The Drums of the MEG Marching Line offer everything the ambitious beginner needs for their first steps into the world of marching percussion. High quality materials and solid craftsmanship produces a powerful and assertive sound.

The choice of a good snare is essential because it represents the "engine" of the instrument and nothing must be very random. The Live Custom snare drum perfectly meets the needs of drummers looking for balance, projection and power.

The Evans EMAD Heavyweight. Featuring two 10mil plies, the EMAD Heavyweight drumhead gives you killer dynamics that reward you with extra punch the harder you hit it. Another thing our Sales Engineers love is the Externally Mounted Adjustable Damping system that gives the EMAD Heavyweight its name. Along with two interchangeable damping rings, this system lets you change your kick drum's focus, providing you with the added attack and thump you want.

Evans BD22G1CW Genera G1 22-inch Bass Drum Head

Evans 22" G2 Coated Bass Drum Head features excellent durability and projection power due to its two-ply design. Each ply is 7-mil thick which provides a beautiful blend of depth, sustain, and attack.

Roland’s dual-ply mesh heads for V-Drums revolutionized the playability of electronic drums thanks to their adjustable tension, durability and natural playing feel. And now we’re taking the concept a step further with the PowerPly series; nine mesh heads produced by REMO Inc. ranging from 8” to 22” that let you retrofit your acoustic drums for quiet practice. When used with Roland’s RT-30 Acoustic Drum Triggers, PowerPly mesh heads can trigger a V-Drums module, enabling you to practice and experiment with various sounds while maintaining the looks and feel of your acoustic drum kit.

Roland’s dual-ply mesh heads for V-Drums revolutionized the playability of electronic drums thanks to their adjustable tension, durability and natural playing feel. And now we’re taking the concept a step further with the PowerPly series; nine mesh heads produced by REMO Inc. ranging from 8” to 22” that let you retrofit your acoustic drums for quiet practice. When used with Roland’s RT-30 Acoustic Drum Triggers, PowerPly mesh heads can trigger a V-Drums module, enabling you to practice and experiment with various sounds while maintaining the looks and feel of your acoustic drum kit.

Sounds, pads, and features inspired by the toast of Roland's V-Drums collection position the value-packed TD-17KVX squarely in pro territory. At the heart of this kit is the TD-17 module, with a sound engine and 50 preset drum kits built around Roland's flagship TD-50. User-importable drum sounds take advantage of your ever-expanding sound libraries. And wireless Bluetooth support for music and MIDI streamline practice, jamming, and song building. New for the TD-17KVX are Roland's 12" dual-trigger PDX-12 snare pad with two-ply tunable mesh head, floating VH-10 stand-mount hi-hat, and dynamic KD-10 kick tower. A trio of mesh-headed 8" toms, two 12" crashes, and Roland's three-zone 13" CY-13R ride complete the package.

With eyes closed, drummers will think they’re playing a regular two-piece hi-hat. But examine the innovative new VH-11 floating hi-hat, and you’ll see that it’s actually comprised of one floating cymbal pad atop a fixed lower base. Great for fast setup and easy transport, the VH-11 mounts on conventional hi-hat stands, and provides a similar playing feel to a 2-piece hi-hat.

Add the Roland FD-8 hi-hat controller pedal to your older V-Tour and V-Compact V-Drum kits, and you'll enjoy improved feel and response from your V-Drums sound module. The FD-8 features a smooth open-to closed action, and it's solidly built to stay in place when you play. Included with the FD-8 hi-hat control pedal are a monaural connection cable and an owner's manual. If you're ready to step-up your V-Tour or V-Compact V-Drum performance, you'll want to bring the Roland FD-8 hi-hat controller into service.

Standard Bass Drumhead, White 24''

Standard Bass Drumhead, White 26''

With a single ply of 10mil film that blends bright tone with greater sustain and sensitivity, the Evans G1 sets the standard for an open, expressive sound. Tune it low to get a cavernous rumble that emphasizes the natural sound of the shell.

A starting point in traditional bass drum sounds. The G1 is a 10mil single-ply head that provides bright attack, warm sustain, and a broad tuning range. The coating adds additional warmth, focus, and depth.

With a single ply 10mil film for greater balance of punch, power and low end, plus our unparalleled EMAD system for better adjustment on attack and focus, the Evans Onyx series is for drummers who want ultimate control.

The UV EMAD Bass series features the same patented UV-cured coating and durable single-ply 10mil film from the UV1 series with the addition of our EMAD system for maximum punch and low-end.

Featuring an outer 7mil ply, plus an inner ply of 10mil, the Evans EMAD 2 series provides you with enhanced attack, focus, and durability thanks to the unparalleled industry standard EMAD

Featuring an outer 7mil ply, plus an inner ply of 10mil, the Evans EMAD 2 series provides you with enhanced attack, focus, and durability thanks to the unparalleled industry standard EMAD (Externally Mounted Adjustable Damping) system.

Controlled low-end rumble and a focused attack characterize the EQ3 bass head. Two plies of 6.5mil film with an internal overtone control ring and a removable EQ muffle ring give the head versatility. With a wide dynamic range, the EQ3 produces punch and low-end spread that solidifies the downbeat. The coated version delivers additional warmth, focus, and depth.

The EQ4 is a specific skin for use on the bass drum made with a single ply 10 thousandths thick. On the inner surface is a floating ring (10 thousandths thick) on the outer edge, which serves as a muffle and eliminates unwanted harmonics, while preserving an attack full of punch.

Reduce your sustain and get greater focus on your tonal response with the internal overtone control ring and patented UV-cured coating from the Evans UV EQ4 bass drumhead.

With a single ply of 10mil film that blends bright tone with greater sustain and sensitivity, the Evans G1 sets the standard for an open, expressive sound. Tune it low to get a cavernous rumble that emphasizes the natural sound of the shell.

If you’re a heavy hitter looking for more life to your drumhead but prefer the feel, punch, and power of a single ply, the Evans GMAD is the right choice for you.

The Evans SoundOff Fusion Pack significantly reduces volume while you practice on your traditional drum set. SoundOff Mutes provide excellent stick response and are durable enough for the heaviest hitters. SoundOff Mutes are available for purchase in pre-configured packs or as individual mutes.

The Evans SoundOff Fusion Pack significantly reduces volume while you practice on your traditional drum set. SoundOff Mutes provide excellent stick response and are durable enough for the heaviest hitters. SoundOff Mutes are available for purchase in pre-configured packs or as individual mutes.

Get that deep, fat, and short pioneering sound of early 1970's rock and roll with the durable, two-ply film featured in the Evans Hydraulic series. Also easy to tune, this drumhead is perfect for troublesome drums or players with little tuning experience.

Evans EQ3 Resonant No Port drumhead series is a popular choice for both players and engineers. This drumhead features a single ply of 10mil film with a 10mil internal overtone control ring, delivering a warm and punchy sound with a controlled, short decay.

Evans MS1 White Marching bass drumheads offer a traditional single-ply, 10mil film without muffling, providing the widest range of damping options. The MS1 series is very durable and projects warm, musical tones both indoors and out.

Evans MS1 White Marching bass drumheads offer a traditional single-ply, 10mil film without muffling, providing the widest range of damping options. The MS1 series is very durable and projects warm, musical tones both indoors and out.