The RØDE WS7 Deluxe Windshield is an easy to use high-performance windshield for shotgun microphones. Designed to reduce wind noise when recording in adverse environmental conditions, the WS7 combines an open-cell foam surround with an outer layer of acoustically transparent artificial fur. A rubber base prevents any wind noise from entering the rear of the microphone pickup area. Suitable for the RØDE NTG3 and any shotgun microphone with a maximum slot length of 186.5mm (7 1/4") and a diameter of 19-20mm.

The WS-LAV is a high quality pop filter, designed to fit the Lavalier microphone. A pop filter should be fitted in the majority of applications to prevent any hard plosive sounds overloading the microphone capsule. The WS-LAV is supplied as a pack of three.

The RØDE Micro Boompole provides ultimate boom pole performance in a convenient and portable size. Intuitive twist locks allow the Micro Boompole’s three sections to smoothly extend to 2063mm (6¾’), while the ergonomic grip provides comfort during use.

The Micro Boompole Pro is a unique, modular booming device that allows location sound engineers to capture audio in confined or difficult spaces.Optimised for use with the VideoMicro microphone, the Micro Boompole Pro’s three sections combine to a maximum length of 2.2m (7’2”). Using an industry standard 3/8” thread, these sections can also be used to extend the Boompole Pro to reach to over 3.7m (12').

The BoomPole Bag is a high-quality neoprene carry bag designed to accommodate a boompole with shock mount and microphone attached.

The RØDE Boompole Clips are designed to quickly and easily mount onto any RØDE boompole to secure the microphone lead and minimise any movement.

The RØDE Blimp is a complete windshield and shock mounting accessory for the NTG1, NTG2, NTG3, NTG4 and NTG4+ microphones, as well as any third party shotgun microphone up to 325mm (12 ¾”) in length. Now featuring the Rycote® Lyre suspension system, the Blimp provides the ultimate in microphone suspension and isolation. Constructed from a single piece of hard-wearing thermoplastic, the Lyre provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap. The Blimp’s handle has also been completely redesigned, reducing the product weight significantly, while increasing the ergonomics for handheld use. Housed inside the grip is a heavy-duty Mogami cable which splits via a junction box to a highly-flexible thin cable inside the Blimp, to minimise the transference of vibration to the microphone. With the lightweight design of the handle and suspension system the new Blimp design is over 25% lighter (550gm without microphone or DeadWombat fitted). The Blimp attaches to any standard boompole via 3/8" thread attachment at the base. The Universal Blimp Mount is available as an option to remove the handle when the Blimp is being used primarily on a boompole to reduce weight.

The PG1 Cold Shoe Pistol Grip is a convenient and ergonomic way to operate your RØDE VideoMic, Stereo VideoMic, or any other cold-shoe device independently of your video camera. A convenient 3/8” thread on the base allows connection to a boompole or microphone stand, while the spine features handy cable management.

The perfect suspension shock mount for the Procaster or Podcaster, the PSM1 provides isolation from external vibrations which can translate as low frequency noise or manipulate the microphone position. The PSM1 gives you confidence when using your microphone in environments where there is any movement that may interfere with the microphones performance.

The RØDE Pivot Adaptor is a durable machined-aluminium, brass and high-grade polymer adaptor for mounting on boom stands and boompoles, allowing for up to 210 degrees of pivot.

The RØDE Vampire Clip is a double-toothed clothing pin that conveniently fastens the RØDE Lavalier microphone onto a wide range of fabric and clothing for complete mounting versatility.

The Violin-Clip suspension mount is designed to easily clamp onto the strings of a violin in the bridge area behind the top plate, allowing for the precise mounting of a lavalier microphone.

The RØDE Stereo Bar is a robust solution for mounting two microphones in a stereo array. With clearly marked spacing of up to 20cm, as well as angle and measurement indicators for ORTF and XY positioning, the RØDE Stereo Bar makes it quick and easy to achieve complex recording arrays. The 5/8” mounting threads are supplied with accompanying spacing clips to allow for easy positioning for stacked arrays, and the robust ABS construction makes the Stereo Bar stable and durable, allowing it to easily support the weight of two large diaphragm microphones.

The SM2 is a suspension shock mount that holds a range of large diaphragm condenser microphones. It provides isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. Additionally the SM2 allows for flexible mounting to position your microphone perfectly in any situation.

The SM3-R is a suspension shock mount with camera shoe adaptor for mounting various RØDE microphones onto a camera via the standard hot/cold shoe mount.

The SM3-R is equipped with dual Rycote Lyre mounts to ensure maximum isolation from any handling vibrations, four possible mounting points to suit the complete range of compatible RØDE on-camera microphones, and integrated cable management clip.

The SM4-R is a suspension shock mount for mounting various RØDE microphones onto a mic stand or boompole with 3/8" or 5/8" thread.

The SM4-R is equipped with dual Rycote Lyre mounts to ensure maximum isolation from any handling vibrations, four possible mounting points to suit the complete range of compatible RØDE shotgun microphones, and integrated cable management clip.

The stand mount is angle adjustable and can be locked into position to ensure sturdy and reliable mic positioning.

The SM6 is a high quality suspension shock mount that supports many large diaphragm RØDE microphones. It provides isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone. It includes a removable pop shield with two axes of adjustment and a telescopic arm for ultimate application versatility.

The SMR is a revolutionary shock mount for large diaphragm condenser microphones from RØDE. Featuring a unique double-Lyre suspension system, the SMR enhances the existing superior vibration cancellation of Rycote’s Lyre system by using a smaller inner Lyre to act as a tensioning element. This maintains each Lyre in the neutral position where it is most efficient at cancelling vibration. The SMR's removable all-metal pop filter is as effective as it is visually striking, providing an integrated solution for plosive protection that is easily washable and designed to last as long as the shock mount and microphone. The clamping system of the SMR utilises a greater surface area for increased friction and weight handling, without the need for over-tightening of the locking thread.

ITC - T-521B , Handheld condenser microphone with clip

Suction Pickup for all EKO FASI stringed instruments.

EKO FASI is a suction cup pickup that can be easily installed without invasive interventions on your instrument. Just choose the ideal location to install the pickup and connect the jack to your amp. Ideal for Folk, Gypsy, Ukulele, etc.

Protect your EleMent Series Microphone with the PF-100 Pop Screen from Mackie. This pop filter is sized specifically for EleMent Series microphones, which is good, because it attaches directly to the capsule by means of included elastic bands. Once affixed to the mic, it helps reduce low-frequency pops and thumps, filtering them out of your voice for the best possible sound. This pop filter also helps keep your microphone clean.

Adopts true diversity reception on the ultra-high frequency UHF band and DPLL digital phase-locked loop multi-channel frequency synthesis technology.

Well-balanced with high output, the TT1 is ideal for anyone looking for an accurate reproduction of their voice: singers, speakers, presenters, MCs…

The TT1 has the same manufacturing costs as the best products on the market. Ever since the Prodipe journey began, the leading brands have had to sit up and take notice!

A variant of the TT1, the TT1 Pro - Lanen does not have a switch on/off for an optimal use on stage. Well balanced with a high output level, it will suit both exacting singers, as well as conference speakers, presenters and entertainers.

The TT1 has the same manufacturing costs as the best products on the market. Ever since the Prodipe journey began, the leading brands have had to sit up and take notice!

Specially designed for instruments, the TT1’s capsule, combined with a double mesh grille, is intended for the recording and sound reproduction of strings, woodwinds, wind instruments, guitars and percussions, both on stage and in the studio.

An accurate, well-balanced mic with high output. The TT1 Pro Instruments is also remarkably effective at picking up the amps (with guitars, etc.)

The TT1 Pro Instruments has the same manufacturing costs as the best products on the market. Ever since the Prodipe journey began, the leading brands have had to sit up and take notice!

A very high admissible sound level, an electret cell capable of handling up to 140dB!

Developed under the direction of Ludovic Lanen with the assistance of the talented saxophonist Patrick Bourgoin, the SB21 Lanen Sax & Brass microphone is dedicated to alto saxophones, tenor saxophones, trumpets, trombones, tubas, horns and all brass ...

It will capture all the dynamics and nuances of your playing. In addition, its great linearity will perfectly respect the timbre and tone of your instrument. A very faithful response, a sound of exemplary naturalness and an easy and fast assembly!

Developed under the direction of Ludovic Lanen, the GL21 Lanen microphone is specially designed for the recording and sound reinforcement of acoustic guitars, ukuleles, mandolins and dobros.

Equipped with an electret cell capable of handling 140dB, it will capture all the dynamics and nuances of your playing.

Its great linearity will perfectly respect the timbre and the sound of your instrument.

Particular attention has been paid to attaching the microphone to the instrument. Equipped with two clamps specially designed for guitars, ukuleles, mandolins and dobros, the GL21 will allow you to face all situations.

The reference for cellists!

A very faithful response, an excellent natural sound and an easy and fast assembly!

Developed under the direction of Ludovic Lanen with the assistance of the talented Jean-Claude Auclin, the CL21 Lanen microphone is specially intended for the recording and sound reinforcement of cellos.

Equipped with an electret cell capable of handling 140dB, it will capture all the dynamics and nuances of your playing. Its great linearity will perfectly respect the timbre and the sound of your instrument.

Particular attention has been paid to attaching the microphone to the instrument.

The AL21 Romanelli is a pack of three microphones, specially intended for the sound system of accordions and bandoneons.

Equipped with an electret cell capable of handling 140dB, they will capture all the dynamics and nuances of your playing. In addition, their great linearity will perfectly respect the timbre and tone of your instrument.

Special attention has been paid to attaching the microphones to the instrument.