The HK Audio Installation Line was developed with one goal foremost in mind – to render the natural sound of the human voice with utmost authenticity. A true and accurate signal is important in speakers designed for fixed installation, and critical in emergency situations. Fortunately, HK Audio engineers have the ideal surrounding in which to tune new speaker systems – one of the industry’s most advanced acoustical measuring rooms, developed by the Fraunhofer Institut für Bauakkustik. Audio quality was a top priority in our efforts to develop the Installation Line, but the hardware received equal attention. Robust speaker grilles, rugged and reliable connector ports, numerous mounting options, and easy-to-use accessories were just some of the details our development team was tasked to perfect.

HK Audio - IL80CTW, While being modeled after a set of draconian burdens in terms of components, the IT series features a quality / price amazing. The development of this family of installation products was primarily focused on research of tonal coherence and particularly intelligibility of voice. Objective fully achieved. Finally, we have a comprehensive range can operate in low impedance or 100 volt line.

Despite its ultra-compact size, the MICROMIX MX400 4-channel line mixer is really big on features! Providing the highest sonic quality at all output levels vs. the competition, the MX400 features ultra low-noise 4580 operational amplifiers for outstanding audio performance – the same chips as the ones found in its much bigger mixers. Use the MX400 as a sub-mixer for your mixer: If you are running short on available channels on your “big” mixer and need to add 3 more keyboards to your mix, just connect them to the MX400, dial-in the mix – and connect MX400’s output to a single input on your main mixer. This way you have the opportunity to mix your keyboard with the MX400, without immediately occupying several valuable mixer channels.

Perfect for environments or premium space, PP-1712 is a 2-way rear speaker with a 12 "fiber-impregnated speaker and a versatile 1.34" tweeter.

High-quality Roland 13-pin cable for use with the GR-33 system and more.

The Zoom H1n's dead-simple stereo pickup with unlimited overdubs makes archiving music performances, dialogue, and sound for film easier than ever. The H1n is the successor to the acclaimed H1. Upgraded features include dedicated one-touch buttons for recording, playback, and audio settings; a new 1.25" backlit LCD that reads easily in any lighting condition; slate and test tone generators for simpler A/V sync; auto-record and self-timer functions; a front-facing speaker; and adjustable playback speed for transcription and notation. Whether you use the phase-coherent onboard stereo XY mics or plug in your own sound source via the 1/8" stereo mic/line jack, the Zoom H1n captures your world in glorious 24/96 hi-fi. Note: requires an SD card for recording

The FBT SUBLINE 118S is an extremely compact bass-reflex design subwoofer with high SPL and punch. The FBT SUBLINE 118S feature 0,70" birch plywood construction covered in a scratch resistant black paint with two aluminum carrying handles; an M20 top mounted stand adapter allows satellite speakers, such as the FBT speaker series and others, to placed above the subwoofer cab. The FBT SUBLINE 118S features a 18" high excursion magnet woofer with 3" voice coil. The FBT SUBLINE 118S is able to produce a max SPL of 136dB and handles 1200W RMS. The control panel features 2 x Neutrik Speakon NL4MD-V connectors. External digital processor required: FBT DLM26 Digital Loudspeaker Management.

FBT has designed the SUBline range to complement all the brand's speakers. The SUBline 118Sa is a bass-reflex box with a 46cm (18 ") HP and amplified in 1200 watts RMS equipped with 2 XLR inputs (right and left) and 2 outputs with a switch to choose the use in "Hi" to go to a satellite speaker or "LINK" to go to other subwoofers. You can use the SUBline 118SA subwoofer to make a set of 2.1 or 2.2

The FBT VENTIS 115MAbi-amplified speaker feature 0,59" birch plywood costruction covered in a scratch & scuff resistant black finish. The FBT VENTIS 115MAis a two way design incorporating a 15" coaxial custom woofer with 2,5" voice coil and 1" exit throat B&C with 1,7" voice coil. With a frequency range of 50Hz - 20kHz provides hi fedelity sound for both speech and music applications with a maximum SPL of 132dB. The biamplified FBT VENTIS 115MA features 700W RMS low frequency amp and 200W RMS high frequency amp. DSP on board is both user friendly and powerful; a total of 6 pre-optimised settings are available, plus 2 further slots for users to form their own design, using 5 parametric equalizers per slot. Control panel features balanced XLR/Jack input, XLR link out, 2 x volume, RCAstereo input, DSP display with rotative encoder and push, The optional mounting bracket allow the FBTVENTIS 115MAspeaker to be surface mounted on wall or ceilings. Thanks to the integrated steel pole mount, the FBTVENTIS 115MAcan be turned into a standard speaker in vertical configuration with a few simple moves.

The USB mixer amplifiers have power ratings from 60W, 120W to 240W. They are featured of three microphone inputs, two aux inputs and one EMC input. Priority muting is achieved via EMC input for overriding other inputs except Mic1 on front panel. Individual gain controls are provided for Mic 1-3 and Aux 1-2, bass and treble controls and master volume control are provided for overall tone control. 70V, 100V and low impedance 4-16ohms speaker outputs are provided. Extensive protection from short-circuit, overload and high temp.

The ITC TS-9000S is an open programming control platform with the latest 32-bit integrated preloader and up to 210 MHz processing speed, 8 inputs and outputs, 8 relay ports, volume control and one 232, RS485, RS422. Supports 3 TS-NET control buses.

This exclusive microphone arm with a 3/8" or 5/8" thread connector in a modern design features a new, innovative table clamp for quick and easy positioning of a microphone in the studio or at a multimedia work station. The 236.22" long internally guided microphone cable has a 3 pin XLR plug connector. Microphones up to a maximum of 3.307 lbs are easily held in any position. The clamping width of 0 to 1.889" allows the clamp to be attached to a wide variety of surfaces.

Heavy duty stand for amplifiers and mixers. Foldable. Spring-loaded locking bolt and locking screw. Felt-lined supporting brackets.

Yamaha Console 16 microphone inputs, 21 hybrid stereo channels, MP3/WAV Stereo Recording On USB Hard Drives.

This exclusive microphone arm with a 3/8" or 5/8" thread connector in a modern design features a new, innovative table clamp for quick and easy positioning of a microphone in the studio or at a multimedia work station. The 236.22" long internally guided microphone cable has a 3 pin XLR plug connector. Microphones up to a maximum of 3.307 lbs are easily held in any position. The clamping width of 0 to 1.889" allows the clamp to be attached to a wide variety of surfaces.

Aywa - A019, Jack/Jack Cable 1m

Aywa - Y016, Jack Cable / Metal Bent Jack 6m 0

Aywa - Y014, Jack/Jack Cable 3m

Featuring high-performance FPT throughput, Roland's UM-ONE mk2 USB MIDI interface is just what you need to keep your line MIDI rig running flawlessly onstage. That's because the UM-ONE mk2 processes MIDI in a super-streamlined manner, eliminating dreaded MIDI lag and allowing your gear to operate with the lowest possible latency. And whether you use a Mac or a Windows PC, you're going to appreciate how easy this simple USB-powered 1-port MIDI interface is to use.

If this is your first Shure SM58 dynamic microphone, then congratulations! You're about to discover why it's the most popular vocal microphone on the face of the planet! In fact, virtually every serious studio and live sound rig have several SM58s. 

Two Hand Microphones Simply Great For Small Budget. Great Sound For Live And Recording!

Two Lavalier Wireless Microphnes simply ingenious: low price, it looks like a big one! Large transmission gate, voice rendering and autonomy.

Two simply brilliant Headset Mic: low price! Large transmission gate, voice rendering, autonomy.

Professional UHF microphone system with 1 hand microphone and 1 Lavalier

The Perception P2 high-performance dynamic bass microphone delivers a profound, high-energy low end for use on kick drums, trombones and bass amps. Its cardioid polar pattern reduces feedback and crosstalk coming from other instruments behind the microphone.

The microphone arms are internally wired as standard, and use an elegant, single-tube design with articulated joints and internal springs, which may be adjusted single handedly. Two different reaches are offered, Microphone Arm (787mm) and Microphone Arm XL (1075mm). They are available in two finishes, black and natural aluminium. They support microphones up to 2kg. The arms are mounted directly to surfaces using either a flush bracket or G-clamp, or raised higher by using the support pole.

The P170 is a small-diaphragm condenser microphone for recording of overheads, percussion, acoustic guitars and other strings. Its lightweight 1/2-inch true condenser transducer diaphragm delivers outstanding clarity and transient response. The P170 utilizes the experience of sound engineers from around the world and is considered an affordable alternative to the legendary AKG C451 B.

Grab the updated AKG C1000 S MK4 and see what you've been missing. Engineers have long recommended the C1000 S to project studio engineers and field recording specialists for years because of its clarity and versatility, and this updated version is more versatile than ever. Switchable capsule caps provide cardioid and hypercardioid polar pattern, plus an optional gain boost, while the addition of a switchable pad and highpass filter let you tailor the frequency response to a wide range of applications. You can power the C1000 S MK4 with a pair of AA batteries for up to 120 hours, making it a great companion for your mobile recording. What's more, the internally shockmounted capsule has been redesigned with gold-plating to resist rust and corrosion.

When you buy a Shure SM57, you've got a great dynamic microphone for life. Accounts of its heroic toughness lie at the center of countless music-industry legends, most of which are perfectly true. What's also true about the SM57 is that it sounds great on a wide variety of sources. A large percentage of the snare drums and many guitar cabinets and vocal tracks recorded in the last several decades owe their sound to the SM57. Try one and you'll find out why live sound professionals and seasoned studio engineers swear by the Shure SM57 more than any microphone on the planet.

Need phantom power? Grab the Behringer MicroPower PS400 phantom power supply, and power up! Just plug in the included power supply, and you're ready to supply either 12V or 48V of phantom power to your condenser mic. Connect your condenser mic to the Mic Input and send a line from the Mic Thru to your mixer. If you need phantom power, look no further than the Behringer MicroPower PS400.