Another blues legend. The Blues Harp has been, for more than half a century, the best known of the Richter harmonicas until it became the eponymous instrument of the "little devil's music". Over the decades, the model has established itself all over the world and has become a cult figure on the contemporary music scene.

Traditional reeds combine the thinnest tip with the thickest heart, allowing an impeccable articulation with a full and dark tone.

Foldable violin stand made From Solid metal. protected with foam to void scratches.

Traditional reeds combine the thinnest tip with the thickest heart, allowing an impeccable articulation with a full and dark tone.

Clarinet ligature, fast and symmetrical clamping with 3 interchangeable pressure pads and expressiveness in complete freedom

Traditional reeds combine the thinnest tip with the thickest heart, allowing an impeccable articulation with a full and dark tone.

Traditional reeds combine the thinnest tip with the thickest heart, allowing an impeccable articulation with a full and dark tone.

The most widely played reeds in the world, with a superiority proven over the years, these reeds suit all styles of music.

Another legend of the blues. Blues Harp has been, for more than half a century, the most famous of Richter harmonicas until becoming the eponymous instrument of the "little devil's music". Over the decades, the model has established itself around the world and has become cultured on the contemporary music scene

Another legend of the blues. Blues Harp has been, for more than half a century, the most famous of Richter harmonicas until becoming the eponymous instrument of the "little devil's music". Over the decades, the model has established itself around the world and has become cultured on the contemporary music scene

Another legend of the blues. Blues Harp has been, for more than half a century, the most famous of Richter harmonicas until becoming the eponymous instrument of the "little devil's music". Over the decades, the model has established itself around the world and has become cultured on the contemporary music scene

Tunisian Zokra, widely used in Tunisian folk music.It is the most played instrument in Tunisian folk music. Other contemporary musicians use this instrument to enrich their sound environments in the various genres of current music.

You can't resist that dirty, bluesy harp sound! There's a raw power and a certain grit that drives that tone. And if you're serious about it, only a Hohner will do. Here, you get a fantastic Blues Harp. The sort of harp the real players choose, and you know what we mean by that. This Blues Harp is built to last a long time. It offers up full and consistent tone, it's highly bendable - it's plain and simple, everything a good harmonica should be. Don't settle for less than a quality harmonica. Get the sort of harp your playing skills won't outgrow: the Hohner Blues Harp.

These are the most played reeds in the professional world. They have proven their quality over many years and are suitable for all styles of music. Excellent response in all registers, allowing even pianissimo attack of high notes. 

Tunisian Mezwed widely used in Tunisian popular music.

It is open from the Magrouna, composed of a melodic pipe, or double reed chanter (Kaffa) with two single reeds and five or six finger holes, decorated with fire traces and extended by two pavilions in calf horn or wood.

It is connected to an air tank between 40 and 64 centimetres long, called''Chekoua'' or''Dharf'', made of goat skin. It is used to store the air blown in by another segment of reed, to facilitate the playing.

Double Kaffa in Bamboo, with two single reeds and five holes.

Quick and precise clamping thanks to a unique double-pitch screw that holds both sides of the ligature evenly. 

Double Kaffa in Bamboo, with two Seperated reeds and five holes.

Similar to the Rico cut, La Voz reeds are unfiled and feature a thinner profile and blank. The La Voz strength range offers greater flexibility, and their deep, powerful tone makes them a standard among jazz musicians. Rico's updated reed-making machinery and state-of-the-art process have made today's La Voz reed more consistent than ever before. 

Similar to the Rico cut, La Voz reeds are unfiled and feature a thinner profile and blank. The La Voz strength range offers greater flexibility, and their deep, powerful tone makes them a standard among jazz musicians. Rico's updated reed-making machinery and state-of-the-art process have made today's La Voz reed more consistent than ever before. 

Similar to the Rico cut, La Voz reeds are unfiled and feature a thinner profile and blank. The La Voz strength range offers greater flexibility, and their deep, powerful tone makes them a standard among jazz musicians. Rico's updated reed-making machinery and state-of-the-art process have made today's La Voz reed more consistent than ever before. 

Similar to the Rico cut, La Voz reeds are unfiled and feature a thinner profile and blank. The La Voz strength range offers greater flexibility, and their deep, powerful tone makes them a standard among jazz musicians. Rico's updated reed-making machinery and state-of-the-art process have made today's La Voz reed more consistent than ever before. 

Similar to the Rico cut, La Voz reeds are unfiled and feature a thinner profile and blank. The La Voz strength range offers greater flexibility, and their deep, powerful tone makes them a standard among jazz musicians. Rico's updated reed-making machinery and state-of-the-art process have made today's La Voz reed more consistent than ever before. 

Similar to the Rico cut, La Voz reeds are unfiled and feature a thinner profile and blank. The La Voz strength range offers greater flexibility, and their deep, powerful tone makes them a standard among jazz musicians. Rico's updated reed-making machinery and state-of-the-art process have made today's La Voz reed more consistent than ever before. 

Similar to the Rico cut, La Voz reeds are unfiled and feature a thinner profile and blank. The La Voz strength range offers greater flexibility, and their deep, powerful tone makes them a standard among jazz musicians. Rico's updated reed-making machinery and state-of-the-art process have made today's La Voz reed more consistent than ever before. 

Similar to the Rico cut, La Voz reeds are unfiled and feature a thinner profile and blank. The La Voz strength range offers greater flexibility, and their deep, powerful tone makes them a standard among jazz musicians. Rico's updated reed-making machinery and state-of-the-art process have made today's La Voz reed more consistent than ever before. 

Jazz musicians consistently choose La Voz Alto reeds for their powerful tone and flexibility. These reeds are crafted with D'Addario's engineered reed-making technology, featuring a well-balanced profile and stronger spine to provide you with a full tone, no matter your playing style.  

Jazz musicians consistently choose La Voz Alto reeds for their powerful tone and flexibility. These reeds are crafted with D'Addario's engineered reed-making technology, featuring a well-balanced profile and stronger spine to provide you with a full tone, no matter your playing style.  

Jazz musicians consistently choose La Voz Alto reeds for their powerful tone and flexibility. These reeds are crafted with D'Addario's engineered reed-making technology, featuring a well-balanced profile and stronger spine to provide you with a full tone, no matter your playing style.