NINO® wooden A-go-go's are played with a wooden drummer and produce a powerful sound. They can also be scratched like a guiro. Both playing styles leave room for creativity.

The rigid synthetic construction produces a bright and sharp güiro sound. It is also extremely durable and is not affected by humidity or weather, unlike natural materials that get duller sound in wet weather.

Silver

Material: Aluminium

Meinl's round aluminium shaker was designed to "cut through" especially in loud music styles

Has an enormous, tonal and voluminous range

MEINL's Octagonal Aluminum Shakers come in three different sizes. All have a broad dynamic range with lots of volume.

The MEINL Turbo Cabasas are a superb innovation with significantly more volume than normal cabasas. This added projection comes from sound ports located in the resonating chamber that allows a crisp, full tone to come from the instrument. The Turbo Cabasas bring the classic cabasa sound to a new level that will cut through any sonic environment. MEINL cabasas are equipped with a stainless steel ribbed cylinder with stainless steel beads and a padded wooden handle for a soft grip. These percussion instruments may be played in a variety of ways from scratching the beads over the cylinder and spinning the cylinder to create a sustained rattle. Great for both live performances and studio recordings, MEINL Turbo Cabasas come in three sizes: small, medium and large.

The MEINL Percussion Block is made to withstand even the hardest hitting players.

RealFeel by Evans training pads are the most popular training pads available on the market. With a rubber striking zone and a wear-resistant gray finish, they have established themselves as the best substitutes for an acoustic drum. Evans has designed this range to suit the needs of each drummer.

The Mein practice pads are available in 6" And 12" In diameter. The 6" Pad is perfect for drummers on the go, due to the small pocket size. The 12" Pad is made for quiet practicing on a snare drum and it can even mount in a standard snare stand.

Develop speed, power and precision with the 12" Benny grab master pad from Meinl Percussion. This pad is made for quiet practicing on a snare drum, and it can be mounted on a standard snare stand. The bottom side has a layer of foam to prevent it from sliding on a tabletop or snare drum, and it also helps to keep vibrations down when practicing. The playing surface provides a realistic feel with a natural rebound and features a unique design from Benny that draws attention to the physical parts of the body that must all Be trained and kept in shape in order to make music.

- Marshmallow foam surface

- Realistic medium rebound

- Ultra-quiet practice

- Non-slip composite base

- Mountable on cymbal stand (8 mm insert)

Along with the debut of the Roland HandSonic 10 comes a new double-braced support stand: the PDS-10. It’s the successor to the PDS-15, and features a newly improved angle clamp that provides 200 degrees of tilt. The stand is designed to be used with Roland’s HPD-, SPD-, VG-, and VB-series instruments, which include the HandSonic 10, HandSonic 15, SPD-20, SPD-S, VG-99, and VB-99.

The NINO Compact ABS drum has a compact size, an extra-large handle and a durable ABS plastic frame that guarantees high stability and a long service life. Stainless steel jingles produce a brilliant, sharp sound

The NINO Compact ABS drum has a compact size, an extra-large handle and a durable ABS plastic frame that guarantees high stability and a long service life. Stainless steel jingles produce a brilliant, sharp sound

The NINO Compact ABS drum has a compact size, an extra-large handle and a durable ABS plastic frame that guarantees high stability and a long service life. Stainless steel jingles produce a brilliant, sharp sound

The NINO Compact ABS drum has a compact size, an extra-large handle and a durable ABS plastic frame that guarantees high stability and a long service life. Stainless steel jingles produce a brilliant, sharp sound

The NINO Wrist Bell features a soft, comfortable nylon strap with three bells. Children can wear it around their wrists or wrap around their hands to make music wherever they go.

The NINO Wrist Bell features a soft, comfortable nylon strap with three bells. Children can wear it around their wrists or wrap around their hands to make music wherever they go.

The Bendir is mainly used in Tunisian religious music. It is the basic instrument of this kind of music. Other percussion musicians use this instrument to enrich their sound environments in the various genres of contemporary music.

Bendir Soulamiya is mainly used in Tunisian religious music. It is the basic instrument of this kind of music. Other percussion musicians use this instrument to enrich their sound environments in the various genres of contemporary music.

Meinl Doumbeks come from the same geographical points of origin as the darbukas, and are a favorite choice of drum for percussionists world-wide. Meinl doumbeks feature an ergonomic, Egyptian-style rounded rim with internal tuning lugs and a synthetic head. The bearing edge is carefully machined to assure consistent tuning. These doumbeks are well suited for fast finger-roll techniques and have a strong projection.

Bendir Soulamiya is mainly used in Tunisian religious music. It is the basic instrument of this kind of music. Other percussion musicians use this instrument to enrich their sound environments in the various genres of current music.

RealFeel by Evans Apprentice Pad Stand is a compact, lightweight, and single-braced stand with an 8mm threaded post and pivoting platform for attaching any practice pad fitted with an 8mm threaded mounting insert. The height is adjustable and the post can be tilted to any angle to suit the player's preference. Practice pads fitted with an 8mm threaded mounting insert include the RealFeel 7" Apprentice Pad, 6" Mountable Speed Pad, and the 6" and 9" EcoPads.

The sturdy, lightweight, and collapsible construction of the RealFeel™ Folding Bass Pedal Practice Pad makes it the perfect footwork practice tool for the gigging drummer, student, or hobbyist. The impact pad is wide enough to accommodate a double-pedal and offers a realistic rebound that mimics the action of a drumhead.

Lebanese tabla (or Zaffe) is mainly used in Traditional folk music. It is the basic instrument of this kind of music. Other percussion musicians use this instrument to enrich their sound environments in the various genres of current music.

Ideal for oriental and Tunisian music

VATAN darbukas have been attracting growing interest in Tunisia and Europe for many years. These instruments are the basis of a very diversified traditional music. The darbukas, which are part of the folklore of many Arab and Eastern European countries, through the Turkish and Arab influence, have a wide range of rhythmic possibilities.

VATAN darbukas have been attracting growing interest in Tunisia and Europe for many years. These instruments are the basis of a very diversified traditional music. The darbukas, which are part of the folklore of many Arab and Eastern European countries, through the Turkish and Arab influence, have a wide range of rhythmic possibilities.

VATAN darbukas have been attracting growing interest in Tunisia and Europe for many years. These instruments are the basis of a very diversified traditional music. The darbukas, which are part of the folklore of many Arab and Eastern European countries, through the Turkish and Arab influence, have a wide range of rhythmic possibilities.

VATAN darbukas have been attracting growing interest in Tunisia and Europe for many years. These instruments are the basis of a very diversified traditional music. The darbukas, which are part of the folklore of many Arab and Eastern European countries, through the Turkish and Arab influence, have a wide range of rhythmic possibilities.

VATAN darbukas have been attracting growing interest in Tunisia and Europe for many years. These instruments are the basis of a very diversified traditional music. The darbukas, which are part of the folklore of many Arab and Eastern European countries, through the Turkish and Arab influence, have a wide range of rhythmic possibilities.