The AKG P5S Dynamic Handheld Microphone is ideal for the main voice. The supercardioid polar pattern of the microphone ensures the best possible gain before the return and allows the voices to cross the mix more easily.

The Prodipe ProMic microphone stand is an amazing value for money model that combines lightness and stability thanks to its metal base.

Zoom's H6 Handy Recorder portable recording system gives you everything you need to capture quality audio anywhere. Four XLR/TRS combo inputs complete with onboard microphone preamps provide a solid basis for hooking up studio mics or taking feeds from line-level equipment. On top of that, the H6 recorder features both an XY and a Mid-side mic module, which you can swap out with additional aftermarket input modules. Add to that its impressive battery life and professional 24-bit/96kHz recording quality, and it's no wonder the Zoom H6 Handy Recorder is making waves!

The P170 is a small-diaphragm condenser microphone for recording of overheads, percussion, acoustic guitars and other strings. Its lightweight 1/2-inch true condenser transducer diaphragm delivers outstanding clarity and transient response. The P170 utilizes the experience of sound engineers from around the world and is considered an affordable alternative to the legendary AKG C451 B.

The Perception P2 high-performance dynamic bass microphone delivers a profound, high-energy low end for use on kick drums, trombones and bass amps. Its cardioid polar pattern reduces feedback and crosstalk coming from other instruments behind the microphone.

The AKG K52 over-ear, closed-back headphones provide the perfect combination of sound quality, comfort and durability. Professional drivers deliver solid bass, well-defined mids and clear highs so you can hear exactly what’s happening. The self-adjusting headband provides a personalized fit, ensuring comfort during marathon sessions. With a lightweight yet durable design, high-quality components and replaceable earpads, K52 is built to last.

Grab the updated AKG C1000 S MK4 and see what you've been missing. Engineers have long recommended the C1000 S to project studio engineers and field recording specialists for years because of its clarity and versatility, and this updated version is more versatile than ever. Switchable capsule caps provide cardioid and hypercardioid polar pattern, plus an optional gain boost, while the addition of a switchable pad and highpass filter let you tailor the frequency response to a wide range of applications. You can power the C1000 S MK4 with a pair of AA batteries for up to 120 hours, making it a great companion for your mobile recording. What's more, the internally shockmounted capsule has been redesigned with gold-plating to resist rust and corrosion.

The AKG C214 is the younger brother of AKG's legendary C414 condenser - similar to the 414's legendary sound, but at an entry-level price. The affordable C214 actually uses the same one-inch dual-capsule as the C414 in a single-diaphgram, cardioid-only design. The result? Highly-detailed, up-front sound on both voices and instruments with an overall performance close to that of the famous C414 B-XLS. Now you can get that epic AKG sound on any budget with the new C214!

The AKG Perception 820 Tube condenser microphone makes quality tube mic performance affordable! This addition tothe popular Perception line gives you the rich sound only a real tube condenser can offer, while you control its stunning array of nine different pickup patterns (plus its low-cut filter and 20dB attenuation pad) from a very easy-to-use remote. The Perception 820 Tube uses a 1" dual capsule design to give you a very dimensional and smooth sound. Though this Perception flagship model excels on vocals, it's built to take the high SPLs you need to make the Perception 820 Tube a real studio workhorse.

Since its introduction in 1993, the C3000 is recognized as a standard in many configurations, whether in the studio or on stage. This new edition brings new aesthetic benefits for an even more economical budget.

Need an affordable mic you you can use on almost anything? Sporting a 2/3" diaphragm capsule, a fixed cardioid pickup pattern, and the ability to withstand high SPLs, the AKG P120 works great on just about any source - instrumental or vocal. A bass roll-off switch and 20dB pad add to this mic's versatility. When you consider its super-affordable pricetag, the AKG P120 becomes a logical choice for project and home studio multi-mic applications such as drums. 

The Zoom H1n's dead-simple stereo pickup with unlimited overdubs makes archiving music performances, dialogue, and sound for film easier than ever. The H1n is the successor to the acclaimed H1. Upgraded features include dedicated one-touch buttons for recording, playback, and audio settings; a new 1.25" backlit LCD that reads easily in any lighting condition; slate and test tone generators for simpler A/V sync; auto-record and self-timer functions; a front-facing speaker; and adjustable playback speed for transcription and notation. Whether you use the phase-coherent onboard stereo XY mics or plug in your own sound source via the 1/8" stereo mic/line jack, the Zoom H1n captures your world in glorious 24/96 hi-fi. Note: requires an SD card for recording

The P420 is a multi-pattern large diaphragm true condenser microphone for demanding project studio recording applications. Offering high sensitivity and 155dB maximum SPL, the P420 delivers a warm, transparent sound quality perfectly suited for ensemble recording, grand piano, woodwind and brass instruments, as well as drums and percussion.

AKG's K240 MKII around-ear semi-open headphones provide incredible sound and comfort, and they're ideal for studio monitoring. These headphones feature both leatherette and velvet earpads and self-adjusting headband for great fit and maximum comfort. The AKG K240 MKII 'phones include a detachable 10' straight cable and a 16' coiled cable. They offer a frequency range of 15Hz-25kHz, giving you highly accurate monitoring with the added functionality of single-ear use. If you want efficient, dynamic listening, you'll appreciate the great sound you get from the K240 MKIIs.

Whether you need a durable microphone you can use for your on-the-go PA system or a handful of inexpensive switchable microphones for your church's worship team, the AKG P 3 S handheld dynamic microphone is just what you're looking for. An easy-access switch lets you instantly mute and "unmute" the P 3 S with the flick of a thumb. A tough wire-mesh cap and an internal windscreen reduce breath noises and plosives - just what less-experienced vocalists and lecturers need. A rugged die-cast metal body also helps to keep the P 3 S safe from the frequent bumps and scrapes of routine live use, making it an excellent all-around performer that's built to last.

They're a set of headphones aimed squarely at the type of DJ who likes to keep their 'phones around their neck and occasionally lift a cup to their ear to check the mix.

The DR-40X is a versatile four-track audio recorder for music, podcasting, cinema and any other application requiring high-quality audio. Building on the highly successful Tascam DR-40, this recorder adds several new functions to the already comprehensive feature set.

The Perception Wireless high performance Sports Set delivers brilliant sound and is surprisingly easy to use. The included PT45 body-pack transmitter is the smallest and lightest transmitter in its class. The package also includes a C544 L condenser head-worn microphone featuring an external shock mount for high mechanical-noise rejection. Its moisture shield ensures a high degree of humidity protection for the microphone.

The C451 B is a small-diaphragm condenser microphone with the identical acoustical behavior of its predecessor, the legendary C451 EB + CK1 capsule, which was a bestseller right from the start in 1969.

The AKG K240 Studio over-ear, semi-open headphones are designed for professional applications such as mixing, mastering and playback. Their advanced 30 mm XXL transducers with patented Varimotion diaphragms deliver a wide dynamic range, increased sensitivity and high sound levels, while their semi-open design provides a solid bass range and extremely clear highs

New fibreglass cone woofers, new neodymium dome tweeters and new electronics for extra performance, dynamism and presence. Check out the Prodipe combined speaker system. If you connect the PRO 10S V3 subwoofer to the Prodipe Pro8 V3 monitors, the combined system will give you studio listening at a remarkably low price. The woofer cones are now in fibreglass. 

New fibreglass cone woofers, new neodymium dome tweeters and new electronics for extra performance, dynamism and presence. Check out the Prodipe combined speaker system. If you connect the PRO 10S V3 subwoofer to the Prodipe Pro8 V3 monitors, the combined system will give you studio listening at a remarkably low price. The woofer cones are now in fibreglass. Using fibreglass in all our speaker systems means that we have been able to increase performance and dynamism, the frequency response is more linear and the quality of the listening is wonderfully natural. The neodymium dome tweeters create a sound which is absolutely solid and supremely clear, even above 20KHz. This ensures that the quality of the music is exemplary. The transducer magnets are shielded by anodised steel covers. The active filtering has been completely overhauled to ensure that the crossover frequency doesn't suffer from any accidents or bumps. The casing is made of high density wood to give the sound a high level of consistency and to eliminate any unwanted vibration.

Well-balanced with high output, the TT1 is ideal for anyone looking for an accurate reproduction of their voice: singers, speakers, presenters, MCs…

The TT1 has the same manufacturing costs as the best products on the market. Ever since the Prodipe journey began, the leading brands have had to sit up and take notice!

A variant of the TT1, the TT1 Pro - Lanen does not have a switch on/off for an optimal use on stage. Well balanced with a high output level, it will suit both exacting singers, as well as conference speakers, presenters and entertainers.

The TT1 has the same manufacturing costs as the best products on the market. Ever since the Prodipe journey began, the leading brands have had to sit up and take notice!

Specially designed for instruments, the TT1’s capsule, combined with a double mesh grille, is intended for the recording and sound reproduction of strings, woodwinds, wind instruments, guitars and percussions, both on stage and in the studio.

An accurate, well-balanced mic with high output. The TT1 Pro Instruments is also remarkably effective at picking up the amps (with guitars, etc.)

The TT1 Pro Instruments has the same manufacturing costs as the best products on the market. Ever since the Prodipe journey began, the leading brands have had to sit up and take notice!

The ST-1 MK2 Lanen, designed on the basis of the STC-3D MK2, is one of the only condenser microphones on the market, equipped with a real 34mm large diaphragm capsule, with a gold-plated one-inch diaphragm, in this price range.

Almost all of the other brands speak of a large membrane, for capsules from 16 to 19mm and the difference is significant!

Unlike "entry-level" products, which are often too cold and too bright, with less full sound in the bass and lower midrange, the ST-1 MK2 Lanen perfectly reproduces the definition and warmth of the recorded source.

The STC-3D MK2 Lanen is one of the only static mics on the market equipped, with a truly large 34mm capsule and a double 1-inch gold-plated diaphragm, in this price range. Most other brands talk about a "wide" membrane for 16-19mm capsules, and the difference is sizable!

Contrary to “entry-level” products that are often too cold and tinny, the STC-3D MK2 Lanen offers you a sound that perfectly reproduces the subtleties and warmth of the recorded source and allows you to obtain effective recordings with a high degree of presence.

If you take a condenser capsule that has been optimised for vocals and instrument and then build an audio chipset into the mic's electronics, the end product is a studio mic that behaves like a separate audio input, but retains the level of sensitivity, resolution and accuracy you would expect from a studio mic.

Unlike other USB microphones on the market, the ST-USB is shipped with an ASIO driver letting you use it in all your ASIO software, and not only in a basic multimedia environment.

A very high admissible sound level, an electret cell capable of handling up to 140dB!

Developed under the direction of Ludovic Lanen with the assistance of the talented saxophonist Patrick Bourgoin, the SB21 Lanen Sax & Brass microphone is dedicated to alto saxophones, tenor saxophones, trumpets, trombones, tubas, horns and all brass ...

It will capture all the dynamics and nuances of your playing. In addition, its great linearity will perfectly respect the timbre and tone of your instrument. A very faithful response, a sound of exemplary naturalness and an easy and fast assembly!