The Prodipe ProMic microphone stand is an amazing value for money model that combines lightness and stability thanks to its metal base.
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Zoom's H6 Handy Recorder portable recording system gives you everything you need to capture quality audio anywhere. Four XLR/TRS combo inputs complete with onboard microphone preamps provide a solid basis for hooking up studio mics or taking feeds from line-level equipment. On top of that, the H6 recorder features both an XY and a Mid-side mic module, which you can swap out with additional aftermarket input modules. Add to that its impressive battery life and professional 24-bit/96kHz recording quality, and it's no wonder the Zoom H6 Handy Recorder is making waves!
When you buy a Shure SM57, you've got a great dynamic microphone for life. Accounts of its heroic toughness lie at the center of countless music-industry legends, most of which are perfectly true. What's also true about the SM57 is that it sounds great on a wide variety of sources. A large percentage of the snare drums and many guitar cabinets and vocal tracks recorded in the last several decades owe their sound to the SM57. Try one and you'll find out why live sound professionals and seasoned studio engineers swear by the Shure SM57 more than any microphone on the planet.
If this is your first Shure SM58 dynamic microphone, then congratulations! You're about to discover why it's the most popular vocal microphone on the face of the planet! In fact, virtually every serious studio and live sound rig have several SM58s.
The BLX Presenter Wireless System from Shure joins world-class design and construction with simple and easy setup and operation, featuring QuickScan frequency selection and the durable PG185 wearable lavalier microphone for spoken word applications. Legendary sound and performance, right out of the box. Included: BLX4 wireless receiver; BLX1 body pack transmitter; PG185 cardioid condenser lavalier microphone with windscreen and tie clip.
The Shure PG24/PG58 Performance Gear Wireless Handheld Microphone System includes the PG4 Diversity Receiver with PG2/PG58 Handheld Microphone Transmitter, tuned to accentuate the clarity of lead and backing vocals.The PG4 Diversity Receiver features dual internal 1/4" antennas that eliminate potential for antenna misalignment and damage.
The large Popkiller for modern studio engineering. The large 200 mm nylon screen guarantees optimum sound filtering during studio recording. The Popkiller with flexible gooseneck can be screwed to all standard microphone stands (rod diameter max. 30 mm).
The Zoom H1n's dead-simple stereo pickup with unlimited overdubs makes archiving music performances, dialogue, and sound for film easier than ever. The H1n is the successor to the acclaimed H1. Upgraded features include dedicated one-touch buttons for recording, playback, and audio settings; a new 1.25" backlit LCD that reads easily in any lighting condition; slate and test tone generators for simpler A/V sync; auto-record and self-timer functions; a front-facing speaker; and adjustable playback speed for transcription and notation. Whether you use the phase-coherent onboard stereo XY mics or plug in your own sound source via the 1/8" stereo mic/line jack, the Zoom H1n captures your world in glorious 24/96 hi-fi. Note: requires an SD card for recording
This exclusive microphone arm with a 3/8" or 5/8" thread connector in a modern design features a new, innovative table clamp for quick and easy positioning of a microphone in the studio or at a multimedia work station. The 236.22" long internally guided microphone cable has a 3 pin XLR plug connector. Microphones up to a maximum of 3.307 lbs are easily held in any position. The clamping width of 0 to 1.889" allows the clamp to be attached to a wide variety of surfaces.
Heavy duty stand for amplifiers and mixers. Foldable. Spring-loaded locking bolt and locking screw. Felt-lined supporting brackets.
This exclusive microphone arm with a 3/8" or 5/8" thread connector in a modern design features a new, innovative table clamp for quick and easy positioning of a microphone in the studio or at a multimedia work station. The 236.22" long internally guided microphone cable has a 3 pin XLR plug connector. Microphones up to a maximum of 3.307 lbs are easily held in any position. The clamping width of 0 to 1.889" allows the clamp to be attached to a wide variety of surfaces.
The PGA31 performance headset microphone for general, speaking and performance use is a permanently-biased electret condenser microphone. Engineered to provide maximum versatility and reliable performance in a wide array of conditions at an affordable price.
A practical add-on for the »Spider Pro« and »Baby Spider Pro« keyboard stands. The robust attachment is a secure holder for a laptop. Stable arms can be tilted easily and quickly. Four positions are available, covering a tilt from horizontal to 25°. The attachment can be maneuvered horizontally to position the notebook where you want it to be. The support has rubber pads to stop the notebook from slipping and to protect it from scratches.
Whether you have an iPad or other tablet model, K & M media lets you use your equipment in any situation, whether on stage or in the studio.
The Model 55SH Series II microphone provides the Shure classic UNlDYNE® II design coupled with modern acoustic components to meet today's performance standards. This microphone is excellent for vocal pickup with its characteristic Shure presence peak.
The Shure Beta 57A maintains a true supercardioid pattern throughout its frequency range. This insures high gain before feedback, maximum isolation from other sound sources, and minimum off-axis tone coloration. A completely new grille design on the Shure Beta 57A lets you take better advantage of proximity effect. The Shure Beta 57A is an exceptionally versatile microphone. Typical applications include drums, guitar amplifiers, brass, woodwinds and vocals.
Rather than buying the microphones one by one, the batsmen will have the opportunity to purchase PG Alta kits containing everything needed to sound to a standard battery. PGA Drumkit 4 comprises PGA52 1, 2 and 1 PGA57 PGA56, in addition to clamps and cables. Designed to provide excellent sound capture all of the battery, on stage and in the studio.
Rather than buy the microphones one by one, drummers will have the opportunity to buy PG Alta kits, containing everything needed to sound a standard battery. The PGA Drumkit 7 includes 1 PGA52, 3 PGA56, 1 PGA57 and a pair of PGA81, in addition to the clips and cables. Designed to provide excellent sound from the entire drums, on stage and in the studio.
The Beta 58A dynamic vocal microphone was specially designed for stage performances and studio recordings. Its frequency response specifically accentuates the voice and its supercardioid polar pattern isolates other sound sources.
The K&M Popkiller - a world-wide classic. For stands with diameter of up to 30 mm. Double nylon screen for superior performance. Unobtrusive black round filter frame. Non-marring locking screw prevents scratching of mic stand.
Desktop Microphone Stand, Clamp Attachment - Load capacity 0.8 kg
New fibreglass cone woofers, new neodymium dome tweeters and new electronics for extra performance, dynamism and presence. Check out the Prodipe combined speaker system. If you connect the PRO 10S V3 subwoofer to the Prodipe Pro8 V3 monitors, the combined system will give you studio listening at a remarkably low price. The woofer cones are now in fibreglass.
New fibreglass cone woofers, new neodymium dome tweeters and new electronics for extra performance, dynamism and presence. Check out the Prodipe combined speaker system. If you connect the PRO 10S V3 subwoofer to the Prodipe Pro8 V3 monitors, the combined system will give you studio listening at a remarkably low price. The woofer cones are now in fibreglass. Using fibreglass in all our speaker systems means that we have been able to increase performance and dynamism, the frequency response is more linear and the quality of the listening is wonderfully natural. The neodymium dome tweeters create a sound which is absolutely solid and supremely clear, even above 20KHz. This ensures that the quality of the music is exemplary. The transducer magnets are shielded by anodised steel covers. The active filtering has been completely overhauled to ensure that the crossover frequency doesn't suffer from any accidents or bumps. The casing is made of high density wood to give the sound a high level of consistency and to eliminate any unwanted vibration.
Well-balanced with high output, the TT1 is ideal for anyone looking for an accurate reproduction of their voice: singers, speakers, presenters, MCs…
The TT1 has the same manufacturing costs as the best products on the market. Ever since the Prodipe journey began, the leading brands have had to sit up and take notice!
A variant of the TT1, the TT1 Pro - Lanen does not have a switch on/off for an optimal use on stage. Well balanced with a high output level, it will suit both exacting singers, as well as conference speakers, presenters and entertainers.
The TT1 has the same manufacturing costs as the best products on the market. Ever since the Prodipe journey began, the leading brands have had to sit up and take notice!
Specially designed for instruments, the TT1’s capsule, combined with a double mesh grille, is intended for the recording and sound reproduction of strings, woodwinds, wind instruments, guitars and percussions, both on stage and in the studio.
An accurate, well-balanced mic with high output. The TT1 Pro Instruments is also remarkably effective at picking up the amps (with guitars, etc.)
The TT1 Pro Instruments has the same manufacturing costs as the best products on the market. Ever since the Prodipe journey began, the leading brands have had to sit up and take notice!
The ST-1 MK2 Lanen, designed on the basis of the STC-3D MK2, is one of the only condenser microphones on the market, equipped with a real 34mm large diaphragm capsule, with a gold-plated one-inch diaphragm, in this price range.
Almost all of the other brands speak of a large membrane, for capsules from 16 to 19mm and the difference is significant!
Unlike "entry-level" products, which are often too cold and too bright, with less full sound in the bass and lower midrange, the ST-1 MK2 Lanen perfectly reproduces the definition and warmth of the recorded source.
The STC-3D MK2 Lanen is one of the only static mics on the market equipped, with a truly large 34mm capsule and a double 1-inch gold-plated diaphragm, in this price range. Most other brands talk about a "wide" membrane for 16-19mm capsules, and the difference is sizable!
Contrary to “entry-level” products that are often too cold and tinny, the STC-3D MK2 Lanen offers you a sound that perfectly reproduces the subtleties and warmth of the recorded source and allows you to obtain effective recordings with a high degree of presence.
If you take a condenser capsule that has been optimised for vocals and instrument and then build an audio chipset into the mic's electronics, the end product is a studio mic that behaves like a separate audio input, but retains the level of sensitivity, resolution and accuracy you would expect from a studio mic.
Unlike other USB microphones on the market, the ST-USB is shipped with an ASIO driver letting you use it in all your ASIO software, and not only in a basic multimedia environment.