The AC-22LX presents a new concept in acoustic amplification, bringing you a full-immersion playing experience realized through advanced BOSS spatial technology. Air Feel breathes life into the dry, sterile sound of standard acoustic instrument pickups, recreating the richly detailed tones captured by classic stereo acoustic microphone setups in world-class studio settings. The AC-22LX’s inspiring voice projects far beyond its compact size, infusing your amplified sound with depth, dimension, and natural acoustic resonance.
The Boss RC-500 Loop Station is a two-track stereo looper offering superior sound quality (32-bit AD/DA converters, 32-bit processor, 44.1 kHz sampling rate), 13 hours of recording time, a user-friendly interface with multicolor backlit LCD display, 99 memories for your loops, 57 preset rhythm accompaniments with A/B variations and support for control via external switches, expression pedal or MIDI.
The BOSS Katana-100 MkII is the latest installation in BOSS's esteemed line of Katana series amplifiers. And whether you're interested in accessing its pummeling 100-watt output section and platform-perfect 12-inch speaker to amplify your existing modelers and preamps, or in building your dream tones from the ground up to create the ultimate all-in-one gig and practice solution, the BOSS Katana-100 MkII is a powerful tool in the hands of any electric or acoustic player. Cab-emulated outputs and monitoring make the BOSS Katana-100 MkII a truly silent stage and studio guitar solution, while multichannel footswitch support provides hands-free remote access to every sound in your arsenal. New amp variations and access to 60 timeless BOSS effects within the BOSS Tone Studio editor make the 100 MkII a tone tweaker's holiday. There's even single-cable stereo operation for running dual Katanas from the stage — the perfect way to fill space in a single-guitar outfit.
The DUAL CUBE BASS LX is the most advanced compact CUBE bass amp yet, filled with evolved BOSS technologies for the ultimate home practice experience. This thunder box punches well above its size, delivering rich, full sound and a host of fun rhythm patterns to groove with. A generous array of connectivity options are also included, extending its range to performing, recording, and many other applications.
The BOSS RC-1 Loop Station's simple format gives you up to 12 minutes of a single loop to add interest and depth to your music. With mono and stereo connectivity, it gives you the flexibility you need to make full use of your stereo effects pedals and amplifiers, as well as synths and other instruments.
Step up to the RC-5 and prime your pedalboard with maximum looping range. Capture sound with premium 32-bit quality, navigate parameters and monitor loop status with the backlit LCD, and tap into expanded operation via the control jack and TRS MIDI I/O. And with over 50 rhythms, 13 hours of stereo recording, 99 phrase memories, and more, the compact RC-5 puts a deep well of musical power at your feet.
The New Looper RC300 Passes Over 3 Houres Of Recording. Roland Reaches A New Effective And Unique Revolution, With This Perfect Looper You Can Insert 99 Looping Memory Directly In The Machine.
Powered by their flagship GT-series engine, BOSS's GT-1 guitar multi-effects pedal packs their best amp models and effects into a compact floor unit. A streamlined interface makes choosing and tweaking patches quick and easy. Keep an eye on your parameters with the easy-to-read backlit LCD. Take command of your performance with the GT-1's assignable control switch and expression pedal. Enjoy a clean, noise-free signal, courtesy of 24-bit converters and BOSS's proprietary Adaptive Focus method. The BOSS GT-1 guitar multi-effects pedal fits easily in your gig bag, thanks to its smooth, modern design, and runs for up to seven hours on four AA batteries.
With five distinct amp "characters" to choose from, support for acoustic-electric guitars, and access to a wide range of customizable effects, the BOSS Katana 50 combo amplifier represents a new generation of flexible amplifiers for practice and performance. A set of familiar controls allow for fast tone shaping, and you can use the BOSS Tone Studio editor software to further customize your amp settings and effects. The Katana 50 is also equipped with a tilt-back stand so you can hear the amp better, and an adjustable Power Control that allows you to achieve cranked-amp tone at lower volume levels. For a does it all amplifier for electric and acoustic-electric guitar, you definitely need to check out the BOSS Katana 50 combo amp.
For 14 years, the famous BOSS FV-300 served as an industry-standard volume pedal. The tradition continued with the FV-50 series, but today, the bar has been raised with BOSS's new FV-500L (low-impedance) and FV-500H (high-impedance) pedals. These tank-tough die-cast pedals are designed to meet the needs of the most demanding customers. The pedals offer a new stylish design, a road-tough build, and comfortable, smooth action. Both models also provide an expression output for use with expression-compatible amps, effects, and even synthesizers.
The Boss FV-50L (low impedance) footswitch can be used in mono or stereo to control the volume of keyboards, effects racks, or any audio source with a line output level.
The GE-7 has seven bands ranging from 100Hz to 6.4kHz -- ideal for guitar sounds, with boost/cut of +/- 15dB per band. This lets you completely control your sound and eliminate unwanted feedback, particularly when connected after a distortion effect.
Some go so far as to say it's BOSS's best distortion pedal ever. We know that's a bold statement, but just wait until you hear it! It delivers distortion so nasty, gnarly, and just plain vicious that it'll leave permanent psychological scars.
Its unique dual-gain circuitry provides you with distortion tones that sound positively huge. You get insane levels of saturation, super-long sustain, and heavy mids and lows that are reminiscent of a stack of overdriven amps. On top of that, its 3-band EQ with semi-parametric midrange control delivers plenty of tone-shaping options, giving you command over a wide range of over-the-top distortion textures. Make no mistake - if you're a hard rock or metal guitarist, then the BOSS MT-2 Metal Zone distortion pedal should be an integral part of your tonal assault.
The BOSS DD-3 Digital Delay pedal makes it easy to add amazing delay effects to your guitar rig - and it's sized just right for any pedalboard! Housed in a rugged metal enclosure, the compact DD-3 Digital Delay provides rackmount-quality sound with three different settings for a range of effects. You can go from chorus-y shimmer to 800ms atmospheric repeats almost instantly, and a hold function lets you repeat a delay indefinitely while you play over it. You can use its additional direct output to play through a second amp for a true stereo delay setup, too. Plug into a time-tested pedal - get great textures and effects with the DD-3 Digital Delay!
With BOSS's popular OS-2 OverDrive/Distortion pedal, it's like having two in-your-face effects pedals in one. That's because, with it, you can produce all kinds of overdrive sounds, tons of distortion flavors, or a massive combination of the two. The OS-2 has four onboard controls (Level, Tone, Drive, and Color) which let you summon your sound. But, whether you drive it hard or give your tone just that perfect subtle crunch is up to you. Either way, you'll love the BOSS OS-2 with both single-coil and humbucking pickups.
Turbo Distortion Pedal gives you two turbo modes: warm and mild with flat frequency response, or screaming and hard with mid-boost! You choose - this pedal does both beautifully! The built-in remote jack allows you to connect an external footswitch (like the FS-5L) for instant, hands-free switching between modes.
Add vocal flair! The BOSS VE-20 is the must-have stompbox for any vocalist. Now you can add cool vocal effects to your stage performances whenever you want. With one stop, the VE-20 can give you lush vocal tones with reverb, delay, and 3-part harmonies. Or, you can go totally modern with special effects, including distortion, radio, and strobe. Want to loop your voice for cool sound-on-sound harmonies? It's no problem. There's even a 38-second phrase looper on the BOSS VE-20 Vocal Performer.
Get an entire guitar rig and pedalboard in one unit with the BOSS ME-80 guitar multi-effects processor. Utilizing the technology from the GT-100 and BOSS's Multi-Dimensional Processing (MDP) effects, the ME-80 delivers killer sounds. A COSM preamp section helps you build great amplifier tones, and eight footswitches give you access to compression, distortion, modulation, and delay effects and more. Each effects section uses dedicated knobs for each parameter, letting you dial in sounds quickly and intuitively. Harness the power of an entire store's worth of BOSS pedals with the BOSS ME-80 guitar multi-effects processor!
Create unique echo and ambiance effects with the BOSS TE-2 Tera Echo pedal. The TE-2 analyzes and breaks down your signal into multiple frequency bands, resulting in distinctive echo and ambiance effects you can't achieve with traditional delay pedals. This isn't your typical delay or reverb, it's an all-new echo effect. Stereo ins and outs make it perfect for expansive soundscaping.
When you want 3-voice guitar harmony, you don't need to call up two of your friends, just stomp on the PS-6 Harmonist, and prepare to be amazed! This little blue box packs intelligent Harmony, Pitch Shifter, and Detune modes. Plus, it sports BOSS's all-new Super Bend mode for crazy-cool pedal-bending effects and 3- and 4-octave pitch sweeps. The PS-6 Harmonist is an impressive creative tool and a lot of fun to use, a definite pedalboard must-have for the adventurous guitarist. Don't forget to add an expressional pedal to take full control of your PS-6 Harmonist harmony effects!
The BOSS OC-3 Super Octave pedal does more than simply add an octave effect to your guitar. You get three different modes, plus the ability to plug in a guitar or a bass. Choose between the cool Polyphonic Octave mode, the Drive mode (with distortion), and BOSS's original OC-2 mode. Whether you're going for mind-blowing psychedelic polyphonic sounds or want to add an aggressive edge to your solos, the OC-3 Super Octave has you covered. Since it has an independent bass input, you can use the OC-3 Super Octave for low-end workouts, too.
The BOSS RC-30 Loop Station is packed with stereo connectivity for everybody in the band. But what makes the BOSS RC-30 Loop Station extra cool is the fact that you have two independently controllable stereo loops to take control of. You can switch each stereo loop on or off, or add to either one. And with the rhythm guide and built-in effects, the creative possibilities of the RC-30 loop station are practically endless! After you've built up a complex loop series you love, you can transfer everything to your computer over USB so you'll never lose an inspired moment. Bottom line? You'll love the RC-30 Loop Station!
The NS-2 effectively eliminates noise and hum of the input signal while preserving the original sound's tonality. The natural attack and envelope are unaffected thanks to the NS-2's unique noise detection circuit that precisely separates the guitar sound and the noise components.
The BOSS CH-1 Super Chorus pedal offers up classic clean and shimmering chorus tones - it's arguably the best-selling chorus pedal on the planet, and a stellar pick for any guitarist or keyboardist. The CH-1's four onboard controls let you take charge of your chorus sound - there are effect level, EQ, rate, and depth controls. Crank up the rate for a dizzying psychedelic twist - or, pull back the rate, turn up the depth, and use the BOSS CH-1 in stereo for a lush, wide wave.
Enhanced sustain, tight control of dynamics, fatter sound. . . all from one pedal! The CS-3 gives you smooth sustain without degrading the quality of the original sound. A range of effects from gentle compression to squeezed sounds is at your command. Designed for outstanding low-noise performance, the CS-3 also provides EQ for precise sonic control.
The BOSS VE-2 Vocal Harmonist effects processor proves that you don't have to drop a ton of cash or lug around a pedalboard-sized gadget to get the vocal processing you really want. This compact device is so easy to use, you don't have to know a thing about music gear or music theory to dial in the perfect harmony or effects, and with a push of a button, you'll get instant studio magic. Plug in a guitar, and the VE-2 becomes more impressive still, using the chords you play to determine the harmonies it creates. What's more, you can run the VE-2 on just four AA batteries for totally portable operation, and USB connectivity even lets you take your favorite vocal effects into the studio.
The BOSS GT-001 amplifier/effects modeler and USB audio interface makes it easy to record outstanding guitar tone right at your desktop. This compact guitar processor packs the latest COSM amp and effects models from BOSS, giving you access to a wide range of guitar tones suitable for virtually any musical style. You're even equipped for recording vocals or acoustic guitar with the XLR mic input. You can even play your favorite virtual instruments with the built-in guitar-to-MIDI converter
Harnessing the power and potential of Roland's GK technology has never been easier or more affordable than it is with the BOSS GP-10. The GP-10 multi-effects processor lets you use your axe to harness a wide range of guitar, bass, and synth tones, including the classic Roland GR-300! But that's just the beginning. You can easily access alternative tunings and 12-string sounds as well, or tap into a massive collection of COSM amps and effects. Top it off with USB connectivity that lets you send both audio and MIDI to your computer, and there's no limit to what you can do with a BOSS GP-10.
The BOSS RV-6 is a great way to add reverb to your pedalboard. It's as easy as selecting a sound mode and tweaking a few knobs. The RV-6 takes advantage of cutting-edge technology to provide you with eight sophisticated, highly musical reverb effects that range from room, hall, and plate algorithms to vintage-style spring reverb to immersive, modern-sounding textures. Plus, Dynamic Mode automatically adjusts to your playing for lush ambience that won't turn your tone to mud. The BOSS RV-6 comes complete with auto-switching for easy integration into your rig, an expression pedal input, and a superb-sounding analog signal path.
The BOSS SD-1 produces the warm, smooth distortion of an overdriven tube amplifier while maintaining the subtle nuances of your picking technique. Unique asymmetric overdrive circuitry delivers a genuine overdrive effect for a classic guitar sound. A Tone control is also provided for precise tonal adjustment.
The BOSS GEB-7 is a 7-band equalizer created specifically for the frequency range of the electric bass. The EQ bands can be boosted or cut up to 15dB, while a gain control also offers a +/-15dB range. Since the GEB-7's frequency range extends down to 50Hz, it's also great for adding depth and bottom end to acoustic guitars.
Two switches in one, BOSS's new FS-6 combines latch- and momentary-type switching into one unit. With two switches conveniently housed side-by-side, the FS-6 allows each switch to be set for latch or momentary operation. Pick the configuration that best suits your playing style and setup.
The BOSS VE-8 Acoustic Singer has all the processing power you need for your voice and guitar, so you can travel light. You can drum out beats and perform over them via the 80-second looper, add intelligent vocal harmonies on the spot, and dial in new textures - like vocal distortion and guitar octaves - for dynamic stage performances. Onboard pitch correction even helps you hit those awkward notes. You can then send pre-mixed or independent signals to your acoustic amp and PA via two sets of stereo outputs. Though its simple layout makes the BOSS VE-8 perfect for the stage, direct DAW recording over USB and an auxiliary audio input for your phone make this pedal a staple for your studio or practice space.
