With a nod to project studios all over the globe, Sennheiser has unleashed the MK 4. Representing Sennheiser's first large-diaphragm side-address condenser microphone, the MK 4 is designed to offer you the best-possible sound quality for the money, rather than technical extravagance. It features a powerful warm sound, with vivid mids and a detailed bass range, making the MK 4 perfect for vocals and acoustic instruments alike. Created to give home and project studios a refreshing option, at excellent value, the MK 4 is well suited to a wide range of recording environments and applications.

The AKG C214 is the younger brother of AKG's legendary C414 condenser - similar to the 414's legendary sound, but at an entry-level price. The affordable C214 actually uses the same one-inch dual-capsule as the C414 in a single-diaphgram, cardioid-only design. The result? Highly-detailed, up-front sound on both voices and instruments with an overall performance close to that of the famous C414 B-XLS. Now you can get that epic AKG sound on any budget with the new C214!

The AKG Perception 820 Tube condenser microphone makes quality tube mic performance affordable! This addition tothe popular Perception line gives you the rich sound only a real tube condenser can offer, while you control its stunning array of nine different pickup patterns (plus its low-cut filter and 20dB attenuation pad) from a very easy-to-use remote. The Perception 820 Tube uses a 1" dual capsule design to give you a very dimensional and smooth sound. Though this Perception flagship model excels on vocals, it's built to take the high SPLs you need to make the Perception 820 Tube a real studio workhorse.

Since its introduction in 1993, the C3000 is recognized as a standard in many configurations, whether in the studio or on stage. This new edition brings new aesthetic benefits for an even more economical budget.

The Behringer C-1U USB studio condenser mic is a podcaster's dream come true. With a simple USB connection straight into your computer, the C-1U brings studio-quality sound to your podcasts. Musicians who record music on computers now have a simple, affordable way to capture high-quality vocal and acoustic instrument performances as well. The C-1U includes a bundle of cool podcasting and audio editing software for your Mac or PC. If you're a computerized musician or podcaster, you need a mic designed specifically for what you do: the Behringer C-1U.

The Behringer C-1 Studio Condenser Microphone medium diaphragm condenser microphone is probably one of the best values you'll find in a condenser mic. This is a great all-around studio recording mic, ideal for capturing vocals and instruments in the studio. It also excels in live applications. The pressure-gradient transducer with its shock-mounted capsule produces a smooth, flat frequency response. You get a rugged, die-cast metal chassis, gold-plated XLR connector, a swivel stand mount, and foam-padded carrying case. You can't go wrong with the Behringer C-1.

The P420 is a multi-pattern large diaphragm true condenser microphone for demanding project studio recording applications. Offering high sensitivity and 155dB maximum SPL, the P420 delivers a warm, transparent sound quality perfectly suited for ensemble recording, grand piano, woodwind and brass instruments, as well as drums and percussion.

Whether you're looking for a does-everything mic for home recording or a pro in need of a versatile workhorse condenser for your collection, you'll be totally satisfied with the Sennheiser MK 8. This internally shockmounted multi-pattern condenser microphone is based on a tried-and-true dual diaphragm design, providing you with warmth and clarity for any recording application.

The P170 is a small-diaphragm condenser microphone for recording of overheads, percussion, acoustic guitars and other strings. Its lightweight 1/2-inch true condenser transducer diaphragm delivers outstanding clarity and transient response. The P170 utilizes the experience of sound engineers from around the world and is considered an affordable alternative to the legendary AKG C451 B.

The RODE NT1-A cardioid condenser microphone is one of the world's quietest microphones, and it comes complete with a ton of essential accessories! Its ultra-low self-noise means you'll effortlessly capture clean, clear audio. The NT1-A can handle 137dB SPL so you can be confident that even in front of loud guitar cabinets, your recording won't distort due to overload. This great mic comes with a shockmount, a pop screen, a dust cover, an XLR cable, and more. By providing ultra-quiet operation and being versatile enough to handle a wide variety of signals, the NT1-A is an affordable studio solution!

At first glance, the TLM 102 stands out from other Neumann microphones because of its extraordinarily compact design. Don't let its size fool you! Inside the TLM 102 sits a large-diaphragm, cardioid capsule that Neumann developed specifically for their next generation of microphones intended for a broad range of applications.

Mascot ECM 626 Electret omnidirectional tie microphone.

Grab the updated AKG C1000 S MK4 and see what you've been missing. Engineers have long recommended the C1000 S to project studio engineers and field recording specialists for years because of its clarity and versatility, and this updated version is more versatile than ever. Switchable capsule caps provide cardioid and hypercardioid polar pattern, plus an optional gain boost, while the addition of a switchable pad and highpass filter let you tailor the frequency response to a wide range of applications. You can power the C1000 S MK4 with a pair of AA batteries for up to 120 hours, making it a great companion for your mobile recording. What's more, the internally shockmounted capsule has been redesigned with gold-plating to resist rust and corrosion.

Mascot, as a professional wired and wireless microphone manufacturer, has been devoted to development in this field since 1979. Its R & D team has accumulated a skillful experience on Rf and Audio technique. Mascot has earned a great reputation in the world.

The C451 B is a small-diaphragm condenser microphone with the identical acoustical behavior of its predecessor, the legendary C451 EB + CK1 capsule, which was a bestseller right from the start in 1969.

At first glance, the TLM 102 stands out from other Neumann microphones because of its extraordinarily compact design. Don't let its size fool you! Inside the TLM 102 sits a large-diaphragm, cardioid capsule that Neumann developed specifically for their next generation of microphones intended for a broad range of applications. Like the rest of the TLM series, the TLM 102 is built around low-noise circuitry and captures sound sources without adding extensive color. It particularly excels with vocals, and the ability to handle extreme SPLs makes the TLM 102 a truly versatile microphone.

limitations do not want to do without the uncompromising Neumann sound. Cardioid directional characteristic and very low self-noise

Applications Due to the universal cardioid pattern, straightforward handling, extremely low self-noise level, and finally, the price, the TLM 103 is predestined for all demanding applications from home recording to professional broadcasting and commercial recording studios.

limitations do not want to do without the uncompromising Neumann sound. Cardioid directional characteristic and very low self-noise

Applications Due to the universal cardioid pattern, straightforward handling, extremely low self-noise level, and finally, the price, the TLM 103 is predestined for all demanding applications from home recording to professional broadcasting and commercial recording studios.

The RØDE M3 is a highly versatile end-address condenser microphone, designed to be completely at home in the studio, on stage or on location. It is equally suitable as an instrument microphone for guitars, drums and percussion or even vocals.

Featuring a heavy duty metal body and internally shock mounted 1/2" condenser capsule mounted for end-address, the M3 can be powered either via P48 phantom power, or an internal 9V battery.

The NT5 is RØDE's premier small-diaphragm cardioid condenser microphone, sometimes referred to as a 'pencil mic'.

Intended for recording acoustic instruments, drum overheads, cymbals and live performances, the compact externally polarized mic employs a 1/2" capsule, an active J-FET impedance converter with bipolar output buffer.

Its tight cardioid pickup pattern also makes it ideal for use as an indoor dialogue microphone for filmmaking on a mic stand or boom.

The NT5 is RØDE's premier small-diaphragm cardioid condenser microphone, sometimes referred to as a 'pencil mic'.

Intended for recording acoustic instruments, drum overheads, cymbals and live performances, the compact externally polarized mic employs a 1/2" capsule, an active J-FET impedance converter with bipolar output buffer.

Its tight cardioid pickup pattern also makes it ideal for use as an indoor dialogue microphone for filmmaking on a mic stand or boom.

Designed and made in Australia, the M5 is a compact ½” cardioid condenser microphone with low noise and a full frequency response. A result of many years’ experience building the award-winning NT5 microphone, RØDE has succeeded in making a high-quality ‘pencil’ style permanently polarized condenser that will impress even the most demanding of artists and engineers. Ideal for studio recording and live on stage, the M5 is equally at home on a range of acoustic instruments, choirs, or anywhere you would employ a small diaphragm condenser microphone, either individually or as a stereo array. This matched pair has been carefully selected to ensure a variation of no more than 1dB sensitivity between the microphones. A premium foiled certificate is supplied to verify the authenticity of the pair. The M5 is finished with RØDE’s proprietary ceramic coating which offers a sleek matt black finish, and is supplied with WS5 windshields and RM5 stand mounts.

The RØDE Broadcaster is a large diaphragm, end-address condenser microphone designed to provide the ultimate performance for broadcast vocal applications.

Its rich, full quality tailored response has an emphasised proximity effect that has made it a standard in radio stations the world over. It is equally suitable as a voice-over microphone for film and television.

The Broadcaster features an internal pop filter, designed to minimise plosives sounds that can overload the microphone capsule and distort the audio output. In addition to the Broadcaster's native 20Hz-20kHz response, a selectable high-pass filter at 75Hz is available which will prevent low-end noise such as air conditioners and traffic from being recorded.

The RØDE Lavalier is a discreet lapel microphone that provides broadcast-quality audio when close-miked in almost any scenario.

The Lavalier's low self-noise, user friendly omni-directional polar pattern and minimal appearance make it an ideal solution for film, television, video, theatre, house of worship and anywhere where a high quality microphone needs to be heard but not seen.

The microphone capsule is connected via a 1.2m (4') shielded, Kevlar® reinforced cable that has been rigorously strain tested up to 10kg to ensure reliable performance.

The included mini-furry for high wind protection ensures quality recordings in adverse environments, and the included cable management clips ensure that you are able to minimise the microphone and cable visibility, while providing maximum mobility for the wearer.

The RØDE PinMic™ is a discreet lavalier/lapel microphone with an innovative pin-through design that is not only easier to conceal than a traditional lapel microphone, but provides greater mounting versatility.

Comprised of a cabled backplate and a removable omni-directional capsule head, the PinMic™ is easily mounted onto any clothing or fabric by simply pushing the backplate pins through the back of the fabric and sliding the capsule into place on the front. The microphone backplate and cable are hidden behind the fabric, and the capsule head can be easily disguised, covered or decorated to further conceal the microphone.

The PinMic™ capsule is discrete at only 9mm deep and 11mm in diameter, and is supplied with both a black and an unpainted silver mesh head that can be further camouflaged by painting.

The i-XLR is a broadcast quality XLR to Lightning interface for iOS devices, that allows reporters, correspondents and audio professionals to quickly and easily capture professional interview dialogue to a smartphone or tablet.A generous three meter shielded cable allows the operator to store the phone in a pocket or bag, and a headphone output with adjustable level on the body makes it easy to monitor your audio during an interview.

The VideoMic Me is a compact and lightweight directional microphone for use with smartphones. It features an in-built 3.5mm TRRS output for plugging directly into a smartphone’s headphone socket. Its flexible mounting bracket accommodates a wide range of smartphones and allows the microphone to be fitted for primary camera or front camera ('selfie') use. A 3.5mm headphone jack on the rear allows for play-through of audio while recording (app dependent) as well as easy playback of your videos without having to remove the microphone.

The SC6-L is a simple input/output breakout box designed for Apple iOS devices. Inspired by the original SC6 with a 3.5mm TRRS jack, the SC6-L uses a Lightning Connector to connect directly to Apple iOS devices.

The Dead Cat windshield is designed for minimising any wind noise when recording in high wind conditions. Its artificial fur is specially designed so as to minimise wind noise while remaining acoustically transparent.

The DeadCat VMP is a furry wind cover for the VideoMic Pro, designed for use in windy environments. Its artificial fur is specially designed so as to minimise wind noise while remaining acoustically transparent. The DeadCat VMP is compatible with the VideoMic Pro rubber-band models only.