The AKG P5S Dynamic Handheld Microphone is ideal for the main voice. The supercardioid polar pattern of the microphone ensures the best possible gain before the return and allows the voices to cross the mix more easily.
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ECO M05J, Mono Male Jack/ Female XLR 5m
ECO K17-6, Mini Male Stereo Jack 3,5/ Mini Male Stereo Jack 3,5 6m
ECO K17-3, Mini Male Stereo Jack 3,5/ Mini Male Stereo Jack, 3,5 3m
Mini Male Stereo Jack 3,5 / Stereo Female Jack 6,35, 3m
ECO K04-6, 2 Male RCA /2 Male RCA, 6m
Audio Cable ECO K12-3, Mini Male Stereo Jack / Female XLR. 3m
Yellow Cable - ECO K04-3, 2 Male RCA / 2 Male RCA, 3m
Yellow Cable - ECO K05-6, 2 Mono Male Jacks / Stereo Male Jack, 6m
Yellow Cable - ECO K14-6, Stereo Male Jack / Male XLR, 6m
Zoom's H6 Handy Recorder portable recording system gives you everything you need to capture quality audio anywhere. Four XLR/TRS combo inputs complete with onboard microphone preamps provide a solid basis for hooking up studio mics or taking feeds from line-level equipment. On top of that, the H6 recorder features both an XY and a Mid-side mic module, which you can swap out with additional aftermarket input modules. Add to that its impressive battery life and professional 24-bit/96kHz recording quality, and it's no wonder the Zoom H6 Handy Recorder is making waves!
Yellow Cable - ECO K05-3, 2 jacks mono male/j. stereo male 3m
Insert cable 3m, 2 jacks mono male / Jack Stereo o male 3m
The P170 is a small-diaphragm condenser microphone for recording of overheads, percussion, acoustic guitars and other strings. Its lightweight 1/2-inch true condenser transducer diaphragm delivers outstanding clarity and transient response. The P170 utilizes the experience of sound engineers from around the world and is considered an affordable alternative to the legendary AKG C451 B.
The RODE NT1-A cardioid condenser microphone is one of the world's quietest microphones, and it comes complete with a ton of essential accessories! Its ultra-low self-noise means you'll effortlessly capture clean, clear audio. The NT1-A can handle 137dB SPL so you can be confident that even in front of loud guitar cabinets, your recording won't distort due to overload. This great mic comes with a shockmount, a pop screen, a dust cover, an XLR cable, and more. By providing ultra-quiet operation and being versatile enough to handle a wide variety of signals, the NT1-A is an affordable studio solution!
The Perception P2 high-performance dynamic bass microphone delivers a profound, high-energy low end for use on kick drums, trombones and bass amps. Its cardioid polar pattern reduces feedback and crosstalk coming from other instruments behind the microphone.
The AKG K52 over-ear, closed-back headphones provide the perfect combination of sound quality, comfort and durability. Professional drivers deliver solid bass, well-defined mids and clear highs so you can hear exactly what’s happening. The self-adjusting headband provides a personalized fit, ensuring comfort during marathon sessions. With a lightweight yet durable design, high-quality components and replaceable earpads, K52 is built to last.
Grab the updated AKG C1000 S MK4 and see what you've been missing. Engineers have long recommended the C1000 S to project studio engineers and field recording specialists for years because of its clarity and versatility, and this updated version is more versatile than ever. Switchable capsule caps provide cardioid and hypercardioid polar pattern, plus an optional gain boost, while the addition of a switchable pad and highpass filter let you tailor the frequency response to a wide range of applications. You can power the C1000 S MK4 with a pair of AA batteries for up to 120 hours, making it a great companion for your mobile recording. What's more, the internally shockmounted capsule has been redesigned with gold-plating to resist rust and corrosion.
When you buy a Shure SM57, you've got a great dynamic microphone for life. Accounts of its heroic toughness lie at the center of countless music-industry legends, most of which are perfectly true. What's also true about the SM57 is that it sounds great on a wide variety of sources. A large percentage of the snare drums and many guitar cabinets and vocal tracks recorded in the last several decades owe their sound to the SM57. Try one and you'll find out why live sound professionals and seasoned studio engineers swear by the Shure SM57 more than any microphone on the planet.
If this is your first Shure SM58 dynamic microphone, then congratulations! You're about to discover why it's the most popular vocal microphone on the face of the planet! In fact, virtually every serious studio and live sound rig have several SM58s.
The BLX Presenter Wireless System from Shure joins world-class design and construction with simple and easy setup and operation, featuring QuickScan frequency selection and the durable PG185 wearable lavalier microphone for spoken word applications. Legendary sound and performance, right out of the box. Included: BLX4 wireless receiver; BLX1 body pack transmitter; PG185 cardioid condenser lavalier microphone with windscreen and tie clip.
The Shure PG24/PG58 Performance Gear Wireless Handheld Microphone System includes the PG4 Diversity Receiver with PG2/PG58 Handheld Microphone Transmitter, tuned to accentuate the clarity of lead and backing vocals.The PG4 Diversity Receiver features dual internal 1/4" antennas that eliminate potential for antenna misalignment and damage.
RCA male / male mono jack 3m
The AKG C214 is the younger brother of AKG's legendary C414 condenser - similar to the 414's legendary sound, but at an entry-level price. The affordable C214 actually uses the same one-inch dual-capsule as the C414 in a single-diaphgram, cardioid-only design. The result? Highly-detailed, up-front sound on both voices and instruments with an overall performance close to that of the famous C414 B-XLS. Now you can get that epic AKG sound on any budget with the new C214!
The AKG Perception 820 Tube condenser microphone makes quality tube mic performance affordable! This addition tothe popular Perception line gives you the rich sound only a real tube condenser can offer, while you control its stunning array of nine different pickup patterns (plus its low-cut filter and 20dB attenuation pad) from a very easy-to-use remote. The Perception 820 Tube uses a 1" dual capsule design to give you a very dimensional and smooth sound. Though this Perception flagship model excels on vocals, it's built to take the high SPLs you need to make the Perception 820 Tube a real studio workhorse.
The NT1 is a true workhorse of the studio. A world-class large-diaphragm condenser microphone that marries innovation with tradition, it excels on vocals as well as a wide range of instruments.
Since its introduction in 1993, the C3000 is recognized as a standard in many configurations, whether in the studio or on stage. This new edition brings new aesthetic benefits for an even more economical budget.
The large Popkiller for modern studio engineering. The large 200 mm nylon screen guarantees optimum sound filtering during studio recording. The Popkiller with flexible gooseneck can be screwed to all standard microphone stands (rod diameter max. 30 mm).
The new Stereo VideoMic Pro provides a high quality stereo option for videographers, and is ideal for recording music, and the atmospheric ambience essential in building a realistic audio scene.
Based around the all new capsule with its matched pair of high sensitivity ½”cardioid condensers in a coincident XY pair, the Stereo VideoMic Pro provides a wide stereo image with natural depth.