The Marshall PEDL-10010 (P803) twin footswitch works with all Valvestate and Tube Amplifiers. Enables you to switch channels and turn chorus on/off.

Get the most out of your Marshall Code combo or stack with this official footswitch. The PEDL-91009's first three switches let you instantly recall your favorite presets - something that fans of the TSL's clean/crunch/lead footswitch layout will take to instantly. The fourth switch lets you discreetly cycle through banks to load even more presets. An LED readout helps you keep track of what preset bank you're on even in dim lighting conditions. 

Here's a reissue of the original Ibanez TS9 Tube Screamer distortion/overdrive pedal for an incredibly reasonable price. The TS9 Tube Screamer is one of the most imitated classic distortion pedals ever made. Now you can get your hands on a reissue that's every bit as authentic as an original. In fact, this TS9 Tube Screamer features the same components, housing, and seasick-green paint used to make the original models. They're even made in the same factory! What's even more important is that the sound is dead on. Discover classic stompbox distortion and drive - plug into an Ibanez TS9 Tube Screamer!

The Ibanez Tube Screamer, in its many versions and forms, can be found on pedal boards in every corner of the globe, on arena stages and in small studios and bedrooms. Its warm overdrive is a sound many players, from advanced to beginner, could never do without. Now, it gets even better with the release of the TS808HW, a Hand-Wired deluxe Tube Screamer built with the pro musician in mind.

The Ibanez Tube Screamer is a modern legend, revered for its creamy, organic overdrive. The TS808DX Tube Screamer Overdrive Pro Deluxe rocks the coveted TS808 circuit along with a clean boost - giving you two essential guitar pedals in one. Use them together or separately for classic, tubelike TS overdrive - always at the right level. The TS808DX features a pre/post switch, letting you define your signature sound by placing the boost either before or after the TS circuit. This high-quality Japanese-made pedal gives you true bypass, in addition to 9/18-volt operation.

A painstaking re-creation of the 1979 "narrow box" Overdrive Pro TS808, the Ibanez TS808 35th Anniversary overdrive pedal uses the same JRC4558D chip as the original, giving you truckloads of authentic Tube Screamer tone. Built like a vintage MXR pedal, the 1979 TS808 had a removable bottom plate and no plastic battery cover. Also, the 1979 TS808's Level knob was labeled Balance, and its external power jack was next to its input jack. Nonetheless, the 1979 TS808 still gave you that unmistakable Tube Screamer overdrive that is part of so many legendary guitar players' signature sound.

You’ll find the Ibanez TS9 Tube Screamer (or a clone of one) on countless pedalboards — it’s one of the most-imitated pedals out there. Its rich midrange growl and dynamic touch sensitivity are unmatched. And in front of a raging tube stack? No other pedal can duplicate that classic saturated sound.

Plug into the Ibanez TS808 Tube Screamer overdrive effects pedal, and you're plugging into thick and overdriven tube-style tone. This green beast is a classic - not to mention a modern pedalboard staple. The original Tube Screamer propelled into fame when Stevie Ray Vaughan used it to craft his signature tone. Today, those original TS808 Tube Screamers go for serious coin on the collector's market, but with this reissue, you can get those same sought-after tones, without breaking the bank. Push your amp, round out your tone: load up with the Ibanez TS808 Tube Screamer.

You can turn practically any guitar amplifier into a fire-breathing metal monster with the Ibanez Super Metal Mini pedal. The all-analog circuitry maintains the full intensity and girth of your core guitar tone, and you've got impressive sound-sculpting potential with the Super Metal Mini. Edge, Punch, and Attack controls allow you to fine-tune your distorted tone until it wails just right.

The Ibanez / Maxon OD 850 has always been a real insider's tip, but the term "Overdrive" is not quite true: the circuit is the Japanese interpretation of the good, old Muff circuit from the 70s! Not overdrive, but fuzz and distortion are called for. From sawing fuzz to singing violin, everything is possible - a cool 70's brass sound. In the direct comparison with the old originals, it is noticeable that the noise level of the current version is significantly lower.

With its ultra-compact size, the Ibanez Analog Delay Mini pedal packs true analog delay tone that can fit on even the most cramped pedalboards. You'll be able to dial in everything from short slapbacks to echoes with the 20ms to 600ms delay time range. The signal path is 100% analog, and true bypass switching completely takes the effect out of your guitar's signal path when disengaged.

Ibanez designed the ES2 Echo Shifter analog delay pedal to bring you a surprisingly wide range of creative delay effects with digital-like control. The ES2 Echo Shifter gives you a 30ms-1000ms delay range with tap tempo, and you can even adjust the tempo on the fly without pitch artifacts like some analog delays. You can add pitch modulation for rich, animated delay effects. The oscillation mode lets you create wild psychedelic chaos.

It's hard to beat the sound of real analog chorus for adding vibrant richness to your guitar tone, and the Ibanez Chorus Mini effects pedal serves it up in a compact pedal that can fit on any pedalboard. Speed, Depth, and Level controls make short work of dialing everything from gentle shimmering clean tones to extreme warbles. The 100% analog signal path maintains your guitar's tonal essence, while true bypass switching completely removes the effect from your signal path when disengaged.

Sometimes it's best to keep it simple. Which is why, in a world of dizzying often over-complex technology, the durable, dependable, and simple stomp box continues to be the most widely used and effective means to expand, color, distort, mutate, sustain, and twist tone. The Ibanez BB9 is a booster that provides a fat bottom end with a powerful sound, perfect for the player who wants to push their amp into overdrive without losing any of their low-end. This pedal is designed to help clean tones reverberate even more and bring more intensity to a player's sound. Combine it with a distortion pedal to create of a wide variety of tone colors. BB9 is also equipped with True Bypass switching. Features: Drive, Level, Tone Controls Tons of Volume True Bypass Switch High Intensity LED Input impedance 500K ohms Output impedance 10K ohms Equivalent Input Noise ?100 dBm (IHF-A) Power Supply One 9 Volt Battery or external AC adaptor (9V) Size 4.9(D) × 3(W) × 2(H)inch Weight 1.3 lbs.

Ever wonder how virtuoso guitarist Paul Gilbert gets that crazy flange effect he's known for? Here it is in one handy stompbox: the Ibanez Paul Gilbert Signature AF2 AIRPLANE Flanger. Really, the AF2 AIRPLANE Flanger is more like two pedals in one. First there's the TAXI section, which is more or less a traditional chorus/flange effect. Switch the AF2 AIRPLANE Flanger over to TAKEOFF, and the effect shifts into high gear. To go with this unique pedal's distinct sound, Ibanez designed a cool retro-style die-cast chassis. If you're looking for an intense modulation effect to add to your arsenal, make it the Ibanez Paul Gilbert Signature AF2 AIRPLANE Flanger!

The EVH Wah was developed after intensive design collaboration with the legendary guitarist, Eddie Van Halen. Early on in the process, Eddie handed over his Holy Grail Cry Baby Wah-a standard Cry Baby customized in the early Nineties with a more vocal-like, High Q inductor and a wider frequency sweep. Amazingly, we found that over the years Eddie's unique wah style, which uses mostly the middle range of the pedal's action, had carved his own curve into the pot's resistive element, making the middle range even more defined and increased the low-end sweep. Our clones of the worn-in pot and hand-selected inductor give the new EVH Wah Wah the same Holy Grail feel and tone, and its true hardwire bypass, dual bright blue bypass LEDs, and graphics based on the black and yellow-striped guitar featured on Van Halen II round out this EVH-approved Cry Baby with a voice and look all its own.

Guitar virtuoso John Petrucci and Dream Theater engineer Richard Chycki worked with the Cry Baby design team to create the Dunlop JP95 John Petrucci Signature Cry Baby Wah. John himself says it "sounds huge and badass like an angry, screaming monster with the ultimate expressive range - it's perfect for shaping single notes or manipulating growling, heavy chords. . If you dig John Petrucci's guitar tone, you definitely need to check out the Dunlop JP95 John Petrucci Signature Cry Baby Wah.

Now you can command the same killer wah tone as Kirk with the new Kirk Hammett Cry Baby Wah. Developed in close collaboration with the metal guitar icon himself, it has been meticulously tuned and tweaked to deliver the wah sound that revolutionized metal solos. This is the legendary tone that Kirk dials in on tour using his Cry Baby Rack Wah.

Like the man himself, the Slash Cry Baby Wah is both revolutionary and classic, right down to its hot rod metallic red finish and cutting edge circuit design. The Slash Wah deploys a searing high gain distortion coupled with the Fasel-loaded Classic circuit for instant lead tone that not only cuts through, but sings with a sweet and lush top end. Convenient LEDs indicate distortion on/off and wah on/off modes, so there's no more guessing game every time you put your foot down

Geezer Butler is one of rock ‘n’ roll’s pioneers—his growling bass tones and heavy, swinging bass lines have helped define entire genres of hard rock and heavy metal. As the first bass player to ever record with a wah pedal, Geezer was the only natural choice when it came to designing our very first signature Cry Baby Bass Wah.

You've seen it. You've heard it. But do you have one? This is the original Dunlop Cry Baby wah pedal. It's the one that's joined legions of legendary guitarists onstage since the dawn of rock... from Hendrix to Clapton and far, far beyond. Mount this one on your pedalboard and you'll never regret the decision: this is the one and only wah you need to conjure up classic tones or dive in a new direction of your own. Featuring a heavy-duty die-cast construction for years of stomping, rocking, and tear-shedding (and sometimes shredding) the Dunlop Cry Baby wah pedal is a pedalboard classic.

Create incredibly smooth volume swells or control your effect pedal parameters with the Dunlop DVP1XL Volume (XL). Solidly-built in an aluminum chassis with aggressive non-slip tread