The FBT SUBLINE 118S is an extremely compact bass-reflex design subwoofer with high SPL and punch. The FBT SUBLINE 118S feature 0,70" birch plywood construction covered in a scratch resistant black paint with two aluminum carrying handles; an M20 top mounted stand adapter allows satellite speakers, such as the FBT speaker series and others, to placed above the subwoofer cab. The FBT SUBLINE 118S features a 18" high excursion magnet woofer with 3" voice coil. The FBT SUBLINE 118S is able to produce a max SPL of 136dB and handles 1200W RMS. The control panel features 2 x Neutrik Speakon NL4MD-V connectors. External digital processor required: FBT DLM26 Digital Loudspeaker Management.

FBT has designed the SUBline range to complement all the brand's speakers. The SUBline 118Sa is a bass-reflex box with a 46cm (18 ") HP and amplified in 1200 watts RMS equipped with 2 XLR inputs (right and left) and 2 outputs with a switch to choose the use in "Hi" to go to a satellite speaker or "LINK" to go to other subwoofers. You can use the SUBline 118SA subwoofer to make a set of 2.1 or 2.2

The FBT VENTIS 115MAbi-amplified speaker feature 0,59" birch plywood costruction covered in a scratch & scuff resistant black finish. The FBT VENTIS 115MAis a two way design incorporating a 15" coaxial custom woofer with 2,5" voice coil and 1" exit throat B&C with 1,7" voice coil. With a frequency range of 50Hz - 20kHz provides hi fedelity sound for both speech and music applications with a maximum SPL of 132dB. The biamplified FBT VENTIS 115MA features 700W RMS low frequency amp and 200W RMS high frequency amp. DSP on board is both user friendly and powerful; a total of 6 pre-optimised settings are available, plus 2 further slots for users to form their own design, using 5 parametric equalizers per slot. Control panel features balanced XLR/Jack input, XLR link out, 2 x volume, RCAstereo input, DSP display with rotative encoder and push, The optional mounting bracket allow the FBTVENTIS 115MAspeaker to be surface mounted on wall or ceilings. Thanks to the integrated steel pole mount, the FBTVENTIS 115MAcan be turned into a standard speaker in vertical configuration with a few simple moves.

The USB mixer amplifiers have power ratings from 60W, 120W to 240W. They are featured of three microphone inputs, two aux inputs and one EMC input. Priority muting is achieved via EMC input for overriding other inputs except Mic1 on front panel. Individual gain controls are provided for Mic 1-3 and Aux 1-2, bass and treble controls and master volume control are provided for overall tone control. 70V, 100V and low impedance 4-16ohms speaker outputs are provided. Extensive protection from short-circuit, overload and high temp.

The ITC TS-9000S is an open programming control platform with the latest 32-bit integrated preloader and up to 210 MHz processing speed, 8 inputs and outputs, 8 relay ports, volume control and one 232, RS485, RS422. Supports 3 TS-NET control buses.

This portable active stereo speaker weighs just 1.20 kg, which means it’ll go wherever you want it to. Rechargeable lithium-ion batteries are built into the Stockwell, which give it 25 hours of playing time.

This exclusive microphone arm with a 3/8" or 5/8" thread connector in a modern design features a new, innovative table clamp for quick and easy positioning of a microphone in the studio or at a multimedia work station. The 236.22" long internally guided microphone cable has a 3 pin XLR plug connector. Microphones up to a maximum of 3.307 lbs are easily held in any position. The clamping width of 0 to 1.889" allows the clamp to be attached to a wide variety of surfaces.

Heavy duty stand for amplifiers and mixers. Foldable. Spring-loaded locking bolt and locking screw. Felt-lined supporting brackets.

Yamaha Console 16 microphone inputs, 21 hybrid stereo channels, MP3/WAV Stereo Recording On USB Hard Drives.

The smallest and simplest USB MIDI interface, USB Uno offers basic 1 x 1 operation and bus-powered mobility—and even comes with it’s own built-in USB and MIDI cables. What could be simpler?

This exclusive microphone arm with a 3/8" or 5/8" thread connector in a modern design features a new, innovative table clamp for quick and easy positioning of a microphone in the studio or at a multimedia work station. The 236.22" long internally guided microphone cable has a 3 pin XLR plug connector. Microphones up to a maximum of 3.307 lbs are easily held in any position. The clamping width of 0 to 1.889" allows the clamp to be attached to a wide variety of surfaces.

Aywa - A019, Jack/Jack Cable 1m

Aywa - Y016, Jack Cable / Metal Bent Jack 6m 0

Aywa - Y014, Jack/Jack Cable 3m

Featuring high-performance FPT throughput, Roland's UM-ONE mk2 USB MIDI interface is just what you need to keep your line MIDI rig running flawlessly onstage. That's because the UM-ONE mk2 processes MIDI in a super-streamlined manner, eliminating dreaded MIDI lag and allowing your gear to operate with the lowest possible latency. And whether you use a Mac or a Windows PC, you're going to appreciate how easy this simple USB-powered 1-port MIDI interface is to use.

If this is your first Shure SM58 dynamic microphone, then congratulations! You're about to discover why it's the most popular vocal microphone on the face of the planet! In fact, virtually every serious studio and live sound rig have several SM58s. 

Two Hand Microphones Simply Great For Small Budget. Great Sound For Live And Recording!

Two Lavalier Wireless Microphnes simply ingenious: low price, it looks like a big one! Large transmission gate, voice rendering and autonomy.

Two simply brilliant Headset Mic: low price! Large transmission gate, voice rendering, autonomy.

Professional UHF microphone system with 1 hand microphone and 1 Lavalier

The Perception P2 high-performance dynamic bass microphone delivers a profound, high-energy low end for use on kick drums, trombones and bass amps. Its cardioid polar pattern reduces feedback and crosstalk coming from other instruments behind the microphone.

The microphone arms are internally wired as standard, and use an elegant, single-tube design with articulated joints and internal springs, which may be adjusted single handedly. Two different reaches are offered, Microphone Arm (787mm) and Microphone Arm XL (1075mm). They are available in two finishes, black and natural aluminium. They support microphones up to 2kg. The arms are mounted directly to surfaces using either a flush bracket or G-clamp, or raised higher by using the support pole.

The P170 is a small-diaphragm condenser microphone for recording of overheads, percussion, acoustic guitars and other strings. Its lightweight 1/2-inch true condenser transducer diaphragm delivers outstanding clarity and transient response. The P170 utilizes the experience of sound engineers from around the world and is considered an affordable alternative to the legendary AKG C451 B.

Grab the updated AKG C1000 S MK4 and see what you've been missing. Engineers have long recommended the C1000 S to project studio engineers and field recording specialists for years because of its clarity and versatility, and this updated version is more versatile than ever. Switchable capsule caps provide cardioid and hypercardioid polar pattern, plus an optional gain boost, while the addition of a switchable pad and highpass filter let you tailor the frequency response to a wide range of applications. You can power the C1000 S MK4 with a pair of AA batteries for up to 120 hours, making it a great companion for your mobile recording. What's more, the internally shockmounted capsule has been redesigned with gold-plating to resist rust and corrosion.

When you buy a Shure SM57, you've got a great dynamic microphone for life. Accounts of its heroic toughness lie at the center of countless music-industry legends, most of which are perfectly true. What's also true about the SM57 is that it sounds great on a wide variety of sources. A large percentage of the snare drums and many guitar cabinets and vocal tracks recorded in the last several decades owe their sound to the SM57. Try one and you'll find out why live sound professionals and seasoned studio engineers swear by the Shure SM57 more than any microphone on the planet.

Need phantom power? Grab the Behringer MicroPower PS400 phantom power supply, and power up! Just plug in the included power supply, and you're ready to supply either 12V or 48V of phantom power to your condenser mic. Connect your condenser mic to the Mic Input and send a line from the Mic Thru to your mixer. If you need phantom power, look no further than the Behringer MicroPower PS400.

With a nod to project studios all over the globe, Sennheiser has unleashed the MK 4. Representing Sennheiser's first large-diaphragm side-address condenser microphone, the MK 4 is designed to offer you the best-possible sound quality for the money, rather than technical extravagance. It features a powerful warm sound, with vivid mids and a detailed bass range, making the MK 4 perfect for vocals and acoustic instruments alike. Created to give home and project studios a refreshing option, at excellent value, the MK 4 is well suited to a wide range of recording environments and applications.

The AKG C214 is the younger brother of AKG's legendary C414 condenser - similar to the 414's legendary sound, but at an entry-level price. The affordable C214 actually uses the same one-inch dual-capsule as the C414 in a single-diaphgram, cardioid-only design. The result? Highly-detailed, up-front sound on both voices and instruments with an overall performance close to that of the famous C414 B-XLS. Now you can get that epic AKG sound on any budget with the new C214!

You need a phono preamp to bring your record player's output up to proper line level, and the Behringer Microphono PP400 is an easy solution. You've got a pair of RCA inputs, and outputs on both RCA and stereo 1/4" connectors. optimizing your signal levels is the key to getting the most out of any sound system, and that's exactly what the Behringer Microphono PP400 is designed to do. Help your record player play nicely with the rest of your gear, with the Behringer Microphono PP400 phono preamp.

The AKG Perception 820 Tube condenser microphone makes quality tube mic performance affordable! This addition tothe popular Perception line gives you the rich sound only a real tube condenser can offer, while you control its stunning array of nine different pickup patterns (plus its low-cut filter and 20dB attenuation pad) from a very easy-to-use remote. The Perception 820 Tube uses a 1" dual capsule design to give you a very dimensional and smooth sound. Though this Perception flagship model excels on vocals, it's built to take the high SPLs you need to make the Perception 820 Tube a real studio workhorse.