The Boss TU3 is a tuner pedal ultra accurate! Tuning range: C0 (16.35Hz) ~ C8 (4186Hz), 21-segment meter (LED) with light intensity control

The PSA series is the recommended power supply for products including all new BOSS Compact and Twin pedals, Multi-effects and more.

 The GE-7 has seven bands ranging from 100Hz to 6.4kHz -- ideal for guitar sounds, with boost/cut of +/- 15dB per band. This lets you completely control your sound and eliminate unwanted feedback, particularly when connected after a distortion effect.

Some go so far as to say it's BOSS's best distortion pedal ever. We know that's a bold statement, but just wait until you hear it! It delivers distortion so nasty, gnarly, and just plain vicious that it'll leave permanent psychological scars.

Its unique dual-gain circuitry provides you with distortion tones that sound positively huge. You get insane levels of saturation, super-long sustain, and heavy mids and lows that are reminiscent of a stack of overdriven amps. On top of that, its 3-band EQ with semi-parametric midrange control delivers plenty of tone-shaping options, giving you command over a wide range of over-the-top distortion textures. Make no mistake - if you're a hard rock or metal guitarist, then the BOSS MT-2 Metal Zone distortion pedal should be an integral part of your tonal assault.

The BOSS DD-3 Digital Delay pedal makes it easy to add amazing delay effects to your guitar rig - and it's sized just right for any pedalboard! Housed in a rugged metal enclosure, the compact DD-3 Digital Delay provides rackmount-quality sound with three different settings for a range of effects. You can go from chorus-y shimmer to 800ms atmospheric repeats almost instantly, and a hold function lets you repeat a delay indefinitely while you play over it. You can use its additional direct output to play through a second amp for a true stereo delay setup, too. Plug into a time-tested pedal - get great textures and effects with the DD-3 Digital Delay!

With BOSS's popular OS-2 OverDrive/Distortion pedal, it's like having two in-your-face effects pedals in one. That's because, with it, you can produce all kinds of overdrive sounds, tons of distortion flavors, or a massive combination of the two. The OS-2 has four onboard controls (Level, Tone, Drive, and Color) which let you summon your sound. But, whether you drive it hard or give your tone just that perfect subtle crunch is up to you. Either way, you'll love the BOSS OS-2 with both single-coil and humbucking pickups.

Create unique echo and ambiance effects with the BOSS TE-2 Tera Echo pedal. The TE-2 analyzes and breaks down your signal into multiple frequency bands, resulting in distinctive echo and ambiance effects you can't achieve with traditional delay pedals. This isn't your typical delay or reverb, it's an all-new echo effect. Stereo ins and outs make it perfect for expansive soundscaping.

When you want 3-voice guitar harmony, you don't need to call up two of your friends, just stomp on the PS-6 Harmonist, and prepare to be amazed! This little blue box packs intelligent Harmony, Pitch Shifter, and Detune modes. Plus, it sports BOSS's all-new Super Bend mode for crazy-cool pedal-bending effects and 3- and 4-octave pitch sweeps. The PS-6 Harmonist is an impressive creative tool and a lot of fun to use, a definite pedalboard must-have for the adventurous guitarist. Don't forget to add an expressional pedal to take full control of your PS-6 Harmonist harmony effects!

The BOSS OC-3 Super Octave pedal does more than simply add an octave effect to your guitar. You get three different modes, plus the ability to plug in a guitar or a bass. Choose between the cool Polyphonic Octave mode, the Drive mode (with distortion), and BOSS's original OC-2 mode. Whether you're going for mind-blowing psychedelic polyphonic sounds or want to add an aggressive edge to your solos, the OC-3 Super Octave has you covered. Since it has an independent bass input, you can use the OC-3 Super Octave for low-end workouts, too.

The BOSS RC-30 Loop Station is packed with stereo connectivity for everybody in the band. But what makes the BOSS RC-30 Loop Station extra cool is the fact that you have two independently controllable stereo loops to take control of. You can switch each stereo loop on or off, or add to either one. And with the rhythm guide and built-in effects, the creative possibilities of the RC-30 loop station are practically endless! After you've built up a complex loop series you love, you can transfer everything to your computer over USB so you'll never lose an inspired moment. Bottom line? You'll love the RC-30 Loop Station!

The NS-2 effectively eliminates noise and hum of the input signal while preserving the original sound's tonality. The natural attack and envelope are unaffected thanks to the NS-2's unique noise detection circuit that precisely separates the guitar sound and the noise components.

The BOSS CH-1 Super Chorus pedal offers up classic clean and shimmering chorus tones - it's arguably the best-selling chorus pedal on the planet, and a stellar pick for any guitarist or keyboardist. The CH-1's four onboard controls let you take charge of your chorus sound - there are effect level, EQ, rate, and depth controls. Crank up the rate for a dizzying psychedelic twist - or, pull back the rate, turn up the depth, and use the BOSS CH-1 in stereo for a lush, wide wave.

Enhanced sustain, tight control of dynamics, fatter sound. . . all from one pedal! The CS-3 gives you smooth sustain without degrading the quality of the original sound. A range of effects from gentle compression to squeezed sounds is at your command. Designed for outstanding low-noise performance, the CS-3 also provides EQ for precise sonic control.

The BOSS RV-6 is a great way to add reverb to your pedalboard. It's as easy as selecting a sound mode and tweaking a few knobs. The RV-6 takes advantage of cutting-edge technology to provide you with eight sophisticated, highly musical reverb effects that range from room, hall, and plate algorithms to vintage-style spring reverb to immersive, modern-sounding textures. Plus, Dynamic Mode automatically adjusts to your playing for lush ambience that won't turn your tone to mud. The BOSS RV-6 comes complete with auto-switching for easy integration into your rig, an expression pedal input, and a superb-sounding analog signal path.

Here's a reissue of the original Ibanez TS9 Tube Screamer distortion/overdrive pedal for an incredibly reasonable price. The TS9 Tube Screamer is one of the most imitated classic distortion pedals ever made. Now you can get your hands on a reissue that's every bit as authentic as an original. In fact, this TS9 Tube Screamer features the same components, housing, and seasick-green paint used to make the original models. They're even made in the same factory! What's even more important is that the sound is dead on. Discover classic stompbox distortion and drive - plug into an Ibanez TS9 Tube Screamer!

The Ibanez Tube Screamer, in its many versions and forms, can be found on pedal boards in every corner of the globe, on arena stages and in small studios and bedrooms. Its warm overdrive is a sound many players, from advanced to beginner, could never do without. Now, it gets even better with the release of the TS808HW, a Hand-Wired deluxe Tube Screamer built with the pro musician in mind.

The Ibanez Tube Screamer is a modern legend, revered for its creamy, organic overdrive. The TS808DX Tube Screamer Overdrive Pro Deluxe rocks the coveted TS808 circuit along with a clean boost - giving you two essential guitar pedals in one. Use them together or separately for classic, tubelike TS overdrive - always at the right level. The TS808DX features a pre/post switch, letting you define your signature sound by placing the boost either before or after the TS circuit. This high-quality Japanese-made pedal gives you true bypass, in addition to 9/18-volt operation.

A painstaking re-creation of the 1979 "narrow box" Overdrive Pro TS808, the Ibanez TS808 35th Anniversary overdrive pedal uses the same JRC4558D chip as the original, giving you truckloads of authentic Tube Screamer tone. Built like a vintage MXR pedal, the 1979 TS808 had a removable bottom plate and no plastic battery cover. Also, the 1979 TS808's Level knob was labeled Balance, and its external power jack was next to its input jack. Nonetheless, the 1979 TS808 still gave you that unmistakable Tube Screamer overdrive that is part of so many legendary guitar players' signature sound.

You’ll find the Ibanez TS9 Tube Screamer (or a clone of one) on countless pedalboards — it’s one of the most-imitated pedals out there. Its rich midrange growl and dynamic touch sensitivity are unmatched. And in front of a raging tube stack? No other pedal can duplicate that classic saturated sound.

Plug into the Ibanez TS808 Tube Screamer overdrive effects pedal, and you're plugging into thick and overdriven tube-style tone. This green beast is a classic - not to mention a modern pedalboard staple. The original Tube Screamer propelled into fame when Stevie Ray Vaughan used it to craft his signature tone. Today, those original TS808 Tube Screamers go for serious coin on the collector's market, but with this reissue, you can get those same sought-after tones, without breaking the bank. Push your amp, round out your tone: load up with the Ibanez TS808 Tube Screamer.

You can turn practically any guitar amplifier into a fire-breathing metal monster with the Ibanez Super Metal Mini pedal. The all-analog circuitry maintains the full intensity and girth of your core guitar tone, and you've got impressive sound-sculpting potential with the Super Metal Mini. Edge, Punch, and Attack controls allow you to fine-tune your distorted tone until it wails just right.

The Ibanez / Maxon OD 850 has always been a real insider's tip, but the term "Overdrive" is not quite true: the circuit is the Japanese interpretation of the good, old Muff circuit from the 70s! Not overdrive, but fuzz and distortion are called for. From sawing fuzz to singing violin, everything is possible - a cool 70's brass sound. In the direct comparison with the old originals, it is noticeable that the noise level of the current version is significantly lower.

With its ultra-compact size, the Ibanez Analog Delay Mini pedal packs true analog delay tone that can fit on even the most cramped pedalboards. You'll be able to dial in everything from short slapbacks to echoes with the 20ms to 600ms delay time range. The signal path is 100% analog, and true bypass switching completely takes the effect out of your guitar's signal path when disengaged.

Ibanez designed the ES2 Echo Shifter analog delay pedal to bring you a surprisingly wide range of creative delay effects with digital-like control. The ES2 Echo Shifter gives you a 30ms-1000ms delay range with tap tempo, and you can even adjust the tempo on the fly without pitch artifacts like some analog delays. You can add pitch modulation for rich, animated delay effects. The oscillation mode lets you create wild psychedelic chaos.

It's hard to beat the sound of real analog chorus for adding vibrant richness to your guitar tone, and the Ibanez Chorus Mini effects pedal serves it up in a compact pedal that can fit on any pedalboard. Speed, Depth, and Level controls make short work of dialing everything from gentle shimmering clean tones to extreme warbles. The 100% analog signal path maintains your guitar's tonal essence, while true bypass switching completely removes the effect from your signal path when disengaged.

Sometimes it's best to keep it simple. Which is why, in a world of dizzying often over-complex technology, the durable, dependable, and simple stomp box continues to be the most widely used and effective means to expand, color, distort, mutate, sustain, and twist tone. The Ibanez BB9 is a booster that provides a fat bottom end with a powerful sound, perfect for the player who wants to push their amp into overdrive without losing any of their low-end. This pedal is designed to help clean tones reverberate even more and bring more intensity to a player's sound. Combine it with a distortion pedal to create of a wide variety of tone colors. BB9 is also equipped with True Bypass switching. Features: Drive, Level, Tone Controls Tons of Volume True Bypass Switch High Intensity LED Input impedance 500K ohms Output impedance 10K ohms Equivalent Input Noise ?100 dBm (IHF-A) Power Supply One 9 Volt Battery or external AC adaptor (9V) Size 4.9(D) × 3(W) × 2(H)inch Weight 1.3 lbs.

Ever wonder how virtuoso guitarist Paul Gilbert gets that crazy flange effect he's known for? Here it is in one handy stompbox: the Ibanez Paul Gilbert Signature AF2 AIRPLANE Flanger. Really, the AF2 AIRPLANE Flanger is more like two pedals in one. First there's the TAXI section, which is more or less a traditional chorus/flange effect. Switch the AF2 AIRPLANE Flanger over to TAKEOFF, and the effect shifts into high gear. To go with this unique pedal's distinct sound, Ibanez designed a cool retro-style die-cast chassis. If you're looking for an intense modulation effect to add to your arsenal, make it the Ibanez Paul Gilbert Signature AF2 AIRPLANE Flanger!

Pedal Cases black

The EVH Wah was developed after intensive design collaboration with the legendary guitarist, Eddie Van Halen. Early on in the process, Eddie handed over his Holy Grail Cry Baby Wah-a standard Cry Baby customized in the early Nineties with a more vocal-like, High Q inductor and a wider frequency sweep. Amazingly, we found that over the years Eddie's unique wah style, which uses mostly the middle range of the pedal's action, had carved his own curve into the pot's resistive element, making the middle range even more defined and increased the low-end sweep. Our clones of the worn-in pot and hand-selected inductor give the new EVH Wah Wah the same Holy Grail feel and tone, and its true hardwire bypass, dual bright blue bypass LEDs, and graphics based on the black and yellow-striped guitar featured on Van Halen II round out this EVH-approved Cry Baby with a voice and look all its own.