

- Micro USB port 

- LCD screen

- Polyphonic synthesis technology

- 3.5 mm mini jack input/output

- Real-time harmony & doubling

- Rich effects: reverb, delay, distortion

- Adjustable pitch correction (auto-tune)

- XLR mic input with phantom power

- Intuitive interface + looper + color display

- Up to 6 hours stereo recording

- Over 280 rhythm styles onboard

- Dual-track independent looping

- 32-bit AD/DA & floating-point audio processing

- Separate outputs + MIDI / expansion control

- Realistic AIRD amp modeling

- 60 premium BOSS effects

- Intutive real-time control

- Integrated expression pedal

- USB-C & IR connectivity